On September 9th, 2022 Sub Pop will release Built to Spill’s When the Wind Forgets Your Name, the group’s excellent new album and first for the label. The nine-track effort, which features the highlights “Understood,” “Fool’s Gold,” “Spiderweb,” “Rocksteady,” and “Gonna Lose,” was produced by Doug Martsch, mixed by Martsch, Lê Almeida, João Casaes, and Josh Lewis, and mastered by Mell Dettmer. When the Wind Forgets Your Name is the first new Built to Spill album since the release of 2015’s Untethered Moon.
 
Watch the very psychedelic and humorous official video for the album’s lead single “Gonna Lose,” directed by Jordan Minkoff and featuring animations from Minkoff and Lee McClure.
 
When the Wind Forgets Your Name is now available for preorder on CD/LP/CS/DSPs through Sub Pop. LPs purchased through megamart.subpop.com, and select independent retailers in North America will receive the limited Loser Edition on Rainforest Green vinyl (while supplies last). Meanwhile, LP preorders in the U.K and Europe through select independent retailers will receive the album on Misty Kiwi Fruit Green vinyl (while supplies last).
 
When the Wind Forgets Your Name’s cover art was designed by comic artist Alex Graham (Dog Biscuits; Fantagraphics Books), who also illustrated the fifty-panel comic strip for the album’s gatefold (available with the CD, LP, and cassette editions of the album).

Built to Spill have also scheduled over 70 headlining, festival and support shows for the spring, late summer and fall of 2022, which kick-off with a four-night stand Wednesday, April 13th- Friday, April 16th at Chicago’s House of Blues (supporting Jawbreaker), and currently run through Saturday, September 24 in Salt Lake City, UT at Metro Music Hall. The tour will feature songs from When the Wind Forgets Your Name along with fan favorites from the band’s catalog.
 
Support for these shows (select dates) will come from Oruã (the Brazilian band featuring When the Wind… collaborators Almeida and Casaes), along with Prism Bitch, Itchy Kitty, Wetface, Blood Lemon, The French Tips, Sunbathe, Distant Family, and Braided Waves. The live band for these Built to Spill tour dates will consist of Martsch, bassist Melanie Radford, and drummer Teresa Esguerra. For updated information on tickets, please visit builttospill.com.
 
