Late summer & fall tour schedule includes headlining shows plus support for Superorganism on US dates.
Yuno’s new dates will be in support of Moodie, his Sub Pop debut, out June 15th. In celebration of today’s announcement, Yuno is also sharing “Fall In Love,” a new offering and highlight from Moodie.
Yuno Tour Dates + Ticket Links
Jacksonville’s Yuno will support Domino Recording artists Superorganism on their late summer/fall US tour, beginning August 30th in Portland at Wonder Ballroom and ending September 26th at The Independent in San Francisco. Preceding and along the tour, Yuno has scheduled a few headlining dates, including: a hometown performance in Jacksonville at Jack Rabbits (August 18th); And select midwestern-western US dates (August 24th-28th; September 7th + 9th; September 12th; September 24th). Tickets for Yuno’s headlining dates are on sale now.
Aug. 18 - Jacksonville, FL - Jack Rabbits Aug. 23 - St. Louis, MO - Ready Room Aug. 24 - Omaha, NE - Reverb Aug. 25 - Denver, CO - Larimer Lounge Aug. 27 - Salt Lake City, UT - Kilby Court Aug. 28 - Boise, ID - Funky Taco Aug. 30 - Portland, OR - Wonder Ballroom* Aug. 31 - Vancouver, BC - Imperial* Sep. 01 - Seattle, WA - Bumbershoot Sep. 04 - Kansas City, MO - Riot Room* Sep. 06 - Columbus, OH - A+R Bar* Sep. 07 - Detroit, MI - Underground at Dime Sep. 09 - Toronto, ON - The Garrison Sep. 10 - Brooklyn, NY - Brooklyn Steel* Sep. 11 - Boston, MA - The Sinclair* Sep. 12 - Washington, D.C. - Rock N Roll Hotel Sep. 13 - Philadelphia, PA - Union Transfer* Sep. 17 - Dallas, TX - Trees* Sep. 18 - Houston, TX - White Oak* Sep. 19 - Austin, TX - Emo’s* Sep. 22 - Los Angeles, CA - Fonda Theatre* Sep. 24 - San Diego, CA - The Casbah Sep. 25 - Pomona, CA - The Glasshouse* Sep. 26 - San Francisco, CA - The Independent* * w/ Superorganism
[Photo Credit: Yuno]
Yuno will release Moodie, his first-ever collection of songs, worldwide through Sub Pop on June 15th, 2018. The six-song effort features the breakout single ‘No Going Back’ along with the aforementioned ‘Fall In Love’ and ‘Why For.’ Moodie was written, performed, and produced by Yuno. Preorder Moodiehere now.
Today, Melbourne’s Rolling Blackouts Coastal Fever share a new song off their highly anticipated debut album, Hope Downs (out 6/15 on Sub Pop). You can view the lyric video to album opener “An Air Conditioned Man” below, which accurately captures the sonic urgency of the song as a car flies through a city at night. The song’s denouement is mirrored by a similarly calming car wash as the video ends.
[Photo Credit: Maclay Heriot]
Rolling Blackouts Coastal Fever Tour Dates + Ticket Links
The band just completed a triumphant US tour on the heels of their Coachella performance, selling out venues in cities they were performing in for the first time. Don’t worry if you missed them, though, they will be returning stateside before you know it.
