Today, Ya Tseen shares a bouncy new remix of “Close the Distance” from the group’s 2021 Sub Pop debut, Indian Yard. The song was remixed by indigenous DJ Mar 66. This remix follows the stand-alone cover of the Little Wings song “Look At What The Light Did Now” performed by Ya Tseen ft Samantha Crain, which was originally recorded for season 2, episode 4 of the critically acclaimed FX/Hulu television show Reservation Dogs.
Ya Tseen frontman Nicholas Galanin shares about this remix: ”Mar 66 is one of the greatest Indigenous DJ & electronic artists from the North, a vital artist I respect and admire. Ya Tseen is thrilled to share this Remix with the world.”
Listen to “Close the Distance (Mar 66 Remix)” HERE.
Ya Tseen has confirmed live festival performances this fall at Áak’w Rock in Juneau-Douglas, Alaska, on September 22nd, Walk the Block on September 30th in Seattle, WA, and Indigenous Futures on November 11th in Washington, DC.
See below for more information.
Fri. Sep. 22 - Juneau-Douglas, AK - Áak’w Rock
Sat. Sep. 30 - Seattle, WA - Walk the Block
Sat. Nov. 11 - Washington, DC - Indigenous Futures
Released in conjunction with the start of National Native American Heritage Month, you can listen to Ya Tseen ft Samantha Crain’s cover of the Little Wings song “Look At What The Light Did Now.” This cover was originally recorded for season 2 episode 4 of the critically acclaimed FX/Hulu television show, Reservation Dog and follows the group’s 2021 debut record, Indian Yard.
Frontman, Nicholas Galanin shares, “My friend Sterlin Harjo, the creator of the acclaimed FX series Reservation Dogs, invited Samantha and I to cover Little Wings classic song ‘Look at What The Light Did Now’ for an episode in season 2. This was a high honor to contribute to one of what I would consider the best episodes of streaming television being made today. It’s tough to capture love and Indigenous mourning, though I feel as if this episode did so in an elegant and powerful way.”
You can listen to this cover by clicking here.
Today, Ya Tseen releases the official video for “Light The Torch” from the acclaimed album, Indian Yard.
Indian Yard can be purchased on CD/LP through Sub Pop. LPs purchased through megamart.subpop.com, select independent retailers in North America, the U.K., and Europe will receive the standard LP on black vinyl.
The North American deluxe edition on clear vinyl is now available. The deluxe packaging will include a 24-page hardcover LP-sized book with covers featuring a sci-fi landscape populated by a toddler-wearing artist Merritt Johnson’s sculpture Mindset, a VR headset woven from sweetgrass. The interior art was designed by Galanin. This deluxe edition will be available while supplies last.
Ya Tseen’s Nicholas Galanin is one of the most vital voices in contemporary art. His work spans sculpture, video, installation, photography, jewelry, and music; advocating for Indigenous sovereignty, racial, social, and environmental justice, for present, and future generations. For Galanin, memory and land are inevitably entwined. His most recent installation for Desert X 2021, on view through May 16, 2021, entitled Never Forget has garnered international media acclaim including from outlets such as The New York Times, The Los Angeles Times, The Desert Sun, Galerie Magazine, and Time Out. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development. Its timing coincided with a development in Palm Springs that also connected to the film industry: Studio contracts limited actors’ travel, contributing to the city’s rise as a playground and refuge of the stars. Meanwhile, the white settler mythology of America as the land of the free, home of the brave was promoted in the West, and the landscape was cinematized through the same lens. Never Forget asks settler landowners to participate in the work by transferring land titles and management to local Indigenous communities. The work is a call to action and a reminder that land acknowledgments become only performative when they do not explicitly support the land back movement. Not only does the work transmit a shockwave of historical correction, but also promises to do so globally through social media. In connection with this installation, Galanin has organized a Go Fund Me account to benefit the Native American Land Conservancy (NALC.) You can contribute here.
