Sub Pop will release Subjective Concepts, the full-length debut by StrangeWilds, on CD/LP/DL worldwide on Friday July 24th. The album, featuring the highlights “Pronoia,” “Disdain,” and “Egophillia,” was
recorded & produced by the band and Jackson Long at Robert Lang
Studios, mixed by Long at Hear Me Shimmer, and mastered at RFI, all
located in Seattle, Washington. Subjective Concepts follows the band’s Wet EP on Inimical Records (2014), and “Standing” 7” single (2015), also available now from Sub Pop.
Stereogum premiered Subjective Concepts lead single “Pronoia,” and had this to say: “First
single “Pronoia” toggles between a coiled-snake groove and the kind of
full scream-along ferocity that makes you want to thrash around in a
small, dark room with a bunch of sweaty strangers. This is noisy, heavy,
grimy music, and it’s great(see April 28th premiere).”
Preorders for StrangeWilds’ Subjective Concepts are now available from Sub Pop Mega Mart, iTunes, Amazon and Bandcamp. All customers who pre-order the LP version of Subjective Concepts from megamart.subpop.com will
receive the limited “Loser Edition” on white vinyl, with a
limited-edition poster. There will also be a new T-shirt design
available individually and as part of a bundle with the new record.
About StrangeWilds: StrangeWilds is a musical power-trio from Olympia, Washington.
There are three members: Allen, who plays drums; Sean, who plays bass;
and Steven, who sings and plays the guitar. There is also a freight
train, several buzzsaws, a banshee, and some heavy, heavy Pacific
doom-and-gloom up in the mix.
The group formed in 2012, when Steven met Sean while Sean’s band from
Boise was playing a gig in a house where Steven lived. They became
friends, and several months later Steven called Sean, who had just
relocated to Olympia for college, to form the band. They were called
Wet, and gigged around the West Coast as a four-piece. Allen was added
as a full-time member in 2014 after a line-up change, and the band
changed its name to StrangeWilds
to release a 4-song EP and tour immediately. Sub Pop came calling, and
signed the band last fall. The band is now set to release its
full-length debut, Subjective Concepts, this summer.
StrangeWilds slays with the hellish fury of the Northwest hardcore scene’s best, the heavenly scuzz of a Bleach-era
Nirvana, and the purgatorial punishment of Touch & Go post-rock
meets Devo’s de-evolution machine. The 11 songs here bleed with the
hybrid DNA of Seattle’s past and future, disparate scenes fused together
with sneering menace and intelligent fury in equal shares(read more at Sub Pop).
StrangeWilds Subjective Concepts Tracklisting:
1. Pronoia
2. Starved For
3. Autothysis
4. Don’t Have To
5. Egophillia
6. Oneirophobe
7. Disdain
8. Pareidolia
9. Terrible
10. Lost and Found
11. Outercourse
Strange Wilds’ ear-splitting debut album Subjective Concepts is now available on CD / LP / DL worldwide and can be yours today.
In celebration of today’s release, the band also presents an official video for “Pronoia,” the album’s lead single. Director David Hoejke and young shredders Strange Wilds will test the limits of your eyes, ears and speakers with this audiovisual assault (see FLOOD videp premiere July 24th). Strange Wilds have a few Pacific Northwest shows - see below - in support of Subjective Concepts (including one in their hometown of Olympia, WA) from July 24th through August 10th, including two Seattle record-release shows today, July 24th: an instore at Everyday Music (at 5pm) and a performance at Capitol Hill Block Party’s Barboza stage (at 7:30pm). Do yourself a favor if you’re a lucky Pacific Northwesterner and watch them crush it in person.
We also suggest purchasing the album Subjective Concepts from Sub Pop Mega Mart, iTunes, Amazon, Bandcamp or your friendly neighborhood record store. FYI - All customers who order the LP version of Subjective Concepts from Mega Mart and Bandcamp will receive the limited “Loser Edition” on white vinyl, with a limited-edition poster, while supplies last. (There’s also a new T-shirt design available individually or as part of a bundle with the record. Yeah, we thought you’d like that.)
