We are filled with pride and happy to report that So Pitted’s neo is now available worldwide from Sub Pop. The album, featuring the highlights “rot in hell”, “holding the void”, and “feed me”, was co-produced & mixed by So Pitted & Dylan Wall and recorded at The Old Fire House, Media Lab, Spruce Haus, the band’s practice space and Tastefully Loud in Seattle. neo was also engineered by Wall at Tastefully Loud and mastered by Eric Boulanger at The Bakery in Los Angeles.

 
So Pitted’s neo has garnered praise from the likes of Pitchfork, FLOOD, Consequence of Sound, The Stranger, Seattle Weekly,Seattle Times, The Guardian, Uncut, Drowned in Sound, Brooklyn Vegan, Impose, Loud & Quiet, The Skinny, CLASH and more.
 
Seattle Weekly had this to say of the band: “So Pitted is a very difficult band to pin down, and that’s part of why they are so interesting. The triad has haunted Seattle’s DIY underground since 2010, sometimes playing three shows a week (seemingly re-dying their hair a different color for each), honing an incredibly loud, atonal style of neo-grunge, equal parts confusing and enthralling. Koewler plays her guitar through a bass amp to achieve the band’s defining metallic low-end scuzz. Rodriguez, plucking out chaotic leads on his heavily effected guitar, barks unintelligibly feral screeds into a microphone so hard that his veins often look as though they’ll pop. Downey usually performs with self-fashioned pipe-cleaner antennae sticking out from his head. He occasionally switches places with Rodriguez to mumble his own strange songs, a left-field take on ’80s New Wave filtered through a filthy meat grinder (see feature February 16th).”
 
Meanwhile, FLOOD Magazine raved: “Boldly going where no rock band has gone before—and fucking around a bit, too (see “Breaking” feature February 16th).”

So Pitted’s previously announced tour schedule for 2016 spans February 19th in Seattle at Everyday Music and currently ends March 27th in Spokane, WA at The Bartlett. Tour highlights include: February 25th in San Francisco at Noise Pop (supporting The Thermals); March 15th-20th in Austin for SXSW; March 23rd -27th in Boise at Treefort Fest; And March 26th-27th supporting Diarrhea Planet. (complete dates below.)
 
So Pitted’s neo is available on CD / LP / DL / CASS and you can trade your dollars for it via Sub Pop Mega Mart, iTunes, Amazon, Bandcamp and Google Play. LP preorders of neo through megamart.subpop.com will receive the limited “Loser”edition on white vinyl. (while supplies last, of course.)

What have “They” been saying about So Pitted? Let us share the words:

“Minimalist force is what Seattle punk band So Pitted does. They excel at it. On neo, their debut, the trio sound like the proverbial (mechanical) bull in a china shop—except that bull is intentionally there to fuck up some fine dinnerware and is determined to have a hell of a time doing it.”  - Pitchfork
 
“Catharsis and candor are embedded in these explosive tracks. So Pitted tap into the void that the likes of Black Flag and Nirvana looked into and saw themselves in.” - Consequence of Sound
 
“It’s grimy and tormented all right, but intent on subverting the many adolescent cliches and
connotations that come with grunge.” -  The Guardian
 
“Maddeningly loud, loosely formed, disgusting like a romantic weekend trip down the local sewers.” - DIY
 
“Their primal, scrappy rock and roll scrapes all optimism from your soul until you just don’t care about anything anymore.” [8/10]  -Drowned In Sound
 
“…A barbed tarpit of sound.” - Loud & Quiet
 
“Snotty, snarling and belligerent.” - Uncut
 
“neo is part debut-album, part audio assault.” [4/5] - Upset 
 
“It’s early in the year to make this sort of claim, but we can say with confidence that in ten months’ time you’ll be looking back on neoas one of 2016’s best debuts, by some distance.” - The Skinny
 
“…A raucous, inspiring noise, the buzzsaw melody is matched to wailing feedback - imagine Bikini Kill set against early Mary Chain and you’d probably be in the same ballpark.” - Clash
 
“Quite simply, neo is noise rock like nothing else.” - London In Stereo
 
“…making a name for themselves with a sneery, warped, post-apocalyptic punk sound and wild stage show.” - Brooklyn Vegan
 
“…Buzzing with nausea and excitement. [rot in hell] burns with the urgency of the music you need to make or you’ll crumple, music you’d be making whether other people heard it or not.” - Impose
 
