METZ made their return to Last Call with Carson Daly on Friday, September 11th. The band delivered incredible performances of II highlights “The Swimmer” and “Spit You Out,” filmed live at FYF Fest from Los Angeles.
The band’s extensive headlining (and earsplitting) world tour on behalf of II is currently storming through Europe and ends November 28th-29th in Brighton, UK at the Mutation’s Festival weekender. Hardly Art recording artists Protomartyr join METZ as direct support on certain dates. (see below)
METZ II has earned “Albums of the Year (so far)” notices from the likes of Entertainment Weekly, Rolling Stone, The AV Club, SPIN, Treble, and more. II also scored the band its highest chart position in the U.S. to date, entering at #98 / Billboard Top 200. In Canada, the album debuted at #27 on the Top 200 albums chart.
At radio, II peaked at #8 on the CMJ Top 200 chart. The album also saw support with FMQB Alternative Specialty reporters, peaking at #1 on the albums chart, and its lead-off track “Acetate” at #2 on the singles chart.
On a related note, you can also watch METZ’s amazing KEXP in-studio performance, filmed August 4th while on a tour stop in Seattle. The live session includes II tracks “Wait in Line,” “The Swimmer,” “Spit You Out,” and “Acetate.”
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METZ II is currently available on CD / LP / DL worldwide from Sub Pop, and we encourage you to purchase it in all your favorite formats via the Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp.
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What do “They” say about METZ II? Quite a lot, actually:
“Metz colors outside the lines — obliterates them, really.” -New York Times
“The record twitches with the flying-off-the-rails urgency of the band’s live shows as Metz sandblasts the industrial precision of their first album into a nastier, more shambolic attack.” [Best Albums of 2015 (so far)] - Rolling Stone
“These mild-looking Canadians revive the golden age of early Nirvana and ’90s grunge with 10 walloping noise-rockers—but there are surprising hooks amid all the Sturm und Drang.” [Best Albums of 2015 (so far)] - Entertainment Weekly
“The record is all killer, no filler.” - [Best Albums of 2015 (so far)] -AV Club
“II is looser and fuzzier than its predecessor… one of 2015’s standout records.” [8.5 / 10] - MAGNET
“This isn’t just purgative music hell-bent on bloodletting and catharsis; it’s also carefully composed, with loving attention paid to fine detail and immaculate precision.” [“First Listen”] - NPR Music
“Creating a soundscape of claustrophobic, ravenous guitar riffs awash in feedback and distortion, with drums that never let you catch your breath. You’ll feel it in your stomach as much as you hear it.” [First Play] - CBC Music
“Album of the Week” - Stereogum
“Hits like a concussion grenade, and you’ll revel in the damage long after the room’s been cleared.” [4/5]- Alternative Press
“II, like the record that preceded it, is still a seasick and unyielding document of brutalist experimentation. But because the trio is willing to explore different avenues, there’s more corners to get lost in.” [8/10] - SPIN
“Album of the Week” - Treble
“A direct gut-punching affair.” [5/5] - DIY
“Bigger, faster, louder, stronger - in many ways ‘II’ is everything the band’s second record ought to be.” [8/10] - Loud & Quiet
“Bold, unsympathetic and brutally effective.” [8/10] - NME
