2018 International Tour Now Includes Dates Supporting METZ (Europe) and Preoccupations (US West Coast); New Shows Include Brooklyn, UK tour, SXSW
Experience Moaning’s forthcoming new album (out March 2nd) ahead of its release through a voyeuristic lens with this cover art visualizer and stream (see Brooklyn Vegan premiere February 26th). Directed by the band and Max Flick, this “cover art visualizer” features a different vignette for every song on the album.
“[Moaning] incorporate dark shoegaze and wall-of-noise rippers into their hazy palette, with some soaring, poppy numbers too. (They’re a little bit like ’00s-era LA band Abe Vigoda.) We’re premiering a visual stream of the whole record that cleverly riffs on the album’s cover art,” says Brooklyn Vegan (see premiere February 26th).
Moaning has also just extended their international tour schedule for 2018 through June 21st. Highlights include: appearances at SXSW March 14th-17th; a support slot on labelmates METZ European jaunt (April 17th-18th; select dates April 23rd-May 5th); A US West Coast run opening for Secretly Canadian records act Preoccupations (May 11th-19th); A return trip to mainland EU and the UK for more festivals and headlining shows (May 25th-June 17th); And the addition of a Brooklyn, New York show on June 21st at Zone One at Elsewhere. Additional tour dates announced soon.
Mar. 09 - Los Angeles, CA - The Echo ^ Mar. 10 - Phoenix, AZ - Crescent Ballroom / Flying Burrito Music & Food Festival Mar. 11 - Flagstaff, AZ - The Burn Ward Mar. 13 - San Antonio, TX - Paper Tiger / Heatwave 3 Festival Mar. 14 - Austin, TX - SXSW / Ground Control Touring Showcase at Barracuda Mar. 15 - Austin, TX - SXSW / Grey Estates Showcase at Voodoo Doughnut Mar. 16 - Austin, TX - SXSW Mar. 17 - Austin, TX - SXSW / Burgermania 7 at Hotel Vegas Mar. 18 - Hot Springs, AR -Valley of the Vapors Mar. 20 - Chicago, IL - Empty Bottle Mar. 21 - Omaha, NE - O’Leavers Mar. 21 - 25 - Boise, ID - Treefort Music Festival Mar. 22 - Denver, CO - Lost Lake ^^ Mar. 23 - Salt Lake City, UT - Kilby Court # Mar. 25 - Reno, NV - Holland Project $ Apr. 17 - Lisbon, PT - Musicbox * Apr. 18 - Porto, PT - Hard Club * Apr. 19 - Benidorm, ES - Fuzzville Festival Apr. 20 - Hondarribia, ES - Psichobelicenea Apr. 21 - Barcelona, ES - Sala Be Good Apr. 23 - Milan, IT - Magnolia * Apr. 24 - Bologna, IT - Freakout* Apr. 25 - Munich, DE - Strom * Apr. 26 - Cologne, DE - Gebaude 9 * Apr. 28 - London, UK - Test Pressing Festival * Apr. 30 - Glasgow, UK - Stereo * May 02 - Manchester, UK - Soup Kitchen * May 03 - Ramsgate, UK - Ramsgate Music Hall * May 05 - Leffingen, BE - De Zwerver * May 11 - Seattle, WA - Barboza ** May 12 - Portland, OR - Star Theatre ** May 14 - San Francisco, CA - Rickshaw Stop ** May 17 - Los Angeles, CA - The Echo ** May 18 - Los Angeles, CA - The Echo ** [SOLD OUT] May 19 - Phoenix, AZ - Valley Bar ** May 25 - Laval, FR - 3 Les Elephants Festival May 26 - Amsterdam, NL - London Calling Festival May 27 - Brussels, BE - AB Club May 29 - Lausanne, CH - Le Romandie May 30 - Carpi, IT - Mattatoio Jun. 01 - Nimes, FR - This Is Not A Lovesong Festival Jun. 05 - Tours, FR - Aucard de tour Jun. 06 - Angers, FR - Heron Carre Jun. 07 - Le Havre, FR - Mc Daids Jun. 10 - Hilvarenbeek, NL - Best Kept Secret Festival Jun. 12 - London, UK - The Lexington Jun. 14 - Glasgow, UK - Broadcast Jun. 15 - Bristol, UK - Rough Trade Jun. 17 - Margate, UK - Tom Thumb Jun. 21 - Brooklyn, NY - Zone One at Elsewhere
Hot on the heels of their 2017 record Strange Peace, Toronto rippers, METZ have announced new dates in North America, Europe and Asia. These headlining and festival tour dates span March - September, and will bring the band back to the Netherlands, Luxembourg, Italy, Germany, France, Ireland, UK, Japan, China and Singapore. Sub Pop label mates Moaning, will open a slew of EU shows. See below for a full list of dates.
In other news, we’re elated to share that the band are nominated for a 2018 JUNO award in the category of “Metal/Hard Album of the Year.” You can visit the awards website for a full list for nominations. We’re rooting for you, METZ!
Strange Peace is available now on CD / LP / DL / CS worldwide (except in Canada) from Sub Pop right here. In Canada, Strange Peace is available from Royal Mountain Records over here.
Jericho Sirens will be available worldwide on March 16th
As previously announced, Friday, March 16th, 2018 will mark the release of Hot Snakes’ Jericho Sirens, the long-awaited fourth album (and first in 14 years!!!) from the San Diego-based punk rock recidivists. For your listening enjoyment, we now share the second single from the band’s new record, entitled, “Death Camp Fantasy.” (also available on Spotifyand Apple Music.