It Seems ‘They’ Have Something To Say About Strange Wilds’ Album Debut:
“The album is a wake-up call to rock above the hazy summer daze, but then, just like that, it’s gone—a 35-minute sing-along tornado demanding to be played again immediately.” - FLOOD
“Pronoia is the opposite of paranoia, essentially the happy delusion that there is a conspiracy that exists to help people. It’s also the name of the hellish four-minute blast of noise that’s the best song on this debut album by Seattle trio Strange Wilds. The follow-up to 2014’s four-track ‘Wet’ EP, Subjective Concepts sounds like it was raised on ‘Bleach’-era Nirvana and aligns the band with their Washington peers Milk Music and Naomi Punk. They build a monumental wall of hardcore noise on ‘Egophillia’, before taking a wrecking ball to it and screaming wildly into the mess. Elsewhere, there are tight grooves on ‘Disdain’ and ‘Terrible’, and the guttural riffs on ‘Starved For’ offer plenty for bleeding gums to gnaw on.” -NME
“Touch And Go-style post rock with early grunge.” - The AV Club
“Northwestern American trio tap into grunge’s collective unconscious, channeling crushing riffs and ancestral memories of hardcore.” MOJO
“Loud, sneering, and heavy-set, Subjective Concepts could come wrapped in a rain-soaked plaid shirt.” - LOUD & QUIET
“Taut, virile hardcore punk with a seething intelligence… It’s an absolute gem.” - CLASH MUSIC
“An undeniably exciting listen.” - UNCUT
“While the barbed, razor-sharp riffs and tightrope bass thuds ofBleach largely inform the scrappy nature of key tracks like caustic opener “Pronoia” and the pensive “Oneirophobe,” there is an influential undercurrent of the signature sounds of their own city back in the day as well. Shades of K Records classics from Beat Happening and Some Velvet Sidewalk additionally factor into the more melodic elements of Subjective Concepts, particularly within the structures of college radio-ready songs like “Don’t Have To” and “Lose and Found.” - PASTE
“They are a powerful outfit, and Subjective Concepts is cohesive and fierce.” - Pitchfork
“Toggles between a coiled-snake groove and the kind of full scream-along ferocity that makes you want to thrash around in a small, dark room with a bunch of sweaty strangers. This is noisy, heavy, grimy music, and it’s great.” [“Pronoia”] - Stereogum
“A sludged-out mess of hardcore that slam dances with the Seattle label’s past and it wouldn’t be surprising at all to see them on a tour run that’s stacked with Mogwai, METZ, or Pissed Jeans” [“Pronoia”] - BLARE
“‘Starved For’ sounds exactly like what you’d want to be listening to if you lived inside of a Tony Hawk Pro Skater game.” - Noisey
Tour Dates Jul. 24 - Seattle, WA - Everyday Music in-store (5pm) Jul. 24 - Seattle, WA - Capitol Hill Block Party (7:30pm) Aug. 09 - Seattle, WA - Chop Suey ^ (EARLY) Aug. 09 - Olympia, WA - Old School Pizzeria # (LATE) Aug. 10 - Tacoma, WA - New Frontier Lounge
Need to hear some wise words from a grown up? We sure do. And we greatly encourage you to watch Sleater-Kinney’s installment of Rookie’s “Ask a Grown Woman” feature. Carrie Brownstein and Corin Tucker answer a few questions from Rookie’s readers, recorded during a stop on their sold-out spring U.K. trek in support of No Cities To Love.
Sleater-Kinney’s previously announced 2015 tour schedule resumes Saturday, July 18th with a headlining performance at Pitchfork Music Festival, and their next festival appearance will be November 21st-22nd in Mexico City’s Corona Capital Festival.
Then from December 4th-16th, Sleater-Kinney will embark on a Midwestern-East Coast U.S. For the December 12th-16th dates, the group will play five special shows throughout Manhattan and Brooklyn, moving from the large to intimate. Venues include Kings Theatre (Dec. 12th), Terminal 5 (Dec. 13th), Irving Plaza (Dec. 14th), Music Hall of Williamsburg (Dec. 15th), and Market Hotel (Dec. 16th).
If you’re into things that are “the best,” Sleater-Kinney’s No Cities To Love is already coming up as one of the best reviewed albums of the year with “Best of 2015 (so far)” notices from the likes of Time, USA Today, Billboard, Rolling Stone, Entertainment Weekly, The AV Club, The Guardian, Complex, NME, Stereogum, PASTE, and SPIN. No Cities To Love is available worldwide from Sub Pop.
What are “They” saying about it?
