Jericho Sirens will be available worldwide on March 16th
As previously announced, Friday, March 16th, 2018 will mark the release of Hot Snakes’ Jericho Sirens, the long-awaited fourth album (and first in 14 years!!!) from the San Diego-based punk rock recidivists. For your listening enjoyment, we now share the second single from the band’s new record, entitled, “Death Camp Fantasy.” (also available on Spotifyand Apple Music.
Jericho Sirens is now available for preorder - available on CD / LP / DL / CS - from Sub Pop [right here]. And the band’s newly reissued catalog - Automatic Midnight, Suicide Invoice and Audit in Progress- is also available now on Sub Pop [over here].
The band will play a hometown release show in San Diego at the Casbah on March 7th, which is then followed immediately by a midwestern U.S. tour March 10th-16th.
Mar. 07 - San Diego, CA - Casbah [Sold Out] Mar. 09 - Chicago, IL - Thalia Hall Mar. 10 - Detroit, MI - El Club Mar. 11 - Cleveland Heights, OH - Grog Shop Mar. 13 - Nashville, TN - Mercy Lounge Mar. 14 - St. Louis, MO - Blueberry Hill Mar. 15 - Milwaukee, WI - Cactus Club [Sold Out] Mar. 16 - St. Paul, MN - Turf Club
Please join us in welcoming multi-talented artist Yuno to Sub Pop Records! We will release his music into the world throughout 2018, beginning with this official video for “No Going Back.”
Yuno’s bittersweet vocals glide over a buoyant bass line and, fittingly, one of the song’s central themes is passing a point of no return.
Yuno both stars in and directs the “No Going Back” video and offers this of the visual, “The video pretty much represents how I was feeling when I wrote this song. Kind of wandering around, not too sure about where I want to go, but definitely sure about where I don’t want to be. Just trying to make sure I have some fun along the way.”
Yuno was introduced to the label by Ishmael Butler of Shabazz Palaces and Digable Planets fame, who’s a member of Sub Pop’s A&R staff. Butler offers his praise, “First time I heard Yuno, I peeped, of course, that he possessed all the trappings of a great musician, impeccable taste on his riffs, songs catchy but not corny, familiar but dopely strange. There was seductive magic that I couldn’t, and still can’t put my finger on, which is the essence of his uniqueness. Kids a star, man.”
27-year-old Yuno’s pedigree is diverse. His parents are from the UK, and of Jamaican descent, and his musical upbringing involved a wide array of discovery mainly as a result of being part of his local skateboarding subculture. That’s what got him into music: hanging out with friends at their now abandoned mall, going to the skate shop, playing Tony Hawk’s Pro Skater video games, watching skate videos, and listening to all the music featured therein.
At home, he’d listen to reggae, ska, rocksteady and classic R&B, but it was skating that got him into rock and rap. Formative albums included ones his friends would pass along to him on burned CDs: HIM’s Razorblade Romance, AFI’s Sing The Sorrow and Rancid’s …And Out Come The Wolves. He never really went to shows because rarely anyone worth seeing would come through. The first gig he attended was headlined by a rapper called MC Lars. That’s what made him consider starting a solo project – seeing one dude onstage, recreating all the music alone with a laptop. To this day, he’s only been to four shows. “I’m used to just watching them on YouTube,” he says. “ I never think about a live show when writing songs. I just make whatever.”
He continues “I knew in high school that I wanted to make music. When I was really young, drawing had been my thing; and in middle school I started to make videos with my friends – little skits. Then I began playing guitar.” In eighth grade, his cousin taught him how to make beats, and that’s when Yuno arguably began. His dad also bought him a $20 guitar at a flea market. Despite his mom insisting he get lessons, he taught himself by learning online guitar tabs, mostly for metal bands. He says, “I’d bring my guitar to school every day. In high school, I had a lot of friends that played guitar, as well. We would all come to school early, learn songs and play for each other in the cafeteria.”
