Orville Peck’s Pony is available now worldwide on CD/LP/DL through Sub Pop, and on Royal Mountain Records in Canada.
Pony, which features the lead single and official video for “Dead of Night,” along with “Turn to Hate,” “Buffalo Run,” and “Big Sky,” was produced by Orville Peck, recorded and mixed by Jordan Koop at The Noise Floor on Gabriola Island, British Columbia and mastered by Harris Newman at Grey Market Mastering in Montreal, Quebec. Purchase your copy from our Mega Mart today.
Orville Peck has extended his North American touring schedule with newly added Canadian dates. The tour begins on April 11th in Ottawa, ON at the Dominion Tavern and now ends May 26th in Winnipeg, MB at West End Culture Center. Additionally, Orville Peck will join Lord Huron for a series of dates (May 6th-7th; 9th-12th).
Apr. 11 - Ottawa, ON - The Dominion Tavern Apr. 12 - Montreal, QC - Casa Del Popolo Apr. 13 - Toronto, ON - The Great Hall Apr. 14 - Hamilton, ON - The Casbah Apr. 23 - Cambridge, MA - Great Scott Apr. 25 - Philadelphia, PA - The Boot & Saddle Apr. 26 - Brooklyn, NY - Zone One @ Elsewhere Apr. 27 - Baltimore, MD - Metro Gallery Apr. 28 - Richmond, VA - The Camel Apr. 30 - Pittsburg, PA - Andy Warhol Museum May 01 - Lakewood, OH - Mahall’s May 02 - Detroit, MI - Lager House May 03 - Chicago, IL - Empty Bottle May 04 - Nashville, TN - The High Watt May 06 - Columbia, MO - The Blue Note* May 07 - Oklahoma City, OK - The Criterion* May 08 - Austin, TX - The Mohawk May 09 - El Paso, TX - Lowbrow Palace* May 10 - Albuquerque, NM - Sunshine Theatre* May 11 - Tucson, AZ - Rialto Theatre* May 12 - Phoenix, AZ - The Van Buren* May 13 - Los Angeles, CA - The Moroccan Lounge May 17 - Portland, OR - Mississippi Studios May 18 - Seattle, WA - Barboza May 19 - Vancouver, BC - The Wise Hall May 23 - Calgary, AB - Commonwealth Bar & Stage May 24 - Edmonton, AB - The Starlite Room May 25 - Saskatoon, SK - Amigos Cantina May 26 - Winnipeg, MB - West End Culture Center
The band will perform Our Endless Numbered Days in its entirety (and with an orchestra) in Cincinnati, Los Angeles and Washington, D.C.
Sub Pop and Iron & Wine celebrate the 15th anniversary of Our Endless Numbered Days with the release of a newly expanded deluxe edition on CD/2xLP/DL and it’s in stores now. This version features eight previously never before heard demos, new artwork, and a 12-page booklet including liner notes from author Amanda Petrusich. You can hear the demo version of ”Passing Afternoon” here.
Iron & Wine received its second Grammy nomination in two years as “Best Folk Album” for 2018’s Weed Garden. Their previous nomination was for “Best Americana Album” for 2017’s Beast Epic.
Our Endless Numbered Days (Deluxe Edition) is available from Sub Pop and independent retailers.
Calexico and Iron & Wine today announce Years to Burn, their first full–length album together, available June 14th via City Slang in the UK/Europe and Sub Pop in the rest of the world. Now hear lead track entitled “Father Mountain” and see that an extensive North American, European, and UK tour has been announced with more dates to be added in the coming weeks. See all dates below.
Calexico and Iron & Wine first made an artistic connection with In the Reins, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s “Rolling Thunder Revue” that cemented the bond. Their metaphorical roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could. Although they often talked about rekindling their collaboration in the studio and on stage, it wasn’t until last year that their schedules aligned.