“So Pitted are poised to start a riot that’s very much their own.” -Record Collector


Tour Dates
Feb. 19 - Seattle, WA - Everyday Music
Feb. 20 - Vancouver, BC - Alf House
Feb. 25 - San Francisco, CA - Noise Pop / Brick & Mortar Music Hall*
Feb. 26 - Oakland, CA - The Hole http://on.fb.me/1ovT7qH
Mar. 04 - Paris, FR - La Mecanique Ondulatoire
Mar. 05 - Amsterdam, NL - Butcher’s Tears
Mar. 07 - London, UK - Shacklewell Arms
Mar. 08 - Leeds, UK - Brudenell Games Room
Mar. 09 - Brighton, UK - Green Door Store
Mar. 10 - Lille, UK - La Peniche
Mar. 11 - Brussels, BE - Homeplugged
Mar. 12 - Berlin, DE - West Germany
Mar. 15 - Austin, TX - SXSW
Mar. 16 - Austin, TX - SXSW
Mar. 17 - Austin, TX - SXSW
Mar. 18 - Austin, TX - SXSW
Mar. 19 - Austin, TX - SXSW
Mar. 20 - Austin, TX - SXSW
Mar. 23 - 27 - Boise, ID - Treefort Music Fest
Mar. 26 - Missoula, MT - The Palace**
Mar. 27 - Spokane, WA - The Bartlett**
* w/ The Thermals
** w/ Diarrhea Planet

Seeking ticket links? Go here.

Cullen Omori’s debut album New Misery comes out next Friday, March 18th, but you can listen to the album in it’s entirety right now via Stereogum.

Stereogum says of the album, “With its romantic melodies, delicate lyrics, and dreamy sounds, New Misery radiates the warmth of a spring day and the enamored freshness of a new love…In songs like “And Yet The World Still Turns” and “Synthetic Romance,” Omori’s pristine voice shimmers over elaborate synths and profound keys, capturing his developed pop sound. Meanwhile, songs like “LOM” and “No Big Deal” feature a danceable guitar that bleeds and blends, creating impressive, twinkling rhythms (see album premiere March 11th).”

Earlier this week, Cullen Omori also shared “Synthetic Romance” from New Misery.  i-D says of the track, “The enigmatic frontman’s taste for bubblegum pop (and just regular bubble gum) has resulted in a standout clutch of solo tracks that he can truly call his own (see track premiere March 8th).”

Omori began working on solo material in early 2014 which has now fully materialized as New Misery, a collection of 11 songs building upon his own musical past while reaching towards the future of what guitar rock could be. His songs marry dark yet blissful pop with vocal melodies and hooks that are at once immediate yet demand to be heard again and again.

Cullen Omori’s previously announce spring tour schedule in support of New Misery resumes March 14th in Columbia, MO at Rose Hall and currently ends April 24th in Toronto, ON at Horseshoe Tavern.He’s also appear at the 2016 edition of SXSW in Austin, Texas (March 16t-19th).  Complete tour dates are below.

New Misery will be available on CD / LP / DL / CASS worldwide next Friday, March 18th, and you can pre-order it now through Sub Pop Mega Mart, iTunes, Google Play, Amazon and Bandcamp. LP pre-orders though megamart.subpop.com will receive the limited “Loser” edition on clear vinyl with black, white and gold swirls (while supplies last).

More on Cullen Omori:
“I had this overwhelming feeling that perhaps the apex of my life both as a musician and as an individual would be relegated to five years in my late teens/early 20s,” says Cullen Omori, who was launched into the music industry when the Smith Westerns, who started in high school in Chicago, became fast-rising indie stars. “This fear really forced me to work hard as to not see the Smith Westerns as an end but as a point along a bigger trajectory.”

While New Misery grew out of a difficult personal and professional time for Omori, he says the title reflects “not so much the distress that comes with failure, but the troubles and complexities that come with any type of success. No matter what you get you’re going to want more, you’re going to want something different. That’s the catch.”

The title track is a dreamy, resonant reflection on these feelings, but is also a guidepost for Omori’s musical evolution. “The song starts slow and then builds with two solos,” he says. “There’s the guitar solo which is very much a Smith Westerns thing. The next solo is on the keyboard, which is a shift to a lot of what I’m trying to do.” Synths play a much larger role in Omori’s new music than in the Smith Westerns’ guitar-fueled rock, as do a wide range of influences including Roxy Music, INXS, Spiritualized, Wilco, Garbage, Hall & Oates, Kate Bush, U2, and Sparks. There’s also a more deliberate pop streak, inspired by the top-40 radio that would play while Omori worked at a medical supply company cleaning stretchers and wheelchairs (read more at Sub Pop).”