“Raucous, filthy and hummable in equal measure.” [8/10] - Rock Sound
“A second volume of string-bending, amp-busting noise-punk…Awesome.” [4/5] - Time Out London
“II is what Metz do best: brazenly truculent hardcore.” - The Guardian
“Few bands anywhere do this sort of thing this well.” - The Quietus
“With II, Metz have done more than enough to cement themselves as the new kings of transgressive hard rock, and that’s a crown which is going to be difficult for anyone to wrestle from them.” [8.5/10] - The Line of Best Fit
“This album has achieved a seemingly impossible feat by sounding even more aggressive than the one that preceded it.” [8/10] - The 405
“The whole record is a dizzy, punk joy - taking itself far less seriously than most proper hardcore bands, whilst sounding twice as aggressive as any of them, and with better tunes.” [8/10] -Drowned in Sound
“II almost feels like Metz wanted to push the boundaries to see just how dark and dirty they could play while still carrying a tune and continuing to draw listeners in with unconventionally gripping arrangements - and good on them, they pulled it off!” [10/10] -Louder Than War
Tour Dates
Sep. 11 - Rome, IT - INIT Sep. 12 - Milan, IT - Lo Fi Club Sep. 14 - Zurich, CH - Kinski Club Sep. 15 - Lausanne, CH - Le Romandie Sep. 17 - Toulouse, FR - le Metronum Sep. 19 - Madrid, ES - Sala Lemon Sep. 20 - Porto, PT - Hard Club/Amplifest Sep. 21 - Bilbao, ES - Kafe Antzokia Sep. 23 - Lyon, FR - Le Transbordeur Sep. 24 - Relms, FR - Festival Elektricity Sep. 25 - Dusseldorf, DE - Zakk Sep. 26 - Hamburg, DE - Reeperbahn Festival Oct. 16 - Stockholm, SE - Debaser Oct. 17 - Lund, SE - Mejeriet Oct. 18 - Oslo, NO - John Dee Oct. 19 - Aarhus, DK - Atlas ^ Oct. 20 - Copenhagen, DK - Loppen @ Christiana ^ Oct. 22 - Nijmegen, NL - Doornroosje ^ Oct. 23 - Amsterdam, NL - Bitterzoet ^ Oct. 24 - Zwolle, NL - Let’s Get Lost Festival Oct. 27 - Paris, FR - La Maroquinerie ^ Oct. 28 - Lille, FR - L’ Aeronef ^ Oct. 29 - Antwerp, BE - Trix ^ Oct. 30 - Birmingham, UK - Hare and Hounds ^ Oct. 31 - Leeds, UK - Brudenell Social Club ** ^ Nov. 01 - London, UK - Scala ** Nov. 03 - Bristol, UK - The Fleece ** Nov. 04 - Manchester, UK - Sound Control ** Nov. 05 - Glasgow, UK - Stereo ** Nov. 06 - Dublin, IR - Whelans Nov. 18 - Helsinki, FI - Supermassive Festival Nov. 20 - Utrecht, NL - Le Guess Who? Festival Nov. 21 - Kortrijk, BE - Sonic City Festival Nov. 29 - Brighton, UK - Mutations Festival ** w/ Protomartyr ^ w/ Crows
Ones and Sixes has earned Low international acclaim from the likes of NPR Music, Under the Radar, The Guardian, DIY, Q, MOJO, Uncut, Minneapolis Star Tribune, Chicago Tribune, CLASH, The Sunday Times, and more. And the band are the current cover stars of MAGNET’s September issue, interviewed by Bon Iver’s Justin Vernon (view cover / read an excerpt of the story here).
Low’s previously announced North American and European tour in support of Ones and Sixes, begins September 18th in Madison, WI and ends November 21st in Seattle, WA. (see below for dates + ticket links)
Ones and Sixes is available for purchase from the Sub Pop Mega Mart, iTunes, Amazon, and Bandcamp. [ Loser edition LPs are sold out in the Mega Mart (sorry and thank you!), so head to your local purveyor of fine vinyl records today if you want to snag a Loser Edition LP on that stunning yellow vinyl. ] Whatever format you get - you’re ears will thank you.
