Preservation Hall Jazz Band has announced the release of their new
album A Tuba To Cuba, the
soundtrack to the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch, out June 28, 2019 via Sub Pop. Today,
they have released the track “Keep Your
Head Up” from the album. Listen and share “Keep Your Head Up” here and
pre-order A Tuba to Cubahere.
“We are so proud and honored to share a project
we’ve poured so much of ourselves into,” says Ben
Jaffe. “The impact visiting Cuba had on us will live with us both
individually and as a band forever. We’re still absorbing everything we
experienced.”
“We went to Cuba in prayer position,” says Preservation Hall band
leader and bass player Ben Jaffe when he speaks of the pilgrimage he and the
group took to Cuba in December 2015. “We went to receive an offer at the same
time. We had never experienced a moment like this, it felt as though all roads
were intersecting at once.” The critically acclaimed 2019 documentary ATuba
to Cuba documented the band’s journey as they explored the links that
connect New Orleans and Cuba so indelibly – their shared, tragic history as
destinations where enslaved Africans struggled to simply survive, and their
current status as places where the cultural inheritance from those ancestors is
kept alive in both song and deed – but that was only half the story. This
collection of songs, a musical account of a
generations-in-the-making reunion of musical
families separated by time, politics, and distance, tells the other
half.
When
asked to describe the collection of songs assembled on Tuba to Cuba, Jaffe sums it up by saying,
“It’s like listening to the radio.” And yes, ATuba to Cuba actually feels less like
an ordinary soundtrack and more like a living document, a recording of a
broadcast that’s been waiting to exist, a modern version of the static-y radio
signals that were broadcast between America to the Caribbean in the early and
mid-20th century, sending the sounds of jazz and mambo and R&B and more
back and forth across the vast divides of water and culture and politics. It’s
a story, this album, and the tale being told mirrors the band’s experience.
The resulting
collection of songs is what Jaffe describes
as “a beautiful conversation.” The music of ATuba to Cuba is an ecstatic expression of that ongoing conversation, a
restless and lush trip up and down strange FM wavelengths bridging thousands of
miles and hundreds of years, where all involved are
talking with each other and over each other in excitement, charged with the
thrill of recognition of the evidence of their shared familial roots, an
undeniable kinship rooted in bloodlines, rhythm, and melody.
A Tuba To Cuba Tracklisting:
1. Yesteryear 2. Tumba 3. I Am 4. Descarga del Son 5. Keep Your Head Up 6. Corazon 7. Elegguà 8. Kreyol 9. El Manicero 10. Solitude 11. Las Palomas 12. Malecón
[Photo credit: Josh Goleman]
Preservation Hall Jazz Band Tour Dates:
Jul. 05 - Elkhorn, WI - Alpine Valley Music
Theatre*
Jul. 06 - Elkhorn, WI - Alpine Valley
Music Theatre*
Jul. 28 - Newport, RI - Newport Folk Festival
Aug. 02 - Happy Valley, OR - Pickathon
Aug. 03 - Happy Valley, OR - Pickathon
Aug. 05 - Folsom, CA - Harris Center For The
Arts
Aug. 06 - Folsom, CA - Harris Center For The
Arts
Aug. 08 - San Francisco, CA - SFJAZZ
Aug. 09 - San Francisco, CA - SFJAZZ
Aug. 10 - San Francisco, CA - SFJAZZ (7:00PM)
Aug. 10 - San Francisco, CA - SFJAZZ (9:30PM)
Aug. 11 - San Francisco, CA - SF Jazz Center -
Miner Auditorium
Aug. 15 - Philadelphia, PA - Old Pool Farm
Aug. 16 - Philadelphia, PA - Old Pool Farm
Aug. 17 - Philadelphia, PA - Old Pool Farm
Aug. 18 - Philadelphia, PA - Old Pool Farm
Aug. 24 - Arrington, VA - Lockn’ Music
Festival
Sep. 20 - Louisville, KY - Bourbon & Beyond
Festival
Sep. 21 - Franklin, TN - Pilgrimage Music
Festival
Sep. 22 - Franklin, TN - Pilgrimage Music
Festival
Oct 22 - Ridgefield, CT - The Ridgefield
Playhouse
Oct 23 - Red Bank, NJ - Count Basie Theatre
Oct 24 - New York, NY - Town Hall Theatre
Oct 25 - Boston, MA - Berklee Performance Center
Oct 26 - Portsmouth, NH - The Music Hall
Oct 28 - Montreal, QC - Place des Arts - Theatre
Oct 29 - Toronto, ON - Roy Thomson Hall
Oct 30 - Pittsburgh, PA - Byham Theatre
Nov 01 - Kent, OH - The Kent Stage
Nov 02 - Goshen, IN - Goshen College Music
Center
Nov 04 - Chicago, IL - Thalia Hall
Nov 05 - Saint Paul, MN - Fitzgerald Theatre
Nov 07 - Denver, CO - Paramount Theatre
Nov 09 - Phoenix, AZ - Music Theater at the
Musical Instrument Museum
Nov 11 - Livermore, CA - Livermore Valley
Performing Arts Center
Nov 13 - Chico, CA - California State University
Chico - Laxson Auditorium
Nov 15 - Santa Rosa, CA - Luther Burbank Center
for the Arts
Nov 16 - Arcata, CA - John Van Duzer Theatre
Nov 17 - Portland, OR - Revolution Hall
Nov 18 - Seattle, WA - Benaroya Hall – Taper
Auditorium
Nov 20 - Santa Cruz, CA - Rio Theatre
Nov 21 - Santa Barbara, CA - UCSB Campbell Hall
Nov 22 - San Diego, CA - Wonderfront Music
Festival
Nov 23 - Cerritos, CA - Cerritos Center for