What people are saying about Cullen Omori:
“Shimmering beauty” [“Cinnamon”/ “New Music of the Day”] - NME

“It’s bittersweet, blissful pop with an ’80s hue - vocal melodies and hooks that are at once immediate yet demand to be heard again and again. Job well done, Cullen.” [“Cinnamon”] - The 405

“Sour Silk” is the combination of sounds you weren’t sure could be mixed, blended into a song that sounds both effortless and endlessly faceted.” [“Sour Silk”] - Stereogum

“His songs marry dark yet blissful pop with vocal melodies and hooks that are at once immediate yet demand to be heard again and again.” [“Sour Silk”] - Northern Transmissions

“Led by dreamy, glimmering guitars, it takes Smith Westerns’ knack for a poppy hook to the next level.” [“Cinnamon”] - Consequence of Sound

Tour Dates
Mar. 14 - Columbia, MO - Rose Hall
Mar. 15 - Norman, OK - Opolis
Mar. 16 - Austin, TX - SXSW - Waterloo Records Day Party (4pm)
Mar. 17 - Austin, TX - SXSW - Under The Radar Day Party / Flamingo Cantina (1:35pm)
Mar. 17 - Austin, TX - SXSW - Paradigm Showcase / The Parish (midnight)
Mar. 18 - Austin, TX - SXSW - Sub Pop Showcase / Blackheart Bar (midnight)
Mar. 19- Austin, TX - SXSW - Urban Outfitters Day Party (4pm)
Mar. 24 - Chicago, IL - Lincoln Hall*
Mar. 25 - Madison, WI - High Noon*
Mar. 26 - Minneapolis, MN - 7th St. Entry*
Mar. 28 - Denver, CO - Larimer Lounge*
Mar. 29 - Salt Lake City, UT - Urban Lounge*
Mar. 30 - Boise, ID - Neurolux*
Apr. 01 - Seattle, WA - Barboza*
Apr. 02 - Vancouver, BC - Fortune Sound Club*
Apr. 03 - Portland, OR - Doug Fir*
Apr. 05 - San Francisco, CA - The Independent*
Apr. 07 - Los Angeles, CA - Teragram Ballroom*
Apr. 08 - San Diego, CA - Casbah*
Apr. 09 - Phoenix, AZ - Valley Bar*
Apr. 11 - Austin, TX - Stubb’s Jr*
Apr. 12 - Dallas, TX - Prophet Bar*
Apr. 13 - Houston, TX - Raven Tower*
Apr. 15 - Atlanta, GA - The Earl*
Apr. 16 - Nashville, TN - High Watt*
Apr. 17 - Columbus, OH - The Basement*
Apr. 18 - Washington, DC - DC9*
Apr. 19 - Philadelphia, PA - Boot & Saddle*
Apr. 21 - Allston, MA - Great Scott*
Apr. 22 - New York, NY - Bowery Ballroom*
Apr. 23 - Montreal, QC - Le Divan Orange*
Apr. 24 - Toronto, ON - Horseshoe Tavern*
*w/ Living Hour

Tour ticket links are here.

This Friday, March 18th, the highly-trained music industry professionals from Sub Pop Records will host “Back by Zero Demand,” our 2016 SXSW showcase at The Blackheart in Austin. Featuring performances from Mass Gothic, Cullen Omori, So Pitted, Arbor Labor Union, Porter Ray, and Strange Wilds. This showcase is 21+/doors at 7:30pm.

“Valley Clouds” is the official video from Sam Beam and Jesca Hoop’s forthcoming duets record, Love Letter for Fire. The charming new visual tells the story of two outlaws of the karaoke circuit, who deliver an over the top yet vulnerable performance of the song in a Chicago bar. Directed by Erin Elders, the “Valley Clouds” video takes its inspiration from German and Scandinavian cinema of the 60s and 70s, contrasting light-hearted humor with visually intense vignettes (see Pitchfork video premiere March 10th).

Sam and Jesca recently released a short film on the making of Love Letter for Fire. The two discuss the process of how their collaborative album came to fruition and how two people not in love wrote an entire album of love songs. The clip also features exclusive performances of the two in a stripped down and intimate setting [watch here].

