Today, Feb 25th, 89, the debut record from Charlie Gabriel, the senior member of the legendary New Orleans Jazz ensemble, The Preservation Hall Jazz Band is available on DSPs. The album will be released physically on CD/LP/CS July 1st, 2022 worldwide from Sub Pop.
 
Charlie’s first professional gig dates to 1943, sitting in for his father in New Orleans’ Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band just then also included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer, J.C. Heard. While he’s also fronted a bebop quintet, played and/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader.
 
Since 2006, he’s been a member of the Preservation Hall Jazz Band, and has developed a tight musical relationship with the group’s bassist and tuba player, Ben Jaffe. The two men, along with guitarist Joshua Starkman, recorded Charlie’s new album 89 throughout 2020 and 2021.
 
As previously announced on Sunday, January 30th legendary New Orleans Jazz venue, Preservation Hall was the subject of a CBS Sunday Morning segment, which was taped in December 2021 with Ted Koppel and features interviews with the Hall’s creative director and sousaphonist, Ben Jaffe and Charlie Gabriel. You can watch this segment by clicking here.

89 is now available for preorder on CD/LP/DSPs from Sub Pop. LP preorders from megamart.subpop.com, select independent retailers in North America, in the UK, and in Europe will receive the album on translucent gold.

Charlie Gabriel
89
 
Tracklisting:
1. Memories of You
2. Chelsea Bridge
3. I’m Confessin’
4. The Darker It Gets
5. Stardust
6. Three Little Word
7. Yellow Moon
8. I Get Jealous 

You can now watch Low’s new video for “All Night,” directed by Azalia Snail, who describes the video with: ”The sunburst gives hope to the apocalyptic dystopian nature of our current pandemic world.” The song is from HEY WHAT, their Grammy-nominated and massively acclaimed album from 2021. 
 
Low’s previously announced international headlining dates in support of HEY WHAT begin March 22nd, 2022. For a full list of shows click here. 
 
HEY WHAT saw placement on many “Best Albums of 2021” lists and readers polls including: 

Recommended Listen (#1)
Slate (#1)
Treble Zine (#1)
Blow Up (#1)
Vulture (#2)
What’s Good (#2)
Northern Transmissions #2
Our Culture (#2)
The Skinny (#3)
MOJO (#4) 
Uncut (#4)
The Wire (#4)
Pitchfork (#5)
Slant (#5)
Flood (#6)
The New Yorker: Amanda Petrusich (#8)
New York Times: Lindsey Zoladz (#8) 
Gold Flake Paint (#11)
PASTE (#12)
AV Club (#13)
Rolling Stone (#16) 
EXCLAIM! (#18)
Loud and Quiet (#20)
NPR Music (#21)
The Guardian (#31)
Gorilla vs. Bear (#39)
Louder Than War (#50)
The Quietus (#98)
 

HEY WHAT also saw placement on Pitchfork’s “Best Rock Albums of 2021” and Rough Trade’s “100 Albums of 2021” lists. And “Days Like These,” the album’s lead single, earned placement on “Best Songs of 2021” lists from Pitchfork (#3) and PASTE (#20). 

Low
HEY WHAT

Tracklisting:
1. White Horses
2. I Can Wait
3. All Night
4. Disappearing
5. Hey
6. Days Like These 
7. There’s a Comma After Still
8. Don’t Walk Away
9. More
10. The Price You Pay (It Must Be Wearing Off)

Sub Pop is currently accepting resumes from energetic, responsible, detail-oriented, and dependable candidates for a part-time/weekend/evening Sales Clerk position at our terribly impressive store at the Seattle-Tacoma International Airport. This guy.

Responsibilities include:

 • Greeting and assisting customers in a friendly manner. 
 • Full compliance with Sea-Tac operation rules and strict TSA regulations and restrictions. 
 • Efficient handling of cash and credit card transactions. 
 • Ability to work collaboratively and communicate effectively. 
 • Availability to work nights, weekends, and holidays. 
 • Assisting in organizing and restocking the store. 
 • Maintaining the general appearance of the store. 
 • Contributing to the team retail effort by accomplishing related tasks as needed. 

Qualified candidates will have: 

 • Previous experience in the retail environment. 
 • Knowledge of the Sub Pop catalog, Pacific Northwest music, the Seattle music community, and the City of Seattle.
 • A friendly and enthusiastic disposition with customers and staff. 
 • Strong and clear communication skills. 
 • A general understanding of retail Point of Sale systems. 
 • Flexibility in schedule and willingness to work early or late hours. 