Years to Burn can’t help but be different from In the Reins. Back then, Calexico entered the studio with a long list of previous collaborations (first in Giant Sand, then backing the likes of Victoria Williams and Richard Buckner) and the knowledge that they loved Sam’s voice and his songs, but wondered if his material was so complete and self-contained that it lacked a way in, so hushed and delicate that it might be overwhelmed. For his part, Beam had been intimidated by their virtuosic playing and their deep comfort in an encyclopedic array of styles. “In my mind, I was a guy who knew three chords and recorded in a closet,” Sam says. “They were playing big stages and were superb musicians.”
Those fears were dispelled quickly. Calexico was bowled over by Beam’s many talents: “The arranging, the writing, his sense of rhythm, the quality of his vocals—and then there’s the experimental side of Sam,” Joey says. “They were the perfect band at the perfect time for me,” Sam adds. “I loved all their different sounds. They’re musical anthropologists, not regurgitating but absorbing what they discover.” Nearly 15 years on, “coming back to the project has to do with acknowledging how much impact the first record had for me in my life.”
Years to Burn was recorded in Nashville with noted producer Matt Ross-Spang over the course of five days at Sound Emporium, a fabled studio founded in the sixties by Cowboy Jack Clement and the site of countless landmark sessions in country and rock over the ensuing decades. It features contributions from veteran Calexico trumpet player Jacob Valenzuela and Paul Niehaus on pedal steel, along with frequent Beam cohorts Rob Burger (Tin Hat Trio) on piano and Sebastian Steinberg (Soul Coughing, Fiona Apple) on bass.
Years to Burn features ten new original compositions. While Beam wrote all the songs for In the Reins, this recording features contributions from both Beam and Burns as well as from Convertino and those featured on the record. While the two may have taken differing approaches to songwriting, the spirit of collaboration was alive and well in the studio; Sam shared demos ahead of time and was ready for the others to contribute with arrangement ideas and instrumental parts, while Joey spontaneous as ever, came in with concepts and an eagerness to improvise.
“Life is hard. Awesome. And scary as shit. But it can lift you up if you let it,” Sam offers. “These are the things Joey and I write about now. And the title can encapsulate a lot of things. ‘Years to Burn’ could mean you’re cocky, you’ve got it made. Or, our life is ours to burn, to be inspired. Or you’re burned by life, brutalized. It’s an ambiguous title, because life is complicated. Let’s not talk like teenagers about love, desire, pain, ‘cause we’re not teenagers. And that’s not a bad thing.”
“This project had to find the right time,” Joey concludes. “We’re all different people than we were in 2004, and music helps to bridge some of the gaps. For all the things going on in our world and in each of our lives, this connection, this friendship, this love that we have—this album is a vehicle for that bond. It’s a chance to see where we’re at, take stock and be there for our friends.”
Years to Burn is now available for pre-order from Sub Pop (and via City Slang in the UK/Europe). LP pre-orders in North America through megamart.subpop.com, and select independent retailers will receive the limited Loser edition on green colored vinyl (while supplies last) PLUS - 225 randomly selected pre-orders will receive a special lithograph signed by the artists. For more information on Years to Burn, the full bio is available here.
Years to Burn - Tracklisting
1. What Heaven’s Left
2. Midnight Sun
3. Father Mountain
4. Outside El Paso
5. Follow The Water
6. The Bitter Suite (Pájaro / Evil Eye / Tennessee Train)
7. Years To Burn
8. In Your Own Time
Calexico and Iron & Wine Tour Dates
Jun. 18 - Saxapahaw, NC - River Ballroom
Jul. 19 - Lisbon, PT - Super Bock Super Rock
Jul. 20 - Sat Arlesheim, CH - Stimmen Festival
Jul. 22 - Milano, IT - La Triennale di Milano
Jul. 23 - Gardone Riviera, IT - Anfiteatro del Vittoriale
Jul. 24 - Rome, IT - Villa Ada
Jul. 25 - Florence, IT - Cavea del Nuovo Teatro dell’opera
Jul. 26 - Monoforte D’ Alba, IT - Auditorium Horszowski
Jul. 28 - Vienna, AT - Konzerthaus
Jul. 29 - Palma, ES - Auditorium de Palma de Mallorca
Jul. 31 - Hamburg, DE - Stadtpark
Aug. 02 - Cambridge, UK - Cambridge Folk Festival
Aug. 03 - Leuven, BE - M-idzommer Festival
Aug. 04 - Crozon, FR - Festival Du Bout Du Monde
Aug. 06 - Phoenix, AZ - Orpheum Theatre
Aug. 17 - Tucson, AZ - Rialto Theatre
Aug. 21 - Ogden, UT - Twilight Series at Ogden Amphitheater
Aug. 22 - Boise, ID - Knitting Factory
Aug. 23 - Portland, OR - Keller Auditorium
Aug. 24 - Vancouver, BC - Vogue Theatre
Sep. 09 - Sun North Adams, MA - FreshGrass Festival
Orville Peck shares the official video for melancholic rocker “Turn to Hate,” from Pony, his full-length debut, directed by Peck and Carlos Santolalla.