Love Letter for Fire will be available on CD / LP / DL / CASS worldwide April 15th through Sub Pop/Black Crickett Recording Co.  The album is now available for preorder at Sub Pop Mega Mart, iTunes, Amazon, Google Play, and Bandcamp. LP preorders through megamart.subpop.com will receive the limited Loser edition on Smoke-colored vinyl (while supplies last). 

Love Letter for Fire features Beam and Hoop on vocals and guitar along with Robert Burger (keys), Eyvind Kang (violin, viola), Glenn Kotche (drums, percussion), Sebastian Steinberg (bass) and Edward Rankin-Parker (cello).  


[Photo credit:  Josh Wool]

Sam Beam and Jesca Hoop previously announced North American tour in support Love Letter for Fire begins Tuesday, May 17th in Ann Arbor, MI at The Ark and ends Saturday, June 11th in Chicago, IL at Thalia Hall. The tour will feature support from Dead Oceans recording artist Marlon Williams.

Tour Dates
May 17 - Ann Arbor, MI - The Ark*
May 18 - Toronto, ON - The Danforth Music Hall*
May 20 - New York, NY - The Town Hall*
May 21 - Washington, DC - The Lincoln Theatre*
May 22 - Boston, MA - The Wilbur Theatre*
May 24 - Philadelphia, PA - Union Transfer*
May 26 - Atlanta, GA - The Buckhead Theatre*
May 27 - New Orleans, LA - The Civic Theatre*
May 28 - Dallas, TX - The Kessler Theater*
May 30 - Tucson, AZ - The Rialto Theatre*
May 31 - Los Angeles, CA - The Fonda Theatre*
Jun. 02 - San Francisco, CA - Great American Music Hall*
Jun. 03 - Portland, OR - Aladdin Theater*
Jun. 04 - Seattle, WA - Neptune Theatre*
Jun. 05 - Boise, ID - The Egyptian Theatre*
Jun. 07 - Boulder, CO - Boulder Theater*
Jun. 08 - Omaha, NE - Slowdown*
Jun. 09 - Minneapolis, MN - Varsity Theater*
Jun. 10 - Milwaukee, WI - Turner Hall Ballroom*
Jun. 11 - Chicago, IL - Thalia Hall*
* w/ Marlon Williams

Find ticket links here.

Kristin Welchez - aka Dee Dee, leader of internationally acclaimed rock outfit Dum Dum Girls, will release X-Communicate, the debut album from her new solo project, Kristin Kontrol, on CD / LP / DL / CASS worldwide May 27 via Sub Pop. Tapped as the first single, “X-Communicate” melds new wave with synth pop in a slice of glistening cosmic disco. You can share/listen to the track right over HERE.

The album pre-order is underway HERE. Fans who pre-order X-Communicate digitally will instantly receive “X-Communicate” as well. Additionally, the limited, blue-vinyl Loser Edition is available to pre-order customers at megamart.subpop.com, and at select independent record stores (while supplies last).

With Kristin Kontrol, Dee Dee sheds her skin, ditching the alter ego she’d assumed in Dum Dum Girls – for her given name, Kristin. Once again, she is smashing boundaries, only this time it’s the ones she had drawn to define herself artistically.

“For me as leader of Dum Dum Girls it felt very stoic and serious, and I am serious, but anyone who really knows me knows the other side; I’m silly – I smile a lot,” explains Kristin. “As the years went on, it was so weird that I kept so much of me out of my art.”

[Photo by Jimmy Fontaine]

As Kristin Kontrol, she tells her stories using a sonic palette splashed with bold pop melodies, her vocals showcasing a range hitherto unexplored on record. The album was produced by Kurt Feldman (of Ice Choir and The Pains of Being Pure at Heart) and Andrew Miller (who played guitar in the Dum Dum Girls’ last incarnation). Longtime Dum Dum Girls producer Richard Gottehrer (Blondie, The Go-Go’s) provided “sonic consultation,” giving Kristin feedback on the new songs and inspiring her to continually push further. After writing 62 songs for the project, she whittled them down to the 10 that will be featured on this debut.

“The first music I really identified as my own was very poppy, classic 80s, from Debbie Gibson and Tiffany to Janet Jackson and Madonna,” says Kristin, who grew up in Northern California and now resides in New York City. “I didn’t want to make another rock’n’roll record.”