Wed. Apr 13 - Chicago, IL - House of Blues **
Thu. Apr. 14 - Chicago, IL - House of Blues **
Fri. Apr. 15 - Chicago, IL  - House of Blues **
Sat. Apr. 16 - Chicago, IL  - House of Blues **
Tue. Apr. 20 -  Reno, NV - The Holland Project ^ !
Wed. Apr. 21 - Las Vegas, NV - Rockstar Bar ^ !
Fri. Apr. 22 -  Phoenix, AZ  - Crescent Ballroom ^ !
Sat. Apr. 23 - Tucson, AZ - 191 Toole ^ !
Sun. Apr. 24 - Phoenix, AZ - Orpheum Theater ^ !
Mon. Apr. 25 - Albuquerque, NM - Launch Pad ^ !
Wed. Apr. 27 -  Oklahoma City, OK - Tower Theatre ^ !
Thu. Apr. 28 - Dallas, TX - Granada Theater ^ !
Fri. Apr. 29 - Austin, TX - Mohawk ^ !
Sat. Apr. 30 - San Antonio, TX - Paper Tiger ^ !
Sun. May 01 - Houston, TX - White Oak Music Hall ^ !
Mon. May 02 - New Orleans, LA - Republic New Orleans ^ !
Wed. May 04 - Nashville, TN - Basement East ^ !
Thu. May 05 - Atlanta, GA - Variety Playhouse ^ !
Fri. May 06 - Asheville, NC - Grey Eagle Tavern ^ !
Sat. May 07 - Charlotte, NC - Neighborhood Theatre ^ !
Sun. May 08 - Carrboro, NC - Cat’s Cradle ^ !
Tue. May 10 - Richmond, VA - The Broadberry ^ !
Wed. May 11 - Philadelphia, PA - Union Transfer # %
Thu. May 12 - Washington, DC - 930 Club  # %
Fri. May 13 - Jersey City, NJ - White Eagle Hall  # %
Sat. May 14 -  Boston, MA - Paradise # %
Sun. May 15 - Pawtucket, RI -The Met # %
Tue. May 17 - Brooklyn, NY - Brooklyn Bowl # %
Wed. May 18 - Brooklyn, NY - Brooklyn Bowl # %
Thu. May 19 - Pittsburgh, PA - Mr. Smalls # %
Fri. May 20 - Indianapolis, IN - Hi-Fi # %
Sat. May 21- Detroit, MI - St. Andrew’s Hall + $
Sun. May 22 - Kalamazoo, MI - Bell’s Eccentric Cafe & Brewery + $
Tue. May 24 - Milwaukee, WI - Turner Hall + $
Wed. May 25 - Maquoketa, IA - Codfish Hollow Barnstormers + $
Thu. May 26 - Omaha, NE - Waiting Room + $
Fri. May 27 - Fort Collins, CO - Aggie Theater + $
Sat. May 28 - Boulder, CO - Boulder Theater + $
Sun. May 29 - Grand Junction, CO - Mesa Theater + $
Fri. Jun. 03 - Hood River, OR - The Ruins 
Thu. Jun. 23 - Calgary, AB - Sled Island Festival
Sat. Jul. 23 - Carnation, WA - Timber! Festival
Sat. Jul. 30 - Stanley, ID - Sawtooth Family Gathering
Sat. Aug. 06 - Happy Valley, OR - Pickathon
Sun. Aug. 07 - Happy Valley, OR - Pickathon
Thu. Aug. 11 - Spokane, WA - Lucky You Lounge ^ @
Fri. Aug. 12 - Bozeman, MT - The ELM ^ @
Sat. Aug. 13 - Billings, MT - The Pub Station ^ @
Mon. Aug. 15 - Fargo, ND - The Hall @ FBC ^ @
Tue. Aug. 16 - Minneapolis, MN -  First Avenue ^ @
Wed. Aug. 17 - Madison, WI - Majestic Theater ^ @
Thu. Aug. 18 - Chicago, IL - Thalia Hall ^ @
Fri. Aug. 19 - Chicago, IL - Thalia Hall ^ @
Sat. Aug. 20 - Louisville, KY - Headliner’s Music Hall ^ @
Mon. Aug. 22 - Cincinnati, OH - Woodward Theater ^ @
Tue. Aug. 23 - Cleveland Heights, OH - Grog Shop ^ @
Wed. Aug. 24 - Toronto, ON - Danforth Music Hall %
Thu. Aug. 25 - Montreal, QC - Corona Theatre # %
Fri. Aug. 26 - Portland, ME - State Theatre # %
Sat.  Aug. 27 - New Haven, CT - College Street Music Hall # %
Mon. Aug. 29 -  South Burlington, VT - Higher Ground # %
Tue. Aug. 30 - Holyoke, MA - Gateway City Arts # %
Fri. Sep. 02 - Baltimore, MD - Ram’s Head Live # %
Sat. Sep. 03 - Asbury Park, NJ - Stone Pony # %
Sun. Sep. 04 - Bethlehem, PA - Musikfest # %
Tue. Sep. 06 - Columbus, OH - The Athenaeum Theatre * =
Wed. Sep. 07 - Knoxville, TN - The Mill & Mine * =
Thu. Sep. 08 - Wilmington, NC - Greenfield Lake Amphitheater * =
Fri. Sep. 09 - Charleston, SC - Charleston Music Hall * =
Sat. Sep. 10 - St. Petersburg, FL - Jannus Live * =
Sun. Sep. 11 - Ft. Lauderdale, FL - Culture Room * =
Tue. Sep. 13 - Orlando, FL - The Social * =
Wed. Sep. 14 - Jacksonville, FL - Jack Rabbits * =
Thu. Sep. 15 - Pensacola, FL - Vinyl Music Hall * =
Fri. Sep. 16 - Birmingham, AL - Saturn Birmingham * =
Sat. Sep. 17 - Memphis, TN - Growler’s * =
Sun. Sep. 18 - Tulsa, OK - Cain’s Ballroom * =
Mon. Sep. 19 - St. Louis, MO - Red Flag * =
Tue. Sep. 20 - Columbia, MO - Blue Note * =
Wed. Sep. 21 - Lawrence, KS - Granada Theater * =
Fri. Sep. 23 - Denver, CO - Bluebird Theater * =
Sat. Sep. 24 - Salt Lake City, UT - Metro Music Hall * =
 