Ya Tseen Indian Yard
Tracklisting: 1. Knives (feat. Portugal. The Man) 2. Light the Torch 3. Born into Rain (feat. rum.gold and tunia) 4. At Tugáni 5. Get Yourself Together 6. Close the Distance 7. We Just Sit and Smile Here in Silence 8. A Feeling Undefined (feat. Nick Hakim and Iska Dhaaf) 9. Synthetic Gods (feat. Shabazz Palaces and Stas THEE Boss) 10. Gently to the Sun (feat. Tay Sean) 11. Back in That Time (feat. Qacung)
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The North American deluxe edition of Ya Tseen’s debut album, Indian Yard is now available on clear vinyl in the Mega Mart and in select indie record stores. The deluxe packaging will include a 24-page hardcover LP-sized book with covers featuring a sci-fi landscape populated by a toddler-wearing artist Merritt Johnson’s sculpture Mindset, a VR headset woven from sweetgrass. The interior art was designed by Galanin. This deluxe edition will be available while supplies last. To celebrate, they have shared an official video for the previously released song “Back in That Time,” (feat. Qacung) directed by Raven Chacon.
Today, Sub Pop releases Indian Yard, the debut record from Sitka, Alaska project Ya Tseen. Galanin began working on the record in 2017 while going back and forth between his home in Sitka and Juneau, Alaska where he was carving a totem pole. The album entwines falling in love and the birth of a child with the urgency of current social and environmental justice movements to tear down destructive systems and build anew. He shared the concepts with bandmates Zak D. Wass and Otis Calvin III and together they structured the album alongside longtime collaborator Benjamin Verdoes. Through sessions in Sitka and Seattle, a cast of brilliant friends—Shabazz Palaces, Nick Hakim, fellow Indigenous Alaskan singer and songwriter Qacung, to name a few—helped form Indian Yard into a cataract of intensely current pop wonders.
His debut as Ya Tseen (“be alive,” and a reference to his Tlingit name Yeil Ya Tseen) is Indian Yard, his first album for Sub Pop. Rich with emotional range and sharp awareness, Indian Yard explores love, desire, frustration, pain, revolution, and connection through magnetic expressions of an Indigenous mind and body. The lusty electro-soul cascade of “Close the Distance,” the lithe funk frolic of “Get Yourself Together,” the insistent weight of “Back in That Time,” sung in Yupik: These 11 tracks put Galanin, Ya Tseen, and Indigenous art at large in a current musical conversation with the likes of Moses Sumney and TV on the Radio, FKA Twigs, and James Blake.
Indian Yard is a profound record of liberation and an implicit act of protest, making its case by facing the intersection of past, present, and future realities. In a nod to Sun Ra, “Gently To The Sun” mentions “meds for a nightmare”—an apt description for a record that offers a much-needed antidote for what now ails us personally and universally.
This is not, by any means, Galanin’s first album. He has released a steady stream of records under a panoply of aliases, including Silver Jackson and Indian Agent. He has worked with the likes of Meshell Ndegeocello, Tanya Tagaq, and Samantha Crain. And for the better part of a decade, he’s also been part of the revolutionarily borderless art collective Black Constellation alongside Shabazz Palaces and THEESatisfaction (read full bio at Sub Pop).
Indian Yard can be purchased on CD/LP through Sub Pop. LPs purchased through megamart.subpop.com, select independent retailers in North America, the U.K., and Europe will receive the standard LP on black vinyl. The North American deluxe edition on clear vinyl is now available for preorder. The deluxe packaging will include a 24-page hardcover LP-sized book with covers featuring a sci-fi landscape populated by a toddler-wearing artist Merritt Johnson’s sculpture Mindset, a VR headset woven from sweetgrass. The interior art was designed by Galanin. This deluxe edition will be available while supplies last.
Ya Tseen’s Nicholas Galanin is one of the most vital voices in contemporary art. His work spans sculpture, video, installation, photography, jewelry, and music; advocating for Indigenous sovereignty, racial, social, and environmental justice, for present, and future generations. For Galanin, memory and land are inevitably entwined. His most recent installation for Desert X 2021, on view through May 16, 2021, entitled Never Forget has garnered international media acclaim including from outlets such as The New York Times, The Los Angeles Times, The Desert Sun, Galerie Magazine, and Time Out. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development. Its timing coincided with a development in Palm Springs that also connected to the film industry: Studio contracts limited actors’ travel, contributing to the city’s rise as a playground and refuge of the stars. Meanwhile, the white settler mythology of America as the land of the free, home of the brave was promoted in the West, and the landscape was cinematized through the same lens. Never Forget asks settler landowners to participate in the work by transferring land titles and management to local Indigenous communities. The work is a call to action and a reminder that land acknowledgments become only performative when they do not explicitly support the land back movement. Not only does the work transmit a shockwave of historical correction, but also promises to do so globally through social media. In connection with this installation, Galanin has organized a Go Fund Me account to benefit the Native American Land Conservancy (NALC.) You can contribute here.