Yuno creates his music in his home studio, self-producing, and engineering, playing all the instruments. He also shoots all of his press photos, designs his album art and directs his music videos, with a great amount of attention paid to the use of color throughout his work. He explains, “Pink has been my favorite color since around 6th grade. I had pink and black shoes, skateboard, and even painted my bedroom pink and black. It was mostly inspired by Razorblade Romance at the time.” He continues, “I like being really hands-on with everything surrounding my music, even now that I’m with Sub Pop.”
Oh happy day! Loma’s acclaimed, self-titled debut is out today everywhere on Sub Pop. Listen to the album now at Spotify / Apple Music / Bandcamp / YouTube then trade yr dollars for it here or in yr friendly neighborhood record store.
We also highly suggest you check out Loma’s interview on NPR’s “Morning Edition,” from earlier this week [link here].
Loma will begin it’s international tour in support of the album on April 6th, 2018. For a full list of dates please visit subpop.com/artists/loma/tours
What “The People” are saying about Loma:
“Together, they’ve produced eerie, mesmerizing soundscapes —an alluring tease at what they’re capable of.” — Cool Hunting
“Over whisking wind and a krautrock pulse infested by rattlesnakes, Cross and Meiburg dreamily intone a story about escaping from a sealed room. [‘Relay Runner’ is] truly lovely.” — Stereogum
“Immediately engrossing” — GoldFlakePaint
“Sounds like three musicians wildly in love.” — Monster Children
“A manifestation of brilliant musical minds in organic workspaces” — The Line of Best Fit
“‘Black Willow’ is a painting with darker contours than anything on [Cross Records’] Wabi-Sabi or Shearwaters’ most recent album Jet Plane and Oxbow, while retaining the depth and confidence of each.” — NPR Music
“the album’s tone and scale changes from track to track, but the variation feels earned along its ten songs, unified by a sense of careful crafting.” — Exclaim!
Sub Pop has signed Montclair, New Jersey’s Forth Wanderers, and will release the group’s second full-length effort and label debut, worldwide on April 27th, 2018. The self-titled album features the standouts “Not for Me,” “Nevermine,” and “Ages Ago,” and was produced and recorded by Cameron Konner in Philadelphia over 5 days in the summer of 2017.
Forth Wanderers will be available on CD/LP/CS/DL through Sub Pop right here. LP pre-orders through megamart.subpop.com and select independent retailers will receive the limited Loser edition on opaque orange vinyl.
Forth Wanderers Tracklisting 1. Nevermine 2. Company 3. Ages Ago 4. Taste 5. Not for Me 6. Be My Baby 7. New Face 8. Saunter 9. Tired Games 10. Temporary
[Photo Credit: Julia Leiby]
About Forth Wanderers:
Forth Wanderers employ a tin-can-telephone style of composition which they use even when living in the same area code. Since first collaborating in 2013 as high schoolers, guitarist and songwriter Ben Guterl and vocalist Ava Trilling have passed songs back and forth like pen pals. Guterl will devise an instrumental skeleton before sending it to vocalist Ava Trilling who pens the lyrics based off the melody. The duo then gather alongside guitarist Duke Greene, bassist Noah Schifrin, and drummer Zach Lorelli to expand upon the demo. It’s a patient and practiced writing system that has carried the quintet through two EPs (2013’s Mahogany on Seagreen Records and 2016’s Slop on Father/Daughter Records) and one LP (2014’s self-released Tough Love). Forth Wanderers, the group’s sophomore record and Sub Pop debut, is the groups’ most comprehensive and assured statement yet.
Now living in Ohio and New York respectively, Guterl and Trilling have evolved their separate but collaborative writing process. “The only way I can really write is by myself in my room with a notebook, listening to the song over and over again,” Trilling says. “I’ve never sat down to write a story, I write the song as it unfolds.” Since her lyrics are often embedded with intimate truths from her life, the private writing experience often leads to intense self-reflection.