Orville offers this on the visual, “The video was filmed on a sweaty December evening in East Los Angeles. Peck performs on a broken down stage, while a group of his friends, Caballeros & eager misfits compete for the cup in a smoke-filled, neon bull riding contest. Special thanks to Kareen Sandoval, Patrick McElroy, MPC New York, Chloe Parks, Stef Albertyn and Brendan Smith (see also Noisey interview March 20th).”
Orville Peck’s Pony will be available on CD/LP/DL this Friday, March 22nd worldwide through Sub Pop, with the exception of Canada where the album will be released by Royal Mountain Records.
Pony, which features the lead single and official video for “Dead of Night,” along with the aforementioned “Turn to Hate,” “Buffalo Run,” and the previously released “Big Sky,” was produced by Orville Peck, recorded and mixed by Jordan Koop at The Noise Floor on Gabriola Island, British Columbia and mastered by Harris Newman at Grey Market Mastering in Montreal, Quebec. You can hear the album in entirety via The FADER (see interview March 14th).
Orville Peck has extended his North American touring schedule with newly added Canadian dates. The tour begins on April 11th in Ottawa, ON at the Dominion Tavern and now ends May 26th in Winnipeg, MB at West End Culture Center. Additionally, Orville Peck will join Lord Huron for a series of dates (May 6th-7th; 9th-12th). Tickets for the new Canadian shows go on sale Friday, March 22nd at 10 am (local time).
Apr. 11 - Ottawa, ON - The Dominion Tavern Apr. 12 - Montreal, QC - Casa Del Popolo Apr. 13 - Toronto, ON - The Great Hall Apr. 14 - Hamilton, ON - The Casbah Apr. 23 - Cambridge, MA - Great Scott Apr. 25 - Philadelphia, PA - The Boot & Saddle Apr. 26 - Brooklyn, NY - Zone One @ Elsewhere Apr. 27 - Baltimore, MD - Metro Gallery Apr. 28 - Richmond, VA - The Camel Apr. 30 - Pittsburg, PA - Andy Warhol Museum May 01 - Lakewood, OH - Mahall’s May 02 - Detroit, MI - Lager House May 03 - Chicago, IL - Empty Bottle May 04 - Nashville, TN - The High Watt May 06 - Columbia, MO - The Blue Note* May 07 - Oklahoma City, OK - The Criterion* May 08 - Austin, TX - The Mohawk May 09 - El Paso, TX - Lowbrow Palace* May 10 - Albuquerque, NM - Sunshine Theatre* May 11 - Tucson, AZ - Rialto Theatre* May 12 - Phoenix, AZ - The Van Buren* May 13 - Los Angeles, CA - The Moroccan Lounge May 17 - Portland, OR - Mississippi Studios May 18 - Seattle, WA - Barboza May 19 - Vancouver, BC - The Wise Hall May 23 - Calgary, AB - Commonwealth Bar & Stage May 24 - Edmonton, AB - The Starlite Room May 25 - Saskatoon, SK - Amigos Cantina May 26 - Winnipeg, MB - West End Culture Center
Weyes Blood directs, stars in and breaks through the fourth wall in her gorgeous new video for “Movies,” a standout from Titanic Rising. The video was directed by and stars Natalie Mering, and like the album cover, includes footage filmed underwater.