[ photo by Zoran Orlic ]
Tour Dates
Sep. 18 - Madison, WI - High Noon Saloon* Sep. 19 - Chicago, IL - Thalia Hall* Sep. 21 - Toronto, ON - The Mod Club* Sep. 22 - Montreal, QC - Bar Le Ritz PDB* Sep. 23 - Boston, MA - Brighton Music Hall* Sep. 24 - Brooklyn, NY - Music Hall of Williamsburg* Sep. 25 - Hamden, Connecticut – The Ballroom at The Outer Space* Sep. 26 - Washington, DC - Black Cat* Oct. 07 - Manchester, UK - Cathedral ^ Oct. 08 - Glasgow, UK - Art School = Oct. 10 - London, UK - Roundhouse ^ Oct. 12 - Koln, DE - Gebaude 9 = Oct. 13 - Hamburg, DE – Knust = Oct. 14 - Copenhagen, DK – Vega = Oct. 15 - Stockholm, SE – Kagelbanan = Oct. 17 - Berlin, DE – Lido = Oct. 19 - Munich, DE – Ampere = Oct. 20 - Bologna, IT - Teatro Antoniano = Oct. 22 - Zaragoza, ES - Las Armas = Oct. 23 - Barcelona, ES – Bikini = Oct. 24 - Valencia, ES - Deleste Festival Oct. 26 - Madrid, ES - Teatro Lara = Oct. 27 - Santander, ES – Escenario = Oct. 29 - Amsterdam, NL - Paradiso ^ Oct. 30 – Tourcoing, FR – Le Grand Mix = Oct. 31 - Brussels, BE – AB + Nov. 02 – Paris, FR – Le Divan du Monde = Nov. 11 - Minneapolis, MN - First Avenue* Nov. 12 – Omaha, NE – Reverb Lounge* Nov. 13 - Denver, CO - Larimer Lounge* Nov. 14 - Salt Lake City, UT - The Complex* Nov. 16 - Los Angeles, CA - The Troubadour* Nov. 18 - San Francisco, CA - Great American Music Hall* Nov. 20 - Portland, OR - Doug Fir* Nov. 21 - Seattle, WA - The Crocodile* Feb. 01 – Philadelphia, PA – Johnny Brenda’s
* w/ Andy Shauf ^ w/ Two Gallants + w/ Chelsea Wolfe = w/ Mike Noga
Speaking of exciting news: Up Records (via Sub Pop) will reissue Built To Spill’s much loved classic There’s Nothing Wrong with Love, the second full-length album released by the legendary indie rock band. It was originally released September 13, 1994 on the Up Records label with the stellar line-up of Doug Martsch, bassist Brett Nelson, and drummer Andy Capps, with Phil Ek producing. The album features enduring singles “In the Morning,” “Car,” and “Distopian Dream Girl.”
There’s Nothing Wrong With Love will be available October 30th from Up Records - distributed through Sub Pop - and is now available for preorder from Sub Pop Mega Mart.
On a related note, theThere’s Nothing Wrong With Love playlist is also available for your audio visual consumption, featuring official videos for “In The Morning,” “Car,” “Fling,” and “Big Dipper” via Up Records YouTube channel [view it here]
There’s Nothing Wrong with Love was exceptionally well received by critics upon its release. It went on to earn “Best Albums of 90’s” notices from the likes of Pitchfork, PASTE, SPIN, and has sold nearly 140k copies to date. This new, vinyl edition is the first time the album has been available on vinyl since its original run. Let the rejoicing commence!