* w/ Orua
^ w/ Prism Bitch
! w/  Itchy Kitty
# w/ Wetface
% w/ Blood Lemon
+ w/ Sunbathe
$ w/ Distant Family
@ w/ Braided Waves

About Built to Spill’s When the Wind Forgets Your Name:
Since its inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of incredible musicians making music and playing live together. “I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It’s fun to play with people who bring in new styles and ideas,” says Martsch. “And it’s nice to be in a band with people who aren’t sick of me yet.”
 
Following several albums and EPs on Pacific Northwest independent labels, including the unmistakably canonical indie rock classic, There’s Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more, inarguably great albums during that time – Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You in Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band’s impeccable recorded catalog is the entry point, Built to Spill live is an essential FORCE of its own: heavy, psychedelic, melodic and visceral tunes blaring from amps that sound as if they’re powered by Mack trucks.
 
Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch’s unbelievably great new album (and also his eighth full-length)… with a fresh new label. “I’m psyched: I’ve wanted to be on Sub Pop since I was a teenager. And I think I’m the first fifty year-old they’ve ever signed.” (The rumors are true, we love quinquagenarians…)
 
When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch’s good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, João Casaes, both of the psychedelic jazz rock band, Oruã. On discovering their music Martsch fell in love with it right away. So when he needed a new backing band for shows in Brazil, he asked them to join. “We rehearsed at their studio in downtown Rio de Janeiro and I loved everything about it. They had old crappy gear. The walls were covered with xeroxed fliers. They smoked tons of weed,” Martsch says.
 
The Brazil dates went so well Martsch, Almeida, and Casaes made the decision to continue playing together throughout 2019, touring the US and Europe. During soundchecks they learned new songs Martsch had written, and when the touring ended, they recorded the bass and drum tracks at his rehearsal space in Boise. After Almeida and Casaes flew home, Martsch began overdubbing guitars and vocals by himself.
 
Martsch, Almeida, and Casaes had planned to mix the album together later in 2020 somewhere in Brazil or the US, but the pandemic kept them from reuniting in person. “We were able to send the tracks back and forth though, so we were still able to collaborate on the mixing process.”
 
What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists’ distinct musical ideas. Alongside Built to Spill’s poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds.
 
The spare, power trio guitar riff in “Gonna Lose” is an anxiety-fueled joyride in song (“What could be more disorienting than being on acid in a dream?”). “Spiderweb” and “Never Alright” are classic-sounding, guitar-driven odes to REM and Dinosaur Jr (“No one can ever help no one not get their heart broken”). If there is such a thing as a Built to Spill sound, “Rocksteady” is maybe the band’s furthest departure from it yet with its reggae and dub-inspired instrumentation.
 
The album also contains bittersweet songs like the lo-fi ‘60s-style anthem “Fool’s Gold,” with its mellotron strings, and bluesy, wailing guitars (“Fool’s gold made me rich for a little while”), and “Understood,” a song about misunderstanding, which also takes inspiration from Evel Knievel’s failed stunt in Martsch’s hometown when he was a child. (“The deaf hear, the blind see. Just different things than you and me.”)
 
Martsch was also able to champion his love of comics by recruiting Alex Graham to illustrate the cover of When the Wind Forgets Your Name. “Alex published Dog Biscuits (Fantagraphics Books) online during the pandemic and it really spoke to me. I was thrilled when she agreed to paint the album cover.” What evolved was even better than he had imagined, with Graham also drawing a fifty panel comic strip for the gatefold. “I just asked for a painting and a comic. She created it all completely on her own.”
 
Almeida and Casaes have returned to their duties in Oruã, and Martsch has begun playing with yet another Built to Spill lineup that features Prism Bitch’s Teresa Esguerra on drums and Blood Lemon’s Melanie Radford on bass. Built to Spill and Oruã are currently touring and have a string of shows planned together in September.
 