On Forth Wanderers these introspections include meditations on relationships, discovery, and finding oneself adrift. Despite the inherent heaviness of those themes, Forth Wanderers feels joyous, a rock record bursting with heart. Take “Not for Me,” a romping track about “the ambivalence of love.” Trilling’s confession of “I can’t feel the earth beneath my feet/Flowers bloom but not for me” resists feeling like a dreary, pitying complaint; instead, as her bandmates bolster her melancholy with interlocking harmonic intricacies, she soars with self-actualization. Opener “Nevermine,” is a surge of confidence inspired by an ex-lover who is still captivated by her image. I don’t think I know who you are anymore/ and I don’t think I knew I was before” she jabs with relish. On “Ages Ago” Trilling paints the image of a constantly-shifting enigmatic lover. “I wasn’t sure who they were, they changed constantly (hence the metaphor describing the “grey coat” and cutting their hair just to “stay afloat”),” she says. “I wasn’t going to wait any longer to find out.”
Recorded over five days by friend and audio engineer Cameron Konner at his Philadelphia home studio, Forth Wanderers amplifies the heartfelt sentiments of the band’s earlier works into massive anthems. Guterl and Greene’s guitars have never sounded so sharp, Schifrin and Lorelli’s terse rhythm section is restless, and Trilling seems more self-assured than ever. “We have embraced our roles in the collaboration process,” says Guterl. “Everyone’s gotten better at their instruments and we trust each other more because we know how the machine works.” This spirit soars through Forth Wanderers, resulting in exuberant, profound songs driven by tightly bound melodies and a loving attention to detail.
Forth Wanderers have scheduled three Northeastern U.S. dates with Fat Possum recording act Hoops that begin May 3rd and end May 5th. There will be additional live dates soon.
May 03 - Washington, DC - Rock & Roll Hotel * May 04 - Philadelphia, PA - First Unitarian Church * May 05 - Brooklyn, NY - Market Hotel * *w/ Hoops
Moaning have shared a surrealistic new video for “Tired,” a highlight track from their forthcoming self-titled Sub Pop debut, which will be out in the world March 2nd.
“Behind closed doors we experience a series of strange stories: A house catches fire, a giant hamster takes a bath, and a series of objects spontaneously combust. The “Tired” video plays with analog special effects, creating dream-like environments and scenarios,” says director Ambar Navarro (Stef Chura, Anna Burch). “Tired” co-stars the band alongside Casper the Hamster, Mr.Maggie the Cat, and 2 lucky goldfish, and was shot at Titmouse Studios in Los Angeles.
Moaning will be available on CD/LP/CS/DL worldwide through Sub Pop right here. LP preorders through megamart.subpop.com and select independent retailers will receive the limited Loser edition on pink vinyl (while supplies last). A new t-shirt design will also be available.
Moaning’s international tour schedule for 2018 in support of the album has been extended through June 10th. New highlights include appearances at Treefort (Boise, ID), 3 Les Elephants (Laval, FR), London Calling (Amsterdam, NL), This Is Not A Love Song (Nimes, FR) and Best Kept Secret (Hilvarenbeek, NL) festivals. Additional tour dates to be announced soon.