What people have said about There’s Nothing Wrong With Love:
“Built To Spill’s Doug Martsch put Boise, Idaho, on the musical map with sprawling guitars, nasally vocals and heartfelt lyrics. Before the group fleshed out their sound with the guitar bits, BTS won over listeners with these straightforward, poignant songs. It’s an intimate glimpse inside one of indie rock’s great songwriters before he found himself.” [90 Best Albums of the 90’s] - PASTE
“The second album by Doug Martsch’s long-running band is a declaration of his awesome powers as a songwriter and guitarist…There’s Nothing Wrong With Love is the work of an artist who gets to treat Boise, Idaho, as a rock capital because he can outplay anyone: The sheer variety of instrumental textures Martsch crams into these songs’ riffs and fills and raw solos is amazing on its own.” - Wondering Sound
“True or false: Doug Martsch is the Peter Frampton of 1990s indie? Sure, he might not have the hair, the tight pants, or the voice box, but it’s difficult to think of another soul more worthy of resident guitar god; maybe J Mascis, but he never brought the pop side like King Framp. That’s the side most in evidence on There’s Nothing Wrong With Love, before Martsch started bringing the sprawl in spades. Humble, wry song-tales about heads-up-seven-up, Albertson’s stir-fry, and Bowie-hating stepdads abound, while earnest tracks like “Twin Falls” and “Big Dipper” set the pace for the entire Northwestern indie-pop scene.” [Top 100 Albums of the 1990’s”] - Pitchfork
“…Their second full-length and first genuinely great record…There’s Nothing Wrong With Love is the sound of scrappy mountain manchildren toying with their powers, pushing the limits of their form, setting the table for future tours de force.” - STEREOGUM
“The second album by Boise, Idaho’s Built to Spill was the cuddliest little guitar epic of the decade. Just as the luster was wearing off the grunge gold rush, singer guitarist Doug Martsch challenged slacker cynicism with basement-band symphonies that turned his own private Idaho into indie rock’s last unknown territory.” [Greatest Albums of the 90’s] - SPIN
“…Love is an absolute classic from the decade..” [“Dusting ‘Em Off”] - Consequence of Sound
Eugene Mirman’s I’m Sorry (You’re Welcome) is a 9-volume, 7-LP comedy album that will be available October 30th (on vinyl / digital / chair / robe) worldwide from Sub Pop. The video trailer for this epic collection is available now via the good folks at Mashable (see premiere Sept. 10th).
I’m Sorry (You’re Welcome) is the culmination of a long-time dream of Eugene’s. It includes a vast array of sounds that can be described as varyingly poignant, erotic, practical, romantic, mind-altering, educational, and humorous. Need to learn Russian? Eugene provides. Meditation sounds? Eugene provides. The sound of a grown man crying? Eugene provides. Oh, also, this release contains a full set of live standup recorded at Columbia City Theater in Seattle, WA June 6, 7, & 8, 2014.
I’m Sorry (You’re Welcome) includes:
LP1 - Live In Seattle At The Columbia City Theater Good-humored noticings from America’s “Master of the Noticing!”
LP 2A - A Guided Meditation For The Thoughtful Body A calming meditation to cheer and sooth the cluttered mind, the injured heart and the anxious body
LP 2B - Fuckscape An erotic soundscape for lovebirds and adventurous friends
LP 3 - Eugene’s Comprehensive Sound Effects Library Tremendous, mouth-made sound effects for amateur and professional foley artists alike
LP 4 - Digital Drugs A binaural acoustic pharmacy for the carefree or ill
LP 5 - Over 45 Minutes of Crying A full-hearted 45-minute cry-a-thon
LP 6A - Introduction To Spoken Russian The language of Pushkin as taught by someone who left Russia at the age of 4
LP 6B - Ringtones & Outgoing Voicemail Messages For Your Personal Use Turn every phone call you miss or receive into a thousand-million smiles
LP7 - 195 Orgasms Sorry.
I’m Sorry (You’re Welcome) will be available digitally, or as a lavish, 7-LP box set from Sub Pop Mega Mart. Additionally, limited-edition embroidered robes and an armchair - all with embedded audio players - will be available to purchase from megamart.subpop.com (while supplies last).
Eugene Mirman will soon embark on the I’m Sorry (You’re Welcome) Tour, which spans October 30th - November 19th. Support will come in the form(s) of Derrick Brown and Josie Long (select dates - see below).
About Eugene Mirman’s I’m Sorry (You’re Welcome): Feel yourself going inward. You’re a piece of hot chocolate, sinking through the marshmallow of yourself. Cutting through everything, into a warm hugzone.
Let Eugene Mirman’s new album I’m Sorry (You’re Welcome)center you with “A Guided Meditation for the Thoughtful Body,” teach you conversational Russian, and soundtrack your next intimate getaway with “Fuckscape.” Or just listen to him crying for 45 minutes.