Thu, May 17th, Brighton, UK @ The Great Escape Festival Fri. May 18 - Nottingham, UK @ Rescue Rooms Sun. May 20 - Glasgow, UK @ CCA: Centre for Contemporary Arts Mon. May 21 - Manchester, UK @ Gorilla - SOLD OUT Tue. May 22 - London, UK @ Electric Ballroom Thu. May 24 - Paris, FR @ Point Ephemere Sat. May 26 - Amsterdam, NL @ London Calling at Paradiso Sun. May 27th, Groningen, NL @ Vera Mon. May 28 - Hamburg, DE @ Molotow Tue. May 29 - Berlin, DE @ Lido Thu. May. 31 - Brussels, BE @ AB Club Sat. June 2 - Barcelona, ES @ Primavera Sound Tue. June 5 - St. Albans, UK @ The Horn Wed. June 6 - Birmingham, UK @ The Hare & Hounds Thu. June 7 - Guildford, UK @ Boileroom Fri. June 8 - Porto, PT @ Primavera Porto
Sun. July 22 - North Byron Parklands, AUS @ Splendour in the Grass Sat. Aug. 11 - Rees-Haldern, DE @ Haldern Pop Festival Thu. Aug. 16 - Trondheim, NO @ Pstereo Festival Fri. Aug. 17 - Bigginghuizen, NL @ Lowlands Festival Sat. Aug. 18 - Kiewit, BE @ Pukklepop Festival Sun. Aug. 19 - Brecon Beacons, UK @ Green Man Festival
Tue. Aug. 21 - Dublin, IRL @ Whelans
Sat. Sep. 1 - Seattle, WA @ Bumbershoot Festival
Hope Downs is now available for pre-order here and will come in the following formats:
- Standard LP on black vinyl - The limited Loser edition LP on light ice blue vinyl (while supplies last!) - CD - Cassette - Digital
7 is now available worldwide from Sub Pop, with the exception of Europe and Australia/New Zealand, where the album is available from Bella Union and Mistletone, respectively.
Beach House’s 7, the group’s incredible, acclaimed new album, is out worldwide today on CD/LP/DL/CS from Sub Pop, Bella Union (in Europe) and Mistletone (in Australia/New Zealand). All of the songs on 7began in Beach House’s home studio in Baltimore, and were finished at Carriage House in Stamford, CT and Palmetto Studio in Los Angeles. The album was produced by Beach House and Sonic Boom, and mixed by Alan Moulder.
Beach House has also scheduled a late-night TV performance on Jimmy Kimmel Live on Wednesday, May 16th. And the band will perform a live in-studio session on KCRW in Los Angeles on May 15th.
7 is available now from Sub Pop, Bella Union (Europe), and Mistletone (Australia / New Zealand). Purchases of the LP through megamart.subpop.com and select independent retailers in North America will receive the limited Loser Edition on opaque yellow vinyl (while supplies last). A new T-shirt design is also available now.
Beach House’s massive worldwide tour in support of 7 is underway, with a release show tonight, May 11th at Mexico City’s Auditorio Blackberry. The tour continues on through October 20th in Dublin, IE at Vicar Street.
May 11 - Mexico City, MX - Auditorio Blackberry (ALBUM RELEASE SHOW) May 13 - Mayer, AZ - Form Arcosanti Jun. 02 - Barcelona, ES - Primavera Sound Jul. 26 - Philadelphia, PA - Tower Theatre Jul. 27 - Raleigh, NC - The Ritz Jul. 28 - Atlanta, GA - Buckhead Theatre [Sold Out] Jul. 30 - Dallas, TX - Bomb Factory Jul. 31 - Austin, TX - ACL Live at the Moody Theatre [Sold Out] Aug. 02 - Tucson, AZ - Rialto Theatre Aug. 03 - Los Angeles, CA - The Fairbanks Lawn at Hollywood Forever Cemetery [Sold Out] Aug. 04 - Los Angeles, CA - The Fairbanks Lawn at Hollywood Forever Cemetery [Sold Out] Aug. 05 - San Diego, CA - The Observatory at North Park [Sold Out] Aug. 07 - Oakland, CA - Fox Theatre [Sold Out] Aug. 08 - Oakland, CA - Fox Theatre [Sold Out] Aug. 10 - Portland, OR - Keller Auditorium Aug. 12 - Vancouver, BC - Orpheum Theatre Aug. 14 - Salt Lake City, UT - The Depot Aug. 15 - Denver, CO - Ogden Theatre Aug. 17 - St. Paul, MN - The Palace Theatre Aug. 18 - Chicago, Il - Chicago Theatre Aug. 19 - Detroit, MI - Royal Oak Music Theatre Aug. 20 - Toronto, ON - Sony Centre Aug. 22 - New York, NY - United Palace Theatre Aug. 23 - Brooklyn, NY - Kings Theatre [Sold Out] Aug. 24 - Boston, MA - House of Blues [Sold Out] Aug. 25 - Washington, DC - The Anthem Sep. 25 - Lisbon, Portugal - Coliseu dos Recreios Sep. 26 - Porto, Portugal - Teatro sa da Bandeira Sep. 27 - Madrid, ES - La Riviera Sep. 28 - Barcelona, ES - Razzmatazz Sep. 30 - Lyon, France - Epicerie Moderne Oct. 01 - Köln, DE - Gloria Oct. 02 - Berlin, DE - Huxleys Oct. 04 - Lund, SE - Mejeriet Oct. 05 - Gothenburg, SE - Trädgar’n Oct. 07 - Oslo, NO - Rockefeller Music Hall Oct. 08 - Stockholm, SE- Münchenbryggeriet Oct. 09 - Copenhagen, DK - Forum Black Box Oct. 11 - Hamburg, DE - Kampnagel Oct. 12 - Utrecht, NL - TivoliVredenburg Oct. 13 - Brussels, BE - AB Oct. 15 - Paris, FR - Olympia Oct. 17 - London, UK - Troxy Oct. 18 - London, UK - Troxy [Sold Out] Oct. 19 - Manchester, UK - Albert Hall [Sold Out] Oct. 20 - Dublin, IE - Vicar Street
