This Friday, April 15th, 2022, Sub Pop will digitally release Flock of Dimes’ Head of Roses: Phantom Limb, a collection of unreleased tracks written around the same time as Head of Roses, previously unheard demos, favorite live performances, and covers. You can now hear “Go With Good”, a new offering from the release.
Wasner says of the song, “‘Go With Good’ is about making peace with those moments in which what we believe we want for ourselves doesn’t end up aligning with what life actually has in store for us. It’s about trying to step outside of ourselves enough to see and accept things as they truly are— letting go of the illusion of control that keeps us stuck, and revising the false narratives that we may have constructed to protect ourselves from pain.”
The selection of live recordings for Head of Roses: Phantom Limb run the spectrum, from solitary to exuberant. Some were made solo, in the summer of 2020, while other tracks are electrified with the energy that comes from a day cooped up making music with your friends. The versions of “Spring in Winter” and “Like So Much Desire,” from Wasner’s 2020 Like So Much Desire EP, were both recorded alone, on a grand piano in the rural sprawl of Pittsboro, North Carolina at Manifold Studios. The undulating, subdued version of “Hard Way” was recorded live for a KEXP session while Wasner was holed up in the Californian desert, and the live versions of “Two,” “One More Hour,” and “Price of Blue” that live on the bonus disc were recorded with the help of Wasner’s friends Mountain Man, Matt McCaughan, Joe Westerlund, Michael Libramento, Alan Good Parker, and Nick Sanborn out at Betty’s in Chapel Hill, North Carolina. There are also covers of two of Wasner’s favorite songwriters — Joan Armatrading’s “The Weakness in Me” and Joni Mitchell’s “Amelia,” the latter featuring contributions from former bandmate Aaron Roche.
Among the second disc of bonus material is a Head of Roses beginning – the acoustic demo of “Lightning,” recorded ages ago in the secondary room at Betty’s, before the song hit its final shape on Head of Roses. There’s also a handful of previously-unreleased Head of Roses outtakes – “Wonder” and “Go with Good,” both written at the same time as the rest of the record, but ultimately left on the cutting room floor. And then there’s a kind of postscript: Wasner wrote and recorded “It Just Goes On” in one afternoon at her friend Stella Mozgawa’s studio, and the version that exists here—guitar, bass, vocals and drums—are those first unedited performances of hers, along with some invaluable production contributions by Ethan Gruska. Head of Roses was complete by that time, but she knew this brand new song was still connected to that collection —a last word, a sort of epilogue. In that same way, Phantom Limb serves as a bid adieu, a final reflection on the past two years of Wasner’s songwriting.
Flock of Dimes’ previously announced six-date headline in support of Head of Roses begins April 28th in Asheville, NC at Isis Music Hall and ends May 4th at Brooklyn, NY at Elsewhere Zone 1.
Thu. Apr. 28 - Asheville, NC - Isis Music Hall
Fri. Apr. 29 - Saxapahaw, NC - Haw River Ballroom
Sat. Apr. 30 - Charlottesville, VA - The Southern
Sun. May 01 - Baltimore, MD - Ottobar
Tue. May 03 - Philadelphia, PA - Johnny Brenda’s
Wed. May 04 - Brooklyn, NY - Elsewhere Zone 1
Flock of Dimes
Head of Roses: Phantom Limb
Tracklisting:
1. It Just Goes On (Recorded at Sunfair Studios in Joshua Tree, CA)*
2. Go With Good (Recorded at Betty’s in Chapel Hill, NC)*
3. Price of Blue (NPR “Tiny Desk” version; Recorded at Betty’s in Chapel Hill, NC)
4. Through Me (Adult Swim Singles Series contribution; Recorded at Betty’s in Chapel Hill, NC)
5. Wonder (Recorded at Betty’s in Chapel Hill, NC)*
6. Two (Live at Betty’s Version; Recorded at Betty’s in Chapel Hill, NC)
7. Hard Way (Live at KEXP version; Recorded at Sunfair Studios in Joshua Tree, CA)*
8. The Weakness in Me (Joan Armatrading cover; Recorded at Betty’s in Chapel Hill, NC)*
9. Like So Much Desire (Live piano version; Recorded at Manifold Recording in Pittsboro, NC)*
10. One More Hour (Live at Betty’s Version; Recorded at Betty’s in Chapel Hill, NC)
11. Lightning (Acoustic Demo; Recorded in the B room at Betty’s in Chapel Hill, NC)*
12. Amelia (Joni Mitchell cover; Recorded at home in Carrboro, NC & Ko Arts Residency program at The Columns in New Orleans, LA)*
13. Awake for the Sunrise (Live at Betty’s Version; Recorded at Betty’s in Chapel Hill, NC)*
14. Spring in Winter (Solo piano version; Recorded at Manifold Recording in Pittsboro, NC)*
*Available for first time on DSPs
Father John Misty and his band have announced international headlining tour dates for 2022 and 2023 in support of Chloë and The Next 20th Century, out this Friday from Sub Pop and in Europe from Bella Union. The Guardian, in its 4-star review, says of the album, “Pop’s funniest storyteller is back at his best.” Also today, he is sharing “The Next 20th Century,” the co-title track and album closer from Chloë and the Next 20th Century.