The monumental 9-volume/7-LP set, due October 30th on Sub Pop Records, is much more than a comedy album, and much less than the 100 CD-album that Mirman originally conceived for the project 10 years ago. In addition to Mirman’s brilliant stand-up performance at Seattle’s Columbia City Theater in June 2014, the collection includes more than 500 tracks featuring: a guided meditation for various body parts; an erotic new age “Fuckscape” for sexing to; a comprehensive sound effects library, voiced by Mirman, including everything from “rain” to “zoo with nothing to lose”; an aural pharmacy of “digital drugs” from marijuana to apple cider vinegar; over 45 real minutes of real crying; an introduction to possibly useful Russian phrases; ringtones and outgoing voicemail messages for your personal use; and 195 consecutive orgasms. It is, as comedian Daniel Kitson writes in the set’s liner notes, “a parade of excellence punctuated with benevolent explosions of the purist, uncut, nonsense.”
“I’ve wanted to make this album for a long time,” says Mirman, best known for his roles on Bob’s Burgers, Flight of the Conchords,Delocated, and for the annual Eugene Mirman Comedy Festival in Brooklyn, NY. He brainstormed dozens of ideas for discs, including some that sounded funnier than they turned out to be in execution (“you quickly run out of secrets to whisper to your dick,” for example). “Since so much of what I wanted to do seemed sort of simple, I bought a moderately good podcasting microphone and actually recorded myself crying for 45 minutes on a sun porch in Cape Cod. A lot of people ask me if the crying is looped, which it is not. I cried for 45 minutes.”
Mirman quickly realized, however, that he needed professional help, and enlisted musicians and longtime friends Christian Cundari and Matthew Savage to record and engineer the album in their Boston studio. “What began as an inquiry, turned into a long, amazing collaboration,” says Mirman. “For the next few years, I’d take the train up to Boston and we’d record, drink, eat authentic Chinese food, record more and edit.”
Conceiving and editing hundreds of sound effects, ringtones, and orgasms was hard work, but also a lot of fun, and highly improvised.
“‘Fuckscape’ came from the fact that there’s a 24-hour soundscape in the elevator at the hotel that I would often stay at when I’d go to Boston to work on this, and I made some joke like ‘I’m going to make a soundscape for fucking,’” says Mirman. “A lot of it was just trying to make friends in the other room who were listening to me record this thing laugh. It’s definitely pretty funny to say that an album features 195 orgasms. I don’t know that I want people to listen to them, and there’s people I definitely want to not be aware that I’ve done this, but I do think it’s funny.”
I’m Sorry (You’re Welcome) will be available on vinyl, digitally and in various atypical physical formats including a run of collectible chairs and robes that play the album.
“One of the things that I’d originally told [Sub Pop A&R head] Tony Kiewel was that I wanted it to come out in all sorts of formats, and by that I meant a chair, a robe, and other objects,” says Mirman. “Basically, in today’s music industry, it makes sense to have it be a chair but not a CD.”
The first LP, the stand-up album itself, features Mirman’s signature sharp, absurd commentary including “The Time I Was Mugged In Mexico With Michael Stipe” and “Not Happy About A Parking Ticket I Got In Portsmouth, NH,” destined to become a classic for repeated listening.
As for what to do with the rest of it, the possibilities are infinite. “If you make a mix you should throw in 10 orgasms or sound effects, and I think you’d be surprised how fun that would be,” says Mirman. “I think it’ll be a spice that people add throughout their lives.”
To quote one of many discarded titles for the album, please enjoy this dumb, weird thing.
Tour Dates Oct. 30 - Brooklyn, NY - The Bell House * Nov. 06 - Austin, TX - Fun Fun Fun Fest Nov. 11 - Los Angeles, CA - Largo * ^ Nov. 12 - Seattle, WA - The Neptune * ^ Nov. 13 - Portland, OR - Newmark Theatre *^ Nov. 19 - Boston, MA - The Paradise * ^ * w/ Derrick Brown ^ w/ Josie Long
It’s been a whirlwind release week since Beach House’s Depression Cherry went out into the world, and since then the album has already earned the group its second consecutive top 10 album, coming in at #8 on the Billboard Top 200 chart. Additional chart placements include: #1 / Vinyl; #1 / Current Alternative Album Core Stores; #1 / Record Label Independent Current Albums; #2 / Current Alternative Albums; and #5 / Top Current Albums. Meanwhile, in the UK, the album also entered at #17 on the Top 200 Albums chart.