Martsch concludes, “Making When the Wind Forgets Your Name was such a great experience.  I had an incredible time traveling and recording with Almeida and Casaes. I also learned so much about Brazilian culture and music while creating it. My Portuguese was terrible when I first met Almeida and Casaes, but by the end of the year it was even worse.” (He also learned that when Billy Idol sings “Eyes Without a Face” it sounds like “Help the Fish” in Portuguese.)
 
It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.

Built to Spill
When The Wind Forgets Your Name
 
Tracklisting:
1. Gonna Lose
2. Fool’s Gold
3. Understood
4. Elements
5. Rock Steady
6. Spiderweb
7. Never Alright
8. Alright
9. Comes a Day

This Friday, April 15th, 2022, Sub Pop will digitally release Flock of Dimes’ Head of Roses: Phantom Limb, a collection of unreleased tracks written around the same time as Head of Roses, previously unheard demos, favorite live performances, and covers. You can now hear “Go With Good”, a new offering from the release.
 
Wasner says of the song, “‘Go With Good’ is about making peace with those moments in which what we believe we want for ourselves doesn’t end up aligning with what life actually has in store for us. It’s about trying to step outside of ourselves enough to see and accept things as they truly are— letting go of the illusion of control that keeps us stuck, and revising the false narratives that we may have constructed to protect ourselves from pain.”
 
The selection of live recordings for Head of Roses: Phantom Limb run the spectrum, from solitary to exuberant. Some were made solo, in the summer of 2020, while other tracks are electrified with the energy that comes from a day cooped up making music with your friends. The versions of “Spring in Winter” and “Like So Much Desire,” from Wasner’s 2020 Like So Much Desire EP, were both recorded alone, on a grand piano in the rural sprawl of Pittsboro, North Carolina at Manifold Studios. The undulating, subdued version of “Hard Way” was recorded live for a KEXP session while Wasner was holed up in the Californian desert, and the live versions of “Two,” “One More Hour,” and “Price of Blue” that live on the bonus disc were recorded with the help of Wasner’s friends Mountain Man, Matt McCaughan, Joe Westerlund, Michael Libramento, Alan Good Parker, and Nick Sanborn out at Betty’s in Chapel Hill, North Carolina. There are also covers of two of Wasner’s favorite songwriters — Joan Armatrading’s “The Weakness in Me” and Joni Mitchell’s “Amelia,” the latter featuring contributions from former bandmate Aaron Roche.
 
Among the second disc of bonus material is a Head of Roses beginning – the acoustic demo of “Lightning,” recorded ages ago in the secondary room at Betty’s, before the song hit its final shape on Head of Roses. There’s also a handful of previously-unreleased Head of Roses outtakes – “Wonder” and “Go with Good,” both written at the same time as the rest of the record, but ultimately left on the cutting room floor. And then there’s a kind of postscript: Wasner wrote and recorded “It Just Goes On” in one afternoon at her friend Stella Mozgawa’s studio, and the version that exists here—guitar, bass, vocals and drums—are those first unedited performances of hers, along with some invaluable production contributions by Ethan Gruska. Head of Roses was complete by that time, but she knew this brand new song was still connected to that collection —a last word, a sort of epilogue. In that same way, Phantom Limb serves as a bid adieu, a final reflection on the past two years of Wasner’s songwriting.
 
Flock of Dimes’ previously announced six-date headline in support of Head of Roses begins April 28th in Asheville, NC at Isis Music Hall and ends May 4th at Brooklyn, NY at Elsewhere Zone 1.
 
Thu. Apr. 28 - Asheville, NC - Isis Music Hall
Fri. Apr. 29 - Saxapahaw, NC - Haw River Ballroom
Sat. Apr. 30 - Charlottesville, VA - The Southern
Sun. May 01 - Baltimore, MD - Ottobar
Tue. May 03 - Philadelphia, PA - Johnny Brenda’s
Wed. May 04 - Brooklyn, NY - Elsewhere Zone 1

The Losers who won, what fun! This year are we had an exceptional bunch of applicants to our Loser Scholarship, which made finding our Loser Winners no easy task. Luckily, our Loser Chooser (TM) scholarship committee  was game to spend hours reading through hundreds of applications, and at the end of a very difficult decision-making process, the committee has come up with three ultramega-OK, life-affirming scholarship winners. Congratulations to the winners and heartfelt thanks to all who took the time to apply, you have brightened up our days during an odd time.