The North American shows begin Sunday, July 31 at Red Rocks Amphitheatre and currently end Saturday, October 8th in Durham, NC at DPAC. Highlights for the tour include performances with Colorado Symphony at Red Rocks and The New York Pops at Radio City Music Hall (Sep. 22nd), and appearances at THING (Aug. 26th) and Sound on Sound (Sep. 24th) Festivals. Sub Pop labelmate Suki Waterhouse will be the main support for the North American shows (select dates).
The European shows begin Saturday, February 25th in Oslo, Norway at Sentrum Scene and end Friday, March 17th Manchester, UK at O2 Apollo Manchester. Highlights for this leg include headlining dates at AFAS Live in Amsterdam and the O2 Academy Brixton.
A series of presales (password: CanFlub) for all shows begin Wednesday, April 6 at 10 am (local), with tickets on sale to the general public Friday, April 8th at 10 am (local).
Preceding the tour, Father John Misty has a series of special performances, intimate shows, and in-stores. In the UK later this week, Father John Misty will perform a sold out London show at The Barbican with The Britten Sinfonia conducted by Jules Buckley (April 7th).
He has also scheduled a series of special in-store performances including: April 8th in Kingston Upon Thames, UK for Banquet Records at PRYZM (5 pm + 8 pm), Saturday, April 9th in London, UK at Rough Trade East (4 pm + 8 pm), Sunday, April 10th in Brighton, UK for Resident Records at CHALK, and Monday, April 11th in Bristol, UK for Rough Trade Bristol at St. George’s Church (6:30 pm + 9:30 pm). All of these performances are sold out, however a few tickets are still available for the early show at PRYZM on April 8.
The following week, Father John Misty will perform two shows at Rainbow Room at Rockefeller Center on Thursday, April 14th (7pm + 9:30 pm).
Please find a full list of dates below.