At radio this week, Depression Cherry is currently #2 on the CMJ Top 200 chart. The album is also currently #1 on the FMQB Alternative Specialty (2 weeks) and #12 on NonComm charts.
Depression Cherry is also receiving international acclaim from the likes of Entertainment Weekly, NPR Music, Rolling Stone, Time, Nylon, Pitchfork, GQ, The AV Club, Grantland, Exclaim!, The New Yorker, Stereogum, LA Times, Drowned in Sound, The Line of Best Fit, The Guardian, SPIN, Clash, Uncut and more.
Beach House’s worldwide tour in support of Depression Cherry resumes September 17th in Columbus, OH at Newport Music Hall and their 2015 dates end with a sold-out 3-night stand December 17-19 in San Francisco at The Fillmore. (see dates below)
LP* and CD versions of Depression Cherry are packaged in a sumptuous red velvet sleeve, and are available from megamart.subpop.com, iTunes and Amazon (North America), Bella Union (Europe) and Mistletone (Australia / New Zealand).
* The special, limited, clear vinyl Loser Edition LP version of Depression Cherry is now sold-out on megamart.subpop.com. Copies of this collectible version of the album may still be available at independent record stores or from the band directly at shows. Additionally, there is a new T-shirt design, available individually or as part of a bundle with purchase of the new record. Depression Cherry is also
What are ‘The People’ saying about Beach House’s Depression Cherry? Actually, a veritable plethora of good things:
“Reliable, virtually misstep-proof conjurers of a distinct and desirable mood….Beach House works with a simple set of ingredients — a few vintage keyboards, programmed drums, an electric guitar and the drowsily alluring voice of Victoria Legrand — to evoke a specific tone that rarely varies. And yet Depression Cherry, the Baltimore duo’s fifth album in the last decade, still feels vibrant and versatile. There’s sticking to a formula that works, and then there’s teasing out its subtleties in surprising, consistently rewarding ways.” [First Listen] - NPR Music
“It’s another impeccably measured step forward. Their albums might be an ideal soundtrack for daydreaming, but Scally and Legrand seem remarkably clear-headed about their work.” [Best New Music] - Pitchfork
“Weeping spirals of guitar, the futility of life looped in eerie, wordless harmonies, organs, and ‘shooting star slide guitars’ blasting like lightning bolts, beckoned and sent away by Legrand’s androgynous, languid voice. Maybe Legrand writes the lyrics, but Scally senses them, he translates them into softly cooing organ lines, demanding siren bursts of guitar, the loss lingering everywhere in soft white noise. All that sorcery is here, again, in full force.” - Stereogum
“For its fifth album, Depression Cherry, the pair decided to de-emphasize percussion, and the pillowy, haunting result is ideal for the encroaching autumn days.” - TIME
“The band’s understanding of their own head-in-the-clouds aesthetic and knowing where to sew in (or cut out) the stitches to keep their sound in a constant, albeit low-key, flux results in much more of a mesmerizing experience than would changing directions entirely.” [A -] AV Club
“Anyone who doesn’t fall for Depression Cherry’s hypnotic splendour probably just isn’t a Beach House fan, or didn’t live with the album long enough. But those who do will recognize this album as the sweeping, grand gesture they’ve been working up to giving us for the last nine years.” [9/10] - EXCLAIM!