The Sub Pop Airport Store at Sea-Tac is open from 7am-7pm, 365 days a year. 

Please send your resume to airportstore@subpop.com.

On Saturday, February 12th, 2022, Washed Out and his band, closed out their headlining tour with a sold-out show at The Eastern, the recently opened 2,300-cap venue in his hometown of Atlanta, Georgia. The tour was in support of Purple Noon, his acclaimed album of 2020. 
 
Ernest Greene teamed up with Nashville-based designer Jonny Kingsbury (Clairo, Khruangbin, Charlie XCX) to develop the tour’s visually arresting lighting and stage production design, with the intent to film the performance for fans outside the US. The Purple Noon: Live at The Eastern live stream event is co-presented by Mandolin/NoonChorus, and will air Sunday, March 13th, 2022 in North America (at 8:00 PM EDT), in the UK and Europe (at 8:00 PM GMT), and in Australia, New Zealand, and Japan (at 8:00 PM AEDT). Tickets for the performances are $13 USD, and available here.
 
Greene says of the event: “Happy to announce a worldwide livestream event which is likely to be one of the final chances for people to see the “Purple Noon’ live show. I’m really proud of this show and want to share it with the world but know because of Covid complications it will likely never be performed again.
 
“We were lucky enough to have a film crew capture the last show of our recently completed US tour, in my hometown of Atlanta which was really special for me. I’ve spent more time and effort on this ‘Purple Noon’ show than on any other tour combined. The audio and visuals is without a doubt the best realization of the WO experience and I can’t wait to share it with all who would like to be a part of it.”

Washed Out’s Purple Noon features the singles “Too Late,” “Time to Walk Away,” and “Paralyzed,” was produced and recorded by Ernest Greene and mixed by Ben H. Allen in Atlanta, Georgia. Purple Noon is available on CD/LP/CS/DSPs from Sub Pop and Washed Out’s official website, select independent retailers in North America, in the U.K. and Europe.

Washed Out
Purple Noon

Tracklisting:
1. Too Late
2. Face Up
3. Time to Walk Away
4. Paralyzed
5. Reckless Desires
6. Game of Chance
7. Leave You Behind
8. Don’t Go
9. Hide
10. Haunt

On the heels of the single releases of “30 Degrees,” and her cover of the classic Brazilian song “Berimbau”, comes the latest single, “Every Morning” from London-based artist Naima Bock.  
 
Naima spent her early childhood in Sao Paulo, Brazil with her Greek/English mother and Brazilian father. She was exposed to a diverse range of music from an early age. Artists like Baden Powell, Chico Buarque, Geraldo Vandre, Cartola were constantly playing in her house, and on long drives, she and her family would take to the beach. Naima and her family moved to South London when she was seven. As a teenager, Naima began attending shows, mostly at the Windmill Brixton.  At the tender age of 15, she and a group of friends decided to start making music which would eventually turn into her first band Goat Girl. After six years of touring the world and playing bass in the band, Naima felt like it was the right time to leave, mostly due to a desire for a change in musical direction. 
 
“Every Morning” was written by Naima, with production and arrangements with long-time collaborator Joel Burton. Naima met Burton (of the band Viewfinder, which she was a fan of) three years ago and, needing someone to play with, began booking shows as a duo. In recording, Naima leads with the structure, chords, and melody for a song whilst Joel oversees key parts including piano, string, and horn arrangements.
 
Naima says of “Every Morning”: I wrote this song whilst traveling, it was initially a stupid song about having some horrible eye infection and the chorus line was ‘itchy itchy eyes’. Then someone told me the melody was nice so I (naturally) reached into the barrel of neurosis and scooped out a gewey bunch of regret and nostalgia which resulted in the lyrics of ‘Every morning’. Since then, the only thing I’ve learnt is that people are the same. I’ve tried to stop lying but the white one slips out occasionally, I’ve tried to stop this too. Leaving people is also difficult, this song points to a very specific period in my life which consisted of tearing away from friends that I loved. It is not a song about romance, it is a song about the ending of friendships and how that can be just as much, if not more, painful. Producer Joel Burton wrote the beautiful outro melody in which we wanted to convey a sense of being at sea, alone but content.