2022: Spring (International)
Thu. Apr. 07 - London, UK - The Barbican w/ The Britten Sinfonia conducted by Jules Buckley [SOLD OUT]
Fri. Apr. 08 - Kington Upon Thames, UK - Banquet Records at PRYZM (5 pm)
Fri. Apr. 08 - Kington Upon Thames, UK - Banquet Records at PRYZM (8 pm) [SOLD OUT]
Sat. Apr. 09 - London, UK - Rough Trade East (4 pm) [SOLD OUT]
Sat, Apr. 09 - London, UK - Rough Trade East (8 pm) [SOLD OUT]
Sun. Apr. 10 - Brighton, UK - Resident at CHALK [SOLD OUT]
Mon. Apr. 11 - Bristol, UK - Rough Trade Bristol at St. George’s Church (6:30 pm) [SOLD OUT]
Mon. Apr. 11 - Bristol, UK - Rough Trade Bristol at St. George’s Church (9:30 pm) [SOLD OUT]
Thu. Apr. 14 - New York, NY - The Rainbow Room at Rockefeller Center (7 pm) [SOLD OUT]
Thu. Apr. 14 - New York, NY - The Rainbow Room at Rockefeller Center (9:30 pm) [SOLD OUT]
2022: Summer/Fall (North America)
Sat. Jun. 26 - Greenfield, MA - Green River Festival
Fri. Jul 08 - Des Moines, IA - 80/35 Music Festival
Sun. Jul. 31 - Morrison, CO - Red Rocks Amphitheatre w/ The Colorado Symphony *
Wed. Aug. 03 - San Diego, CA - Humphreys Concerts By The Bay *
Fri. Aug. 05 - Las Vegas, NV - The Theater at Virgin Hotels Las Vegas *
Sat. Aug. 06 - Phoenix, AZ - The Van Buren *
Mon. Aug. 08 - Oklahoma City, OK- The Criterion *
Tue. Aug. 09 - Kansas City, MO - Arvest Bank Theatre at The Midland *
Thu. Aug. 11 - Houston, TX - White Oak Music Hall *
Fri. Aug. 12 - Austin, TX - Moody Amphitheater *
Sat. Aug. 13 - New Orleans, LA - Orpheum Theater *
Sun. Aug. 14 - Dallas, TX - The Factory in Deep Ellum *
Thu. Aug. 18 - Los Angeles, CA - Hollywood Forever Cemetery *
Sat. Aug. 20 - Oakland, CA - Fox Theater *
Tue. Aug. 23 - Eugene, OR - McDonald Theatre *
Thu. Aug. 25 - Vancouver, BC - Orpheum *
Fri. Aug. 26 - Port Townsend, WA - THING Festival
Sat. Aug. 27 - Portland, OR - Pioneer Square *
Mon. Sep. 12 - Columbus, OH - KEMBA Live! *
Tue. Sep. 13 - Philadelphia, PA- The Met Philadelphia *
Fri. Sep. 16 - Richmond, VA - Brown’s Island *
Sat. Sep. 17 - Asheville, NC - Rabbit Rabbit *
Mon. Sep. 19 - Charleston, SC - The Riviera Theater *
Tue. Sep. 20 - Washington, DC - The Anthem *
Thu. Sep. 22 - New York, NY - Radio City Music Hall w/ The New York Pops *
Fri. Sep. 23 - Boston, MA - Leader Bank Pavilion *
Sat. Sep. 24 - Bridgeport, CT - Sound on Sound Festival
Mon. Sep. 26 - Montreal, QC - MTELUS *
Tue. Sep. 27 - Toronto, ON - Roy Thomson Hall *
Thu. Sep. 29 - Chicago, IL - Chicago Theatre *
Fri. Sep. 30 - Saint Paul, MN - Palace Theatre *
Sat. Oct. 01 - Saint Paul, MN - Palace Theatre *
Mon. Oct. 03 - Milwaukee, WI - Riverside Theater *
Tue. Oct. 04 - Indianapolis, IN - Clowes Memorial Hall *
Thu. Oct. 06 - Nashville, TN - Ryman Auditorium *
Fri. Oct. 07 - Atlanta, GA - The Eastern *
Sat. Oct. 08 - Durham, NC - DPAC *
* w/ Suki Waterhouse
2023: Late Winter/Spring (Europe)
Sat. Feb. 25 - Oslo, NO - Sentrum Scene
Tue. Feb. 28 - Stockholm, SE - Cirkus
Thu. Mar. 02 - Denmark, DK - KB Hallen
Fri. Mar. 03 - Berlin, DE - Columbiahalle
Sat. Mar. 04 - Amsterdam, NL - AFAS Live
Mon. Mar. 06 - Brussels, BE - Ancienne Belgique
Tue. Mar. 07 - Paris, France - Salle Pleyel
Thu. Mar. 09 - London, UK- O2 Academy Brixton
Mon. Mar. 13 - Gateshead, UK - Sage Gateshead
Wed. Mar. 15 - Glasgow, UK - Barrowlands
Fri. Mar. 17 - Manchester, UK - O2 Apollo Manchester
For those living in or traveling to Seattle, Father John Misty’s Chloë and the Next 20th Century pop-up/installation at Sub Pop on 7th in the city’s Belltown neighborhood opens this Friday, April 8th.