Jericho Sirens is now available for preorder - available on CD / LP / DL / CS - from Sub Pop [right here]. And the band’s newly reissued catalog - Automatic Midnight, Suicide Invoice and Audit in Progress- is also available now on Sub Pop [over here].
The band will play a hometown release show in San Diego at the Casbah on March 7th, which is then followed immediately by a midwestern U.S. tour March 10th-16th.
Mar. 07 - San Diego, CA - Casbah [Sold Out] Mar. 09 - Chicago, IL - Thalia Hall Mar. 10 - Detroit, MI - El Club Mar. 11 - Cleveland Heights, OH - Grog Shop Mar. 13 - Nashville, TN - Mercy Lounge Mar. 14 - St. Louis, MO - Blueberry Hill Mar. 15 - Milwaukee, WI - Cactus Club [Sold Out] Mar. 16 - St. Paul, MN - Turf Club
Please join us in welcoming multi-talented artist Yuno to Sub Pop Records! We will release his music into the world throughout 2018, beginning with this official video for “No Going Back.”
Yuno’s bittersweet vocals glide over a buoyant bass line and, fittingly, one of the song’s central themes is passing a point of no return.
Yuno both stars in and directs the “No Going Back” video and offers this of the visual, “The video pretty much represents how I was feeling when I wrote this song. Kind of wandering around, not too sure about where I want to go, but definitely sure about where I don’t want to be. Just trying to make sure I have some fun along the way.”
Yuno was introduced to the label by Ishmael Butler of Shabazz Palaces and Digable Planets fame, who’s a member of Sub Pop’s A&R staff. Butler offers his praise, “First time I heard Yuno, I peeped, of course, that he possessed all the trappings of a great musician, impeccable taste on his riffs, songs catchy but not corny, familiar but dopely strange. There was seductive magic that I couldn’t, and still can’t put my finger on, which is the essence of his uniqueness. Kids a star, man.”
27-year-old Yuno’s pedigree is diverse. His parents are from the UK, and of Jamaican descent, and his musical upbringing involved a wide array of discovery mainly as a result of being part of his local skateboarding subculture. That’s what got him into music: hanging out with friends at their now abandoned mall, going to the skate shop, playing Tony Hawk’s Pro Skater video games, watching skate videos, and listening to all the music featured therein.
At home, he’d listen to reggae, ska, rocksteady and classic R&B, but it was skating that got him into rock and rap. Formative albums included ones his friends would pass along to him on burned CDs: HIM’s Razorblade Romance, AFI’s Sing The Sorrow and Rancid’s …And Out Come The Wolves. He never really went to shows because rarely anyone worth seeing would come through. The first gig he attended was headlined by a rapper called MC Lars. That’s what made him consider starting a solo project – seeing one dude onstage, recreating all the music alone with a laptop. To this day, he’s only been to four shows. “I’m used to just watching them on YouTube,” he says. “ I never think about a live show when writing songs. I just make whatever.”
He continues “I knew in high school that I wanted to make music. When I was really young, drawing had been my thing; and in middle school I started to make videos with my friends – little skits. Then I began playing guitar.” In eighth grade, his cousin taught him how to make beats, and that’s when Yuno arguably began. His dad also bought him a $20 guitar at a flea market. Despite his mom insisting he get lessons, he taught himself by learning online guitar tabs, mostly for metal bands. He says, “I’d bring my guitar to school every day. In high school, I had a lot of friends that played guitar, as well. We would all come to school early, learn songs and play for each other in the cafeteria.”
Yuno creates his music in his home studio, self-producing, and engineering, playing all the instruments. He also shoots all of his press photos, designs his album art and directs his music videos, with a great amount of attention paid to the use of color throughout his work. He explains, “Pink has been my favorite color since around 6th grade. I had pink and black shoes, skateboard, and even painted my bedroom pink and black. It was mostly inspired by Razorblade Romance at the time.” He continues, “I like being really hands-on with everything surrounding my music, even now that I’m with Sub Pop.”
Oh happy day! Loma’s acclaimed, self-titled debut is out today everywhere on Sub Pop. Listen to the album now at Spotify / Apple Music / Bandcamp / YouTube then trade yr dollars for it here or in yr friendly neighborhood record store.
We also highly suggest you check out Loma’s interview on NPR’s “Morning Edition,” from earlier this week [link here].
Loma will begin it’s international tour in support of the album on April 6th, 2018. For a full list of dates please visit subpop.com/artists/loma/tours
What “The People” are saying about Loma:
“Together, they’ve produced eerie, mesmerizing soundscapes —an alluring tease at what they’re capable of.” — Cool Hunting
“Over whisking wind and a krautrock pulse infested by rattlesnakes, Cross and Meiburg dreamily intone a story about escaping from a sealed room. [‘Relay Runner’ is] truly lovely.” — Stereogum
“Immediately engrossing” — GoldFlakePaint
“Sounds like three musicians wildly in love.” — Monster Children
“A manifestation of brilliant musical minds in organic workspaces” — The Line of Best Fit
“‘Black Willow’ is a painting with darker contours than anything on [Cross Records’] Wabi-Sabi or Shearwaters’ most recent album Jet Plane and Oxbow, while retaining the depth and confidence of each.” — NPR Music
“the album’s tone and scale changes from track to track, but the variation feels earned along its ten songs, unified by a sense of careful crafting.” — Exclaim!