What “The People” are saying about Beach House 7:
“A beguiling new pop gloss…The effect is as transcendent as ever.” - NY Times
“Beach House remain masters of the indefinable and their seventh album is their heaviest and most immersive-sounding of their career.” [Best New Music, 8.9/10] - Pitchfork
“These are big songs, full of wonder, and Beach House know it. Seven albums in, they’re at the start of something new.” [****] - Rolling Stone
“…The sounds are glorious” [****] - The Guardian
“One of the year’s best…” - The FADER
“Their boldest album to date…” - Stereogum
“Beach House’s consistent brilliance is truly remarkable…” [8/10] - Exclaim!
“…Their most adventurous record yet.” [Grade: B+] - Consequence of Sound
“Even tracks enveloped in Beach House’s signature pink haze are injected with a palpable jolt. This is uncharted territory, from the trap-like chain that rattles through lead single “Lemon Glow” or the grandiose swagger of acid rock anthem “Drunk In L.A…” - Billboard
“A stunning effort in a career full of them.” - Uproxx
“7 is massive and intimate, dense yet understandable, fresh yet classic.” [Grade: A] - Pretty Much Amazing
“It’s a nuanced progression and, in some ways, a diversion from Beach House’s already magnificent oeuvre, brilliant in how much farther it finds Beach House willing to go.” [Album of the Week] - Treble
‘We spray our hair into submission, upright to attention. Marching to no orders, imagination has no borders. Well lucky that.’
On July 13th, Luluc will release Sculptor, their gorgeous third album worldwide on Sub Pop, with the exception of New Zealand and Australia through Mistletone. The new longplayer featuring highlights “Heist” [hear here], “Spring,” and “Kids”, was produced and recorded by Luluc. The album also includes guest appearances from J. Mascis, Aaron Dessner of the National, Jim White of the Dirty Three, Dave Nelson and Matt Ecles.
Sculptor will be available on CD/LP/DL through Sub Pop and Misteltone. Preoders from megamart.subpop.com will receive the limited Loser edition on magenta vinyl. There will also be a new T-shirt design available.
Luluc Sculptor Tracklisting
1. Spring 2. Heist 3. Kids 4. Controversy 5. Cambridge 6. Me and Jasper 7. Genius 8. Moon Girl 9. Need’t Be 10. Sculptor
More on Luluc’s ‘Sculptor’:
“Me and Jasper,” from Luluc’s third album Sculptor, is a confident challenge to small-town insularity, lilting yet vigilant, and championed by a defiant guitar solo from the band’s friend J Mascis. It’s a reflection on a common pitfall of adolescence; limitless possibility battling constant obstruction. “My own experiences as a teen were often fraught” says songwriter and vocalist Zoe Randell. “The small town I grew up in provided a great study in gossip, scandal, character assignation and the willingness of people to go along with it.” It’s a song about fighting for agency on an album that is in many ways about volition and potential; how people can navigate difficulties and opportunities to create different paths.
Sculptor can be consumed loud; because while Luluc’s music is at times masterful in it’s minimalism, it is anything but quiet in impact. There’s a before you hear Luluc’s music, and an after—a turning point that affects people with rare force. Janet Weiss of Sleater-Kinney says “it’s music that once you hear it, you can’t live without it”. The National’s Matt Berninger said that for months, Passerbywas “the only album I wanted to listen to”. “What first hits is that voice,” writes Peter Blackstock (No Depression),“a peaceful serenity that reaches deep into the heart.” When NPR’s Bob Boilen named 2014’s Passerby his album of the year, he wrote: “I’ve listened to this record by Australia’s Luluc more than any other this year. These songs feel like they’ve always been.”