“America’s fiercest punk band....10 songs in 33 minutes, not a dud in the bunch, all surging in uptempo stomp-down-the-door mode. There’s more low-end thud to their sound than before. The whole album crackles with the palpable excitement of three rock lifers in a room, eager to see what happens when they plug in and let it rip.” [Best Albums of 2015 (so far)] - Rolling Stone
“The trio still snap and crackle on their first set since 2005. No Cities… might sound chaotic at first, but each element—Corin Tucker’s sweet snarl, Janet Weiss’ rugged beats, Carrie Brownstein’s noisy solos—is exactly in its right place.” [Best Albums of 2015 (so far)] - Entertainment Weekly
“…33 minutes of unbridled ferocity” [Best Albums of 2015 (so far)] -Time
Tour Dates Jul. 18 - Chicago, IL - Pitchfork Music Festival [SOLD OUT] Nov. 21 - 22 - Mexico City, MX - Corona Capital Festival Dec. 04 - Indianapolis, IN - Egyptian Room at Old National Centre Dec. 05 - Columbus, OH - Newport Music Hall Dec. 06 - Cincinnati, OH - Bogart’s Dec. 08 - Royal Oak, MI - Royal Oak Music Theatre Dec. 09 - Cleveland, OH - Masonic Auditorium Dec. 10 - Buffalo, NY - Asbury Hall at Babeville Dec. 12 - Brooklyn, NY - Kings Theatre Dec. 13 - New York, NY - Terminal 5 Dec. 14 - New York, NY - Irving Plaza [SOLD OUT] Dec. 15 - Brooklyn, NY - Music Hall of Williamsburg [SOLD OUT] Dec. 16 - Brooklyn, NY - Market Hotel [SOLD OUT]
You can now listen to Daughn Gibson’s “It Wants Everything,” a new offering to from Carnation, his forthcoming album. The Line Of Best Fit
says of the track, “It’s a slinky, sizzling piece of Southern Gothic
cowboy-pop: whiskey-soaked guitars slither through rattlesnake rhythms
and Gibson’s inimitable baritone croon - imagine if Ian Curtis was
raised in Louisiana. It’s a subtle track, never wavering into
over-cooked pastiche, instead slowly bubbling up and over the pan…
although overtly sinister, Gibson’s new single is indescribably erotic.
This is Carnation’s bad boy, dressed in leather and smouldering in your ears (see song premiere April 30th).”
Daughn Gibson’s third record, Carnation, is out June 2nd on your (presumably) favorite Seattle record label, Sub Pop. Pre-order here.
Now there’s one more good
reason to ride your bike all the way from rainy Seattle to Portland, OR, and that
is to raise money. Sub Pop Records employees will join in the 202-mile Seattle
to Portland (STP) Bicycle Classic held on July 11 -12, 2015. Now in its 36th
year, the STP is the largest multi-day ride in the Northwest with up to 10,000
riders making the journey through Western Washington and Oregon.
In January of 2013, Sub Pop Records
Co-Founder Jonathan Poneman was diagnosed with Parkinson’s disease. In a 2013 Seattle Times article, Poneman states, “I
accept that I have this disease, but that doesn’t give me the right to be
passive.” In response, Sub Pop Records employees will be raising money
for the Northwest Parkinson’s Foundation (NWPF) by doing the infamous STP bike ride.
What We Need & What You Get
Since being diagnosed, our
President has done everything he can to show others that there is life beyond
Parkinson’s. He actually explains it as sort of a blessing. Parkinson’s has
allowed him to “recalibrate” important values.
“As ironic
as it sounds, I am truly grateful to the disease.” Poneman explains further that, “My love of
life and its precious elements became more vivid at the thought of seeing them
fade away.”
Our goal is to raise $20,000 for the foundation. We need your help! See some of our incredible incentives for donating here.
The Impact
Your donation will go directly to the Northwest Parkinson’s
Foundation. NWPF is the only independent regional Parkinson’s organization serving
Washington State. NWPF aims to establish optimal quality of life for the
Northwest Parkinson’s community through awareness, education, advocacy and
care.
Located in Seattle, NWPF proudly invests every dollar in
local programs to support the Northwest Parkinson’s community. NWPF plays a vital role in
helping people with Parkinson’s live meaningfully with the disease. In
addition, NWPF provides information that gives patients and their families the
tools they need to find quality medical care, better manage their disease and
take charge of their daily lives.