Mar. 09 - Los Angeles, CA - The Echo ^
Mar. 10 - Phoenix, AZ - Crescent Ballroom / Flying Burrito Music & Food Festival
Mar. 11 - Flagstaff, AZ - Chancy’s Crib
Mar. 13 - San Antonio, TX - Paper Tiger / Heatwave 3 Festival
Mar. 14 - Austin, TX - SXSW
Mar. 15 - Austin, TX - SXSW
Mar. 16 - Austin, TX - SXSW
Mar. 17 - Austin, TX - SXSW
Mar. 18 - Hot Springs, AR - Valley of the Vapors
Mar. 20 - Chicago, IL - Empty Bottle
Mar. 21 - Omaha, NE - O’Leaves
Mar. 21-25 - Boise, ID - Treefort Festival
Mar. 22 - Denver, CO - Lost Lake Lounge
Mar. 23 - Salt Lake City, UT - Kilby Court *
Mar. 25 - Reno, NV - Holland Project
May 11 - Seattle, WA - Barboza **
May 12 - Portland, OR - Star Theatre **
May 14 - San Francisco, CA - Rickshaw Stop **
May 18 - Los Angeles, CA - The Echo **
May 19 - Phoenix, AZ - Valley Bar **
May 25 - Laval, FR - 3 Les Elephants
May 26 - Amsterdam, NL - London Calling
Jun. 01 - Nimes, FR - This Is Not A Love Song Festival
Jun. 10 - Hilvarenbeek, NL - Best Kept Secret Festival
Ever wonder what really happens when a band goes on tour? In Frankie Cosmos’ new video for “Being Alive,” director Daniel Martin captures a mix of live performance and behind the scenes footage from the band’s 2016 & 2017 European tours. But, touring isn’t just endless massage trains in the van on your way to the next city, there’s much more. Whilst performing as tiny little marionettes, the band get abducted by an Irish Space Dog and get transported aboard his kennel space-ship. Watch this live action space odyssey now. (then playlist the living heck outta this track on Spotify or Apple Music.)
Vessel, the latest offering from NYC-based band Frankie Cosmos, is available worldwide on March 30th, via Sub Pop Records. This 18-track opus finds bandleader Greta Kline’s distinctive songwriting voice enriched by the musical sensibilities of her bandmates– bassist/vocalist David Maine, keyboardist/vocalist Lauren Martin and drummer Luke Pyenson, who each played a role shaping the sound of the new record.
Preorders for Vessel are available now through Sub Pop right here. LP preorders through megamart.subpop.com and select independent retailers will receive the limited Loser edition on blue vinyl (while supplies last).
The band will embark on a world tour in support of Vessel beginning on April 5th in Boulder, CO with stops in Santa Fe, Los Angeles, Seattle, with newly added US and European dates in May and June. See below for a full list of shows.
Tour Dates: Apr. 05 - Boulder, CO - Fox Theater * Apr. 06 - Colorado Springs, CO - Black Sheep * Apr. 07 - Santa Fe, NM - Meow Wolf * Apr. 09 - Phoenix, AZ - Crescent Ballroom * Apr. 10 - San Diego, CA - Quartyard % Apr. 11 - Los Angeles, CA - Regent Theatre % Apr. 12 - Santa Ana, CA - The Constellation Room % Apr. 13 - Fresno, CA - Strummers % Apr. 14 - Berkeley, CA - UC Theatre % Apr. 17 - Seattle, WA - Neumos % Apr. 18 - Olympia, WA - Capitol Theater % Apr. 20 - Portland, OR - Wonder Ballroom % Apr. 30 - Pawtucket, RI - The Met May 01 - New Haven, CT - Toad’s Place May 02 - Cambridge, MA - The Sinclair @ May 03 - Burlington, VT - ArtsRiot @ May 04 - Montreal, QC - Theatre Fairmount @ May 05 - Toronto, ON - The Rec Room @ May 06 - Grand Rapids, MI - The Pyramid Scheme May 07 - Chicago, IL - Lincoln Hall May 09 - Nashville, TN - The Basement East May 10 - Carrboro, NC - Cat’s Cradle (Back Room) May 11 - Richmond, VA - Capital Ale House May 12 - Washington, DC - Black Cat May 13 - Philadelphia, PA - Union Transfer May 22 - Berlin, DE - Kantine am Berghain May 23 - Hamburg, DE - Aalhaus May 24 - Ghent, BE - DOKbox May 25 - Amsterdam, NL - London Calling @ Paradiso (Small Hall) May 28 - Manchester, UK - Gorilla May 29 - Glasgow, UK - The Art School May 30 - Bristol, UK - The Fleece May 31 - London, UK - Scala Jun. 08 - Queens, NY - Forest Hills Stadium # Jul. 14 - Madrid, ES - Mad Cool Festival
* w/ Lomelda @ Florist & Lala Lala % w/ Ian Sweet and SOAR # w/ Belle & Sebastian, Perfume Genius
