Brooklyn’s greatest natural resources are rats, crime and dirt. Out of this ugly and overpriced ex-industrial vermin ranch has risen a band that are so loud and full of life that they not only make it bearable but they almost make the squalor seem charming and full of possibility. Golden Triangle is a band of three girls and three boys who play music that’s loud, spooky, and will make you aroused and ambitious when you experience it live. Their previous three EPs and cassette are all sold out and gone. Their forthcoming debut full length, Double Jointer, is what is happening now. Recorded over a two week period at Key Club Recording Company with producer Chris Coady (Yeah Yeah Yeahs, Beach House, Blonde Redhead), Double Jointer has the speed and catchiness of the current garage / weird-punk / lo-fi shit with some profoundly goth under-currents and some no-wave guitar over-currents. The instruments have that good/bad blown out quality and the spectral lady singers are commanding and demanding, all knowing entities. Lead-off track “Cinco de Mayo” starts out with some slow, strummy surf-guitarmanship and gets faster and faster until the dam bursts and in come the siren vocals which sound like the band is howling derisive laughter at you. This is just the beginning, and the feverish tambourine crash-fest continues unabated until the aural house appropriately burns down with a slithering guitar line on epic album closer “Arson Wells.”