Sub Pop has a long history of supporting non-profit organizations
around the globe but prefers to focus on local organizations in the Pacific
Northwest. We have been involved in fundraisers for the uncompensated
care for Seattle Children’s Hospital, donated food and funds to
Northwest Harvest, given time, support, and funds to the all-ages music
venue ‘The Vera Project’, supported the campaign for marriage equality
in Washington state, among many more. We believe in supporting the
community that has always supported us. The Northwest Parkinson’s
Foundation is an organization we feel proud to be riding for.
Other Ways You Can Help
You
can also go to the Northwest Parkinson’s Foundation main website (www.nwpf.org) and give
directly to the foundation through a gift
at a different time if you are not able to help now.
Or simply get the word out
about our campaign! Share our story and spread some awareness for
Parkinson’s Disease. While science looks for a cure, the NWPF is looking
out for the Parkinson’s community. We are grateful for anything you can
do to help.
Selective Listening: Notes from the desk of the General Manager, May 2015
Sub Pop Sea-Tac Gives You So Much More
In a move that inadvertently gave clearance to shameless overuse of flight-related metaphors and jargon both here and elsewhere (but mostly here), on May 1st of last year we at Seattle’s biggest group of fans of Sub Pop Records (aka Sub Pop Records) gave wing to our latest and greatest brazen scheme with the opening of the Sub Pop store at Seattle-Tacoma International Airport. And, though we didn’t name it either Sub Pop Rock City or Terminal G (both excellent options), and landed instead on the simpler, more direct “Sub Pop,” this thing has really taken off!
In celebration of this feat, today, May 1st, at noon, the very excellent Hardly Art recording artist S will be performing as a duo for free at the Sub Pop store at Sea-Tac! As you are assuredly already aware, but really only rhetorically so, the following: S is the operational alias of Seattle-based superstar Jenn Ghetto. Cool Choices is the name of the most recent and very good S album, released on Hardly Art in September of 2014. Hardly Art is the younger, thinner, better-looking, and frankly-starting-to-get-a-little-smug-about-all-that sibling label to Sub Pop Records. The Sub Pop store at Sea-Tac is located on the secure side of security near the C Gate at Seattle-Tacoma International Airport, and is open for Business Time from 6 am to 10 pm every g-d day.
But! Before all that (and for a few weeks after - this is a monthly column…), here a few, quick highlights from our first year of retail residence at Sea-Tac…
- Somewhat and even outright famous people, who have recorded for Sub Pop or not have come in to the store and have often allowed us to take their pictures there! People like: Jack White, Elvis Costello, Jemaine Clement, Duff McKagan, Dave Grohl, Courtney Barnett, Tom Douglas, Corin Tucker, Tunde and Kyp from TV on the Radio, Elijah Wood, J Mascis, Nardwuar, and the list goes on, though not much further! Sometimes these people have even bought things from the store!
- In addition to the records, t-shirts, posters, hats and mittens that one might expect from a bona fide, professional record label, we have learned how to make, or affix our logo to, a whole bunch of unlikely stuff! Stuff like: pencils, combs, bags for vomit, pillows for necks, koozies for cans, glasses (both shot and pint), cards (both greeting and post), blankets, beach towels, and that is already way more than enough for illustrative purposes. We’re talking about real airport shit here! But Sub Pop airport shit!
- We now find ourselves fortunate enough to have an extended family of co-workers at Sub Pop at SeaTac who are tirelessly congenial and enthused, and who interact with visitors to the store in a way that speaks way better of us than we likely deserve (even if some large percentage of those visitors have little to no idea what Sub Pop might be). These co-workers are a genuine source of inspiration and pride and we hope that our vampiric attachment does not drain them of these qualities.
- Shocking to no one more than ourselves, we have managed to get and retain alarming security clearances!
I’m headed through Sea-Tac this week on my way to Toronto to see METZ play their two sold-out hometown record release shows, and even though I am only allowed to fly late at night and the store will be closed when I’m there, I will still stop by, loiter around the front of the place, recall fondly the time in April of last year when I passed by the as-yet-to-open shop with my two kids (the younger of whom: “Do you work here now? It’s AWESOME!”) and marvel at the wild improbability of it all.
Minus the part where you recall anything whatsoever about my kids, fondly or otherwise, you should do the same. Maybe buy yourself a comb?