What people are saying about Indian Yard:
“a rich listen, strengthened by Galanin’s burning focus on critical issues” - [ 8/10] Uncut
“A widescreen epic of joyous, synth-driven indie-pop, electro-soul and borderless beats. […] An artist who refuses to be hemmed in.” - WePresent
“Indian Yard is every bit as multi-layered and multi-faceted a listen as Galanin’s artistic take on the world promised” - Loud & Quiet
Ya Tseen
Indian Yard
Tracklisting:
1. Knives (feat. Portugal. The Man)
2. Light the Torch
3. Born into Rain (feat. Rum.gold and Tunia)
4. At Tugáni
5. Get Yourself Together
6. Close the Distance
7. We Just Sit and Smile Here in Silence
8. A Feeling Undefined (fat. Nick Hakim and Iska Dhaaf)
9. Synthetic Gods (feat. Shabazz Palaces and Stas THEE Boss)
10. Gently to the Sun (feat. Tay Sean)
11. Back in That Time (feat. Qacung)
Tomorrow, April 30th Sub Pop will release Indian Yard, the debut record from Sitka, Alaska project Ya Tseen. To celebrate the group’s impending release, they have shared an official video for the previously released song “Synthetic Gods,” directed by Stephan Gray. Hinging on verses from Shabazz Palaces and Stas THEE Boss, “Synthetic Gods” is sonically seductive, a tense reflection on crisis that summons the pressure needed to ensure Indigenous sovereignty and power to the people.
Galanin says of the video,” Synthetic Gods is a response to the violence of capitalism dependent on systemic racism and division; and a narration of the pressure that will be applied to destroy it.” You can watch the new video here.
The North American deluxe edition on clear vinyl is now available for preorder. The deluxe packaging will include a 24-page hardcover LP-sized book with covers featuring a sci-fi landscape populated by a toddler-wearing artist
Merritt Johnson’s sculpture Mindset, a VR headset woven from sweetgrass. The interior art was designed by Galanin. This deluxe edition will be available while supplies last.
Ya Tseen’s Nicholas Galanin is one of the most vital voices in contemporary art. His work spans sculpture, video, installation, photography, jewelry, and music; advocating for Indigenous sovereignty, racial, social, and environmental justice, for present, and future generations. For Galanin, memory and land are inevitably entwined. His most recent installation for Desert X 2021, on view through May 16, 2021, entitled Never Forget has garnered international media acclaim including from outlets such as The New York Times, The Los Angeles Times, The Desert Sun, Galerie Magazine, and Time Out. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development. Its timing coincided with a development in Palm Springs that also connected to the film industry: Studio contracts limited actors’ travel, contributing to the city’s rise as a playground and refuge of the stars. Meanwhile, the white settler mythology of America as the land of the free, home of the brave was promoted in the West, and the landscape was cinematized through the same lens. Never Forget asks settler landowners to participate in the work by transferring land titles and management to local Indigenous communities. The work is a call to action and a reminder that land acknowledgments become only performative when they do not explicitly support the land back movement. Not only does the work transmit a shockwave of historical correction, but also promises to do so globally through social media. In connection with this installation, Galanin has organized a Go Fund Me account to benefit the Native American Land Conservancy (NALC.) You can contribute here. |
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What people are saying about Indian Yard: “a rich listen, strengthened by Galanin’s burning focus on critical issues” - [ 8/10] Uncut
“A widescreen epic of joyous, synth-driven indie-pop, electro-soul and borderless beats. […] An artist who refuses to be hemmed in.” - WePresent
“Indian Yard is every bit as multi-layered and multi-faceted a listen as Galanin’s artistic take on the world promised” - Loud & Quiet |
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