Suki Waterhouse today released her newest track, “Wild Side,” off upcoming debut album, I Can’t Let Go, which will now be released Friday, May 6th via Sub Pop Records. “Wild Side” and I Can’t Let Go are both produced by Grammy-Nominated Producer & Songwriter Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee). “Wild Side” is the fifth release off I Can’t Let Go; “Moves, “My Mind,” “Melrose Meltdown,” and “Devil I Know” were the album’s first four tracks.

On “Wild Side,” Suki wonders aloud if her love would return to an ex if they came calling, particularly because the excitement and lust of a prior relationship can be so enticing. Suki proclaims, “when you got that ex who’s crazy, they’re always running through your mind / remember when we had a wild side?”

Father John Misty and his band have announced international headlining tour dates for 2022 and 2023 in support of Chloë and The Next 20th Century, out this Friday from Sub Pop and in Europe from Bella Union. The Guardian, in its 4-star review, says of the album, “Pop’s funniest storyteller is back at his best.” Also today, he is sharing “The Next 20th Century,” the co-title track and album closer from Chloë and the Next 20th Century.

The North American shows begin Sunday, July 31 at Red Rocks Amphitheatre and currently end Saturday, October 8th in Durham, NC at DPAC. Highlights for the tour include performances with Colorado Symphony at Red Rocks and The New York Pops at Radio City Music Hall (Sep. 22nd), and appearances at THING (Aug. 26th) and Sound on Sound (Sep. 24th) Festivals. Sub Pop labelmate Suki Waterhouse will be the main support for the North American shows (select dates).

The European shows begin Saturday, February 25th in Oslo, Norway at Sentrum Scene and end Friday, March 17th Manchester, UK at O2 Apollo Manchester. Highlights for this leg include headlining dates at AFAS Live in Amsterdam and the O2 Academy Brixton.

A series of presales (password: CanFlub) for all shows begin Wednesday, April 6 at 10 am (local), with tickets on sale to the general public Friday, April 8th at 10 am (local).

Preceding the tour, Father John Misty has a series of special performances, intimate shows, and in-stores. In the UK later this week, Father John Misty will perform a sold out London show at The Barbican with The Britten Sinfonia conducted by Jules Buckley (April 7th). 

He has also scheduled a series of special in-store performances including: April 8th in Kingston Upon Thames, UK for Banquet Records at PRYZM (5 pm + 8 pm), Saturday, April 9th in London, UK at Rough Trade East (4 pm + 8 pm), Sunday, April 10th in Brighton, UK for Resident Records at CHALK, and Monday, April 11th in Bristol, UK for Rough Trade Bristol at St. George’s Church (6:30 pm + 9:30 pm).  All of these performances are sold out, however a few tickets are still available for the early show at PRYZM on April 8.

The following week, Father John Misty will perform two shows at Rainbow Room at Rockefeller Center on Thursday, April 14th (7pm + 9:30 pm). 

Please find a full list of dates below.

2022: Spring (International)

Thu. Apr. 07 - London, UK - The Barbican w/ The Britten Sinfonia conducted by Jules Buckley [SOLD OUT]

Fri. Apr. 08 - Kington Upon Thames, UK - Banquet Records at PRYZM (5 pm) 

Fri. Apr. 08 - Kington Upon Thames, UK - Banquet Records at PRYZM (8 pm) [SOLD OUT]

Sat. Apr. 09 - London, UK - Rough Trade East (4 pm) [SOLD OUT]

Sat, Apr. 09 - London, UK - Rough Trade East (8 pm) [SOLD OUT]

Sun. Apr. 10 - Brighton, UK - Resident at CHALK [SOLD OUT]

Mon. Apr. 11 - Bristol, UK - Rough Trade Bristol at St. George’s Church (6:30 pm)  [SOLD OUT]