“Beach House’s music isn’t as severe as Beckett, but it does share a similar purity, an ambition to strip art down to the privacy and insularity of a snow globe. Their most obvious ancestors are shy-minded indie bands from the 1980s and ’90s who buried themselves in sound: Cocteau Twins, My Bloody Valentine. But there’s also something Andrew Lloyd Webber about their twinkle and swirl, the naive theatricality of dress-up and pretend. Their deepest root is in old doo-wop ballads, sweet and angelic but steaming underneath, the heat of two teenagers separated by a ruler at a bygone prom. If some bands capture the freedom and joy of youth, Beach House captures its erotic incoherence — the sense of having no clear idea how you feel but feeling it so deeply you might pass out.” - Grantland
“Instead of relying mainly on guitars, their songs are built on a foundation of shimmering, droning electric organ. And, where many dream-pop vocalists are angelic, Legrand’s voice is deep, forceful, and oracular.” - The New Yorker
“Guitarist Alex Scally’s extravagant melodies bloom slowly over grooves that pulse like waves; singer Victoria Legrand’s vocals echo Fleetwood Mac’s lush folk rock, Cocteau Twins’ surreal dreams and Nico’s spooky drama. The Baltimore duo’s fifth album sticks to that signature sound, and go figure: A formula that might seem limiting feels instead like it can contain entire worlds.” - Rolling Stone
“On their latest, they go grandiose with weighty tunes that explore love and melancholy. Singer Victoria Legrand has a refreshingly unshowy croon that’s one of the most seductive in pop, and her gorgeous synth drones and guitarist Alex Scally’s effects-laden riffs are exquisite.” [ A-] - Entertainment Weekly
Tour Dates
Sep. 17 - Columbus, OH - Newport Music Hall ** Sep. 18 - Cincinnati, OH - Bogart’s ** Sep. 19 - Royal Oak, MI - Royal Oak Theatre ** Sep. 21 - Milwaukee, WI - Pabst Theatre ** Sep. 22 - Minneapolis, MN - First Avenue [Sold Out] ** Sep. 23 - Minneapolis, MN - First Avenue ** Sep. 25 - Omaha, NE - Slowdown ** Sep. 26 - Lawrence, KS - Liberty Hall ** Sep. 27 - St. Louis, MO - The Pageant ** Sep. 28 - Memphis, TN - Minglewood Hall ** Sep. 29 - Tulsa, OK - Cain’s Ballroom ** Oct. 01 - Houston, TX - House of Blues Oct. 02 - New Orleans, LA - Civic Theatre Oct. 03 - Birmingham, AL - Saturn ** Oct. 04 - Nashville, TN - The Ryman Auditorium ** Oct. 06 - Atlanta, GA - Buckhead Theatre ** Oct. 07 - Asheville, NC - Orange Peel ** Oct. 08 - Saxapahaw, NC - Haw River Ballroom [Sold Out] ** Oct. 24 - Belfast, UK - Mandela Hall Oct. 25 - Dublin, IE - Vicar Street Oct. 26 - Glasgow, UK - ABC Oct. 27 - Manchester, UK - The Ritz Oct. 29 - Paris, FR - Pitchfork Music Festival Oct. 30 - London, UK - Shepherds Bush Empire Nov. 02 - Amsterdam, NL - Paradiso Nov. 03 - Brussels, BE - Autumn Falls @ AB Nov. 04 - Koln, DE - Gloria Nov. 05 - Luxemborg, LU - Den Atelier Nov. 07 - Reykjavik, IS - Iceland Airwaves Nov. 10 - Oslo, NO - Sentrum Scene Nov. 11 - Gothenburg, SE - Tradgarn Nov. 12 - Stockholm, SE - Debaser Medis Nov. 13 - Copenhagen DK - Vega Nov. 14 - Hamburg, DE - Kampnagel K1 Nov. 16 - Berlin, DE - Huxley’s Nov. 17 - Munich, DE - Freiheiz Nov. 18 - Lausanne, CH - Les Docks Nov. 20 - Barcelona, ES - Apolo Nov. 22 - Madrid, ES - La Riviera Nov. 23 - Lisbon, PT - Armazén Nov. 24 - Porto, PT - Teatro sa da Bandeira Dec. 07 - Santa Ana, CA - The Observatory [Sold Out] Dec. 09 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 10 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 11 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 12 - Los Angeles, CA - The Fonda Theatre [Sold Out] Dec. 17 - San Francisco, CA - The Fillmore [Sold Out] Dec. 18 - San Francisco, CA - The Fillmore [Sold Out] Dec. 19 - San Francisco, CA - The Fillmore [Sold Out]