That gripping, imperative quality pulses through Sculptor, perhaps to an even greater extent than on Passerby or Dear Hamlyn (2008). Randell writes with more experimentation and possibility. From the contemplative scene of “Cambridge”, to the churning disaster chronicled in the title track, the songs on Sculptor are there for the taking. “Broadly speaking, with these new songs I was interested in the difficulties that life can throw at us - what we can do with them, how they can shape us, and what say we have,” Randell explains. “That potential that is there for everyone, the different lives that are open to us. That’s what I love in Ise’s poem ‘Spring Days and Blossom’ - which form the lyrics to “Spring” - the brimming sense of spring and it’s cycle, the enormity of what’s possible and the beauty.”
Sonically, the band have broadened their tonal palette following on from the successful collaboration on Passerby, co-produced with The National’s Aaron Dessner. Multi-instrumentalist, singer and producer Steve Hassett mastered a wider spectrum of instruments to fully realize the album’s expansive and daring vision. Randell and Hassett do nearly all of the writing, recording, and producing themselves, but their vision is far from insular. In addition to Mascis, Sculptor features contributions from several friends including Dessner (shreds on “Kids” and programmed drums on “Heist”) and Jim White of Dirty Three (drums on “Genius”) as well as musicians Matt Eccles on drums and Dave Nelson on horns. Recording took place in Luluc’s new Brooklyn studio, which they built themselves. The new studio is volition and potential in action and even incorporates reclaimed cedar from Dessner’s iconic former Ditmas Park studio, where The National and Luluc had both lived and recorded.
That everyone has control of their own story is at the core ofSculptor. For Hassett, it’s illuminated by the last line of the title track, which is the last line of the record itself: ”‘The most beautiful, serene sculpture my hands could make, could trace, could break’. All of the songs are playing with those ideas,” he says. “Life is something you get, and you can get sidetracked for years and even destroy it, or you can remember that you’ve got some control over your life.” But listeners of Sculptor may yield some of that control, even if for a short time, to the mastery of the music itself.
“The band inhabits a space that can feel bigger than the sprawling tree-lined streets and byzantine freeways of their local inspiration. Instead, the place Trilling and her bandmates create is more personal, messier, and chaotic. They give musical cues to the growing pains of young adulthood that are relatable but never trite—their songs, like any you might’ve been obsessed with in high school, feel like a mirror held up to the all-consuming triumphs and heartbreaks of your own youth.” [album review] - Pitchfork
Forth Wanderers’ official video for “Not For Me” - a standout from their just released, self-titled Sub Pop debut - stars the band and was directed by Loroto Productions (Frankie Cosmos, Speedy Ortiz, Mass Gothic).”
The band have also scheduled U.S. summer tour dates in support of the album, available now worldwide on Sub Pop. The trek begins June 27th in Richmond, VA at Strange Matter and ends July 18th in Cleveland at Mahall’s Lockeroom.
Jun. 27 - Richmond, VA - Strange Matter Jun. 28 - Carrboro, NC - Cat’s Cradle Backroom Jun. 29 - Atlanta, GA - Masquerade Jun. 30 - New Orleans, LA - TBC Jul. 02 - Dallas, TX - Regal Room Jul. 03 - Austin, TX - Barracuda Jul. 05 - Phoenix, AZ - Rebel Lounge Jul. 06 - San Diego, CA - TBC Jul. 07 - Los Angeles, CA - The Echo Jul. 08 - San Francisco, CA - Rickshaw Stop Jul. 10 - Portland, OR - Doug Fir Jul. 11 - Seattle, WA - Ver Project Jul. 13 - Salt Lake City, UT - Kilby Court Jul. 14 - Denver, CO - Lost Lake Jul. 17 - Chicago, IL - Beat Kitchen Jul. 18 - Cleveland, OH - Mahall’s Lockeroom
Forth Wanderers was produced and recorded by Cameron Konner in Philadelphia over 5 days in the summer of 2017.