Of it, she says, “We are enamored with Movies. Our generation is the most cinematically saturated of all time. Videotapes, DVD’s, streaming… Spielberg…all of it has thrust us into an endless loop of consumption. They provide formative experiences as children, standing larger than life before our fragile adolescent minds. I wanted to take a look into the emotionally manipulative powers of Movies - how have Movies succeeded in telling the myths of our time? How have they failed (miserably)? What is the consequent effect on a society of beings looking for themselves in the myths on the screen? It’s safe to say that they have failed us, but I can’t help it…I love Movies.”
Weyes Blood will release Titanic Rising, her fourth album and Sub Pop records debut, worldwide on CD/LP/DL/CS April 5th, 2019. The album features the lead single “Everyday,” and the previously released “Andromeda,” along with highlights “Something to Believe,” “Wild Time,” and the aforementioned “Movies.” The cover for Titanic Rising was shot in a bedroom submerged fully underwater by photographer Brett Stanley (zero CGI).
Weyes Blood’s previously announced “True Love is Making a Comeback Tour” in support of Titanic Rising runs April 1st-June 13th, 2019.
True Love is Making a Comeback Tour 2019 California Apr. 01 - Fresno, CA - Strummers Apr. 02 - Santa Cruz, CA - The Atrium at The Catalyst Apr. 03 - Santa Barbara, CA - Velvet Jones Apr. 04 - Los Angeles, CA - Masonic Lodge [Sold Out]
UK/Europe Apr. 22 - Brighton, UK - The Haunt Apr. 23 - Bristol, UK - The Exchange Apr. 24 - Manchester, UK - YES (The Pink Room) Apr. 25 - London, UK - Islington Assembly Hall Apr. 27 - Berlin, DE - Kantine am Berghain Apr. 28 - Hamburg, DE- Turmzimmer Apr. 29 - Amsterdam, NL - Paradiso Upstairs Apr. 30 - Dunkerque, FR - 4Ecluses May 02 - Paris, FR - La Maroquinerie May 03 - Orleans, FR - Astrolabe May 04 - Brussels, BE - Le Nuits Botanique (Venue: Rotonde)
North America May 14 - San Francisco, CA - The Independent May 16 - Seattle, WA - The Tractor Tavern May 17 - Vancouver, BC - St. James Hall May 18 - Portland, OR - Doug Fir Lounge May 21 - Minneapolis, MN - Turf Club May 22 - Chicago, IL - Lincoln Hall May 24 - Toronto, ON - Horseshoe Tavern May 25 - Montreal, QC - Petit Campus May 26 - Portland, ME - SPACE Gallery May 28 - Cambridge, MA - The Sinclair May 29 - New York, NY - Music Hall of Williamsburg May 31 - Washington, DC - U Street Music Hall Jun. 01 - Philadelphia, PA - Johnny Brenda’s Jun. 03 - Atlanta, GA - The Earl Jun. 04 - Nashville, TN - The High Watt Jun. 06 - Dallas, TX - Club Dada Jun. 07 - Houston, TX - White Oak Music Hall (upstairs) Jun. 08 - Austin, TX - Antone’s Jun. 10 - El Paso, TX - Lowbrow Palace Jun. 11 - Santa Fe, NM - Meow Wolf Jun. 12 - Phoenix, AZ - Valley Bar Jun. 13 - Los Angeles, CA - The Troubadour
Titanic Rising is available for pre-order from Sub Pop. LP pre-orders in North America through weyesblood.com, megamart.subpop.com, and select independent retailers will receive the limited Loser edition on maroon colored vinyl (while supplies last). LP preorders of Titanic Rising throughout the UK and Europe from select independent retailers will receive the limited Loser edition on red vinyl (while supplies last). There will also be a new T-shirt design available.