With its synth-sax flourishes and minimal groove, album opener “Show Me” sounds like the soundtrack to a previously unseen John Hughes movie montage. ”(Don’t) Wannabe” loops Enya-esque vocals and features her first reverse guitar solo while “White Street” is Kristin’s most narrative song yet, telling the tale of a specific night - last New Year’s Eve - in New York City. Kristin spoke more about the upcoming album in her recent Sirius XMU interview with Jenny Eliscu HERE.

Dum Dum Girls was Kristin’s guise for the best part of a decade. After posting her bedroom recordings online, she caught the ears of Sub Pop. From there she assembled her group of badass, black-clad cadets and toured the world. Over the course of three albums, four EPs and a bold brace of singles, Dum Dum Girls morphed from the girl group-gone-bad moves of debut album I Will Be (2010), to the comparatively plush noir-pop of 2014’s Too True.

In a review of Too True, The New York Times observed, “each successive album has largely offered refinements and variations.” “Too True preserves what makes Dum Dum Girls great, while pushing the band to brilliant new heights,” said Alternative Press and MOJO praised its “mythic ambition. “Dum Dum Girls supported Too True with a North American tour, a performance on “Late Show with David Letterman,” and a series of videos, including ”“Lost Boys & Girls Club,” which was produced with support from H&M Life, and “Are You Okay,” which was produced and directed by novelist/screenwriter Bret Easton Ellis.

Kristin Kontrol will announce live dates soon, but in the meantime, fans can find her DJ’ing at SXSW later his month. Her recent video capturing a street art tribute to David Bowie, that was painted on the railings on a New York City street, caught fire and now has more than 13 million views. It can be seen HERE.

X-Communicate – Track Listing

1. Show Me

2. White Street

3. (Don’t) Wannabe

4. X-Communicate

5. Skin Shed

6. Drive the Night

7. What is Love

8. Face 2 Face

9. Going Thru the Motions

10. Smoke Rings

Pertinent links:

Share/Listen/Embed Song, X-Communicate, HERE

Pre-order X-Communicate HERE

View David Bowie street art video HERE

Visit official website HERE

Sirius XMU interview HERE

On Saturday, April 16th, 2016, aka Record Store Day, Sub Pop will release two very limited split singles: Low and S. Carey’s “Not A Word” / “ I Won’t Let You Fall” 10” and METZ and Mission of Burma’s “Good, Not Great” / “Get Off” 7”. Check ‘em out:

METZ and Mission of Burma “Good, Not Great” / “Get Off” 7” single:
Toronto noise-rock behemoths METZ team up with Boston post-punk legends Mission of Burma on this split single for Record Store Day 2016. METZ contribute a cover of “Good, Not Great,” a track from Mission of Burma’s 2006 album The Obliterati, while Mission of Burma cover METZ’s 2012 anthem, “Get Off.” This single is a Record Store Day 2016 exclusive, and it is limited to 4,000 copies worldwide. All copies are on starburst purple and green vinyl. 

Tracklisting:
1.     Good, Not Great (METZ)
2.     Get Off (Mission of Burma)

Low / S. Carey “Not A Word” / “I Won’t Let You Fall” 10” single:
This 10” single on special translucent white vinyl features two 7-minute collaborations between Duluth group Low and Wisconsin’s S. Carey, aka Sean Carey, best known as the drummer and supporting vocalist for Bon Iver. The idea for this release came from producer BJ Burton. “Not a Word” was an unfinished Low track that BJ worked with S. Carey to complete, while “I Won’t Let You Fall” was an unfinished S. Carey song that BJ worked with Low to complete. This unique partnership between Low, S. Carey and BJ Burton (and Sub Pop and Jagjaguwar) is exclusive to Record Store Day 2016, and it is limited to 4,000 copies worldwide.

Tracklisting:
2.     I Won’t Let You Fall (S. Carey)
1.     Not a Word (Low)


More About Record Store Day:
Record Store Day was conceived in 2007 at a gathering of independent record store owners and employees as a way to celebrate and spread the word about the unique culture surrounding nearly 1400 independently owned record stores in the US and thousands of similar stores internationally. The first Record Store Day took place on April 19, 2008. Today there are Record Store Day participating stores on every continent except Antarctica. 

This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role these independently owned stores play in their communities. Special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records, and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point. In 2015, 60% of the Record Store Day Official Release List came from independent labels and distributors. The list continues to include a wide range of artists, covering the diverse taste of record stores and their customers. http://www.recordstoreday.com/Home