Fans can find Chloë and the Next 20th Century-related merchandise, including a new T-shirt design, poster and 2-sided puzzles that are exclusively available at the store. A limited selection of Father John Misty’s official tour merchandise will also be available, including diner sets, limited edition “Funny Girl” posters, enamel pins, slip mats, and embroidered trucker hats (while supplies last). There will be a giveaway its first week open where fans can enter to win a Superfan Starter Kit featuring incredibly rare, out of print colored LP variants and merchandise from Father John Misty’s catalog.
Chloë and The Next 20th Century is available to preorder now from Sub Pop, Bella Union (UK/Europe), and select independent retailers in North America.
What People Are Saying About Father John Misty’s Chloë and the Next 20th Century:
“Stunningly melodic… Tillman’s voice sounds fantastic throughout… It feels like an artist who’s spent time wondering what the point was, making peace with what he does, even – or especially – if it involves escapism. Sinking into Chloë and the Next 20th Century’s lush, sepia-toned arrangements, escaping with him is a pleasure (“Album of the Week”).” ★★★★ The Guardian
“Tillman’s writerly skills would have shone in any era… He offers a moving reminder of the beauty of life’s impermanence…As Chloë and the Next 20th Century sees Father John Misty escaping into his own parallel Hollywood reality, it’s highly entertaining to slip in alongside him.” ★★★★ MOJO
“Chloë.. is maximum Misty from tip to twinkly toe… As woodwinds flutter and strings swoon, Tillman’s voice rises to the occasion: his rich, warm delivery pulls you into the songs, barbed asides and beautiful melancholy impeccably balanced… Tillman’s writing brims with story-song riches, countering 21st-century cynicism with old-school romanticism.”★★★★ - Record Collector
“Singles “Funny Girl,” “Q4” and “Goodbye, Mr. Blue” are sprawling and ornate, like novellas set to instrumentation that spans FJM’s many styles, widescreen baroque pop that folds in both Old Hollywood and Americana. After the painfully personal “God’s Favorite Customer, there’s a distinct comfort in Tillman’s return to spinning detailed fictions at scale—and, as ever, spotting the truths wrapped up in it all is just part of the fun (“10 Albums We’re Most Excited About For April).” - PASTE
“Josh Tillman’s sharp lyricism often aims for the head…but here he goes straight for the heart. ‘Goodbye Mr. Blue’…is a simulacrum of the ’70s singer-songwriter sound; Harry Nilsson is an obvious touch point, but there are also shades of Jim Croce and even John Denver in the song’s fingerpicked guitars and chatty warmth. ‘That Turkish Angora is ’bout the only thing left of me and you,’ Tillman croons, filtering a story of a relationship’s slow, inevitable end through the death of the titular pet cat. It’s sweet, a little funny, and then ultimately devastating, as Tillman repeats an increasingly elegiac refrain, ‘Don’t the last time come too soon?” [“Goodbye Mr. Blue”] - New York Times
“Gorgeous and absurd; in other words, it’s quintessential Father John Misty.” [“Q4”] - PASTE
“A lovely, languid gem that shows Tillman quietly reintroducing himself — with a little help from an orchestral arrangement that echoes old Hollywood…in classic Misty fashion, leaves us quizzically charmed (“Song You Need To Know”).” [“Funny Girl”] - Rolling Stone
“[A] lush and romantic ballad…and shows that there’s much more to Josh Tillman… (‘20 Best Rock Songs Right Now’).” [“Funny Girl”] - The FADER
“Brilliant and moving… His vivid, imaginative fifth album swerves between lounge jazz and romantic reveries.” - PROG
“Unmistakably a Father John Misty record, he ranges across a number of styles with panache… It’s great to have Tillman back in all his grandiose brilliance.” ★★★★ - Morning Star