Mon. Apr. 11 - Bristol, UK - Rough Trade Bristol at St. George’s Church (9:30 pm) [SOLD OUT]

Thu. Apr. 14 - New York, NY - The Rainbow Room at Rockefeller Center (7 pm) [SOLD OUT]

Thu. Apr. 14 - New York, NY - The Rainbow Room at Rockefeller Center (9:30 pm) [SOLD OUT]

2022: Summer/Fall (North America)

Sat. Jun. 26 - Greenfield, MA - Green River Festival

Fri. Jul 08 - Des Moines, IA - 80/35 Music Festival

Sun. Jul. 31 - Morrison, CO - Red Rocks Amphitheatre w/ The Colorado Symphony *

Wed. Aug. 03 - San Diego, CA - Humphreys Concerts By The Bay *

Fri. Aug. 05 - Las Vegas, NV - The Theater at Virgin Hotels Las Vegas *

Sat. Aug. 06 - Phoenix, AZ - The Van Buren *

Mon. Aug. 08 - Oklahoma City, OK- The Criterion *

Tue. Aug. 09 - Kansas City, MO - Arvest Bank Theatre at The Midland *

Thu. Aug. 11 - Houston, TX - White Oak Music Hall *

Fri. Aug. 12 - Austin, TX - Moody Amphitheater *

Sat. Aug. 13 - New Orleans, LA - Orpheum Theater *

Sun. Aug. 14 - Dallas, TX - The Factory in Deep Ellum *

Thu. Aug. 18 - Los Angeles, CA - Hollywood Forever Cemetery *

Sat. Aug. 20 - Oakland, CA - Fox Theater *

Tue. Aug. 23 - Eugene, OR - McDonald Theatre *

Thu. Aug. 25 - Vancouver, BC - Orpheum *

Fri. Aug. 26 - Port Townsend, WA - THING Festival 

Sat. Aug. 27 - Portland, OR - Pioneer Square *

Mon. Sep. 12 - Columbus, OH - KEMBA Live! *

Tue. Sep. 13 - Philadelphia, PA-  The Met Philadelphia *

Fri. Sep. 16 - Richmond, VA - Brown’s Island *

Sat. Sep. 17 - Asheville, NC - Rabbit Rabbit *

Mon. Sep. 19 - Charleston, SC - The Riviera Theater *

Tue. Sep. 20 - Washington, DC - The Anthem *

Thu. Sep. 22 - New York, NY - Radio City Music Hall w/ The New York Pops *

Fri. Sep. 23 - Boston, MA - Leader Bank Pavilion *

Sat. Sep. 24 - Bridgeport, CT - Sound on Sound Festival

Mon. Sep. 26 - Montreal, QC - MTELUS *

Tue. Sep. 27 - Toronto, ON - Roy Thomson Hall *

Thu. Sep. 29 - Chicago, IL - Chicago Theatre *

Fri. Sep. 30 - Saint Paul, MN - Palace Theatre *

Sat. Oct. 01 - Saint Paul, MN - Palace Theatre *

Mon. Oct. 03 - Milwaukee, WI - Riverside Theater *

Tue. Oct. 04 - Indianapolis, IN - Clowes Memorial Hall *

Thu. Oct. 06 - Nashville, TN - Ryman Auditorium *

Fri. Oct. 07 - Atlanta, GA - The Eastern *

Sat. Oct. 08 - Durham, NC - DPAC *

* w/ Suki Waterhouse

2023: Late Winter/Spring (Europe)

Sat. Feb. 25 - Oslo, NO - Sentrum Scene

Tue. Feb. 28 - Stockholm, SE - Cirkus

Thu. Mar. 02 - Denmark, DK - KB Hallen

Fri. Mar. 03 - Berlin, DE - Columbiahalle

Sat. Mar. 04 - Amsterdam, NL - AFAS Live

Mon. Mar. 06  - Brussels, BE - Ancienne Belgique

Tue. Mar. 07 - Paris, France - Salle Pleyel

Thu. Mar. 09 - London, UK- O2 Academy Brixton

Mon. Mar. 13 - Gateshead, UK - Sage Gateshead

Wed. Mar. 15 - Glasgow, UK - Barrowlands

Fri. Mar. 17 - Manchester, UK - O2 Apollo Manchester

For those living in or traveling to Seattle, Father John Misty’s Chloë and the Next 20th Century pop-up/installation at Sub Pop on 7th in the city’s Belltown neighborhood opens this Friday, April 8th.

Fans can find Chloë and the Next 20th Century-related merchandise, including a new T-shirt design, poster and 2-sided puzzles that are exclusively available at the store. A limited selection of Father John Misty’s official tour merchandise will also be available, including diner sets, limited edition “Funny Girl” posters, enamel pins, slip mats, and embroidered trucker hats (while supplies last). There will be a giveaway its first week open where fans can enter to win a Superfan Starter Kit featuring incredibly rare, out of print colored LP variants and merchandise from Father John Misty’s catalog.

Chloë and The Next 20th Century is available to preorder now from Sub Pop, Bella Union (UK/Europe), and select independent retailers in North America. 

What People Are Saying About Father John Misty’s Chloë and the Next 20th Century:

“Stunningly melodic… Tillman’s voice sounds fantastic throughout… It feels like an artist who’s spent time wondering what the point was, making peace with what he does, even – or especially – if it involves escapism. Sinking into Chloë and the Next 20th Century’s lush, sepia-toned arrangements, escaping with him is a pleasure (“Album of the Week”).” ★★★★ The Guardian

“Tillman’s writerly skills would have shone in any era… He offers a moving reminder of the beauty of life’s impermanence…As Chloë and the Next 20th Century sees Father John Misty escaping into his own parallel Hollywood reality, it’s highly entertaining to slip in alongside him.” ★★★★ MOJO

“Chloë.. is maximum Misty from tip to twinkly toe… As woodwinds flutter and strings swoon, Tillman’s voice rises to the occasion: his rich, warm delivery pulls you into the songs, barbed asides and beautiful melancholy impeccably balanced… Tillman’s writing brims with story-song riches, countering 21st-century cynicism with old-school romanticism.”★★★★ - Record Collector 

“Singles “Funny Girl,” “Q4” and “Goodbye, Mr. Blue” are sprawling and ornate, like novellas set to instrumentation that spans FJM’s many styles, widescreen baroque pop that folds in both Old Hollywood and Americana. After the painfully personal “God’s Favorite Customer, there’s a distinct comfort in Tillman’s return to spinning detailed fictions at scale—and, as ever, spotting the truths wrapped up in it all is just part of the fun (“10 Albums We’re Most Excited About For April).” - PASTE

“Josh Tillman’s sharp lyricism often aims for the head…but here he goes straight for the heart. ‘Goodbye Mr. Blue’…is a simulacrum of the ’70s singer-songwriter sound; Harry Nilsson is an obvious touch point, but there are also shades of Jim Croce and even John Denver in the song’s fingerpicked guitars and chatty warmth. ‘That Turkish Angora is ’bout the only thing left of me and you,’ Tillman croons, filtering a story of a relationship’s slow, inevitable end through the death of the titular pet cat. It’s sweet, a little funny, and then ultimately devastating, as Tillman repeats an increasingly elegiac refrain, ‘Don’t the last time come too soon?” [“Goodbye Mr. Blue”] - New York Times

“Gorgeous and absurd; in other words, it’s quintessential Father John Misty.” [“Q4”] - PASTE

“A lovely, languid gem that shows Tillman quietly reintroducing himself  — with a little help from an orchestral arrangement that echoes old Hollywood…in classic Misty fashion, leaves us quizzically charmed (“Song You Need To Know”).” [“Funny Girl”] - Rolling Stone

“[A] lush and romantic ballad…and shows that there’s much more to Josh Tillman… (‘20 Best Rock Songs Right Now’).” [“Funny Girl”] - The FADER

“Brilliant and moving… His vivid, imaginative fifth album swerves between lounge jazz and romantic reveries.” - PROG

“Unmistakably a Father John Misty record, he ranges across a number of styles with panache… It’s great to have Tillman back in all his grandiose brilliance.” ★★★★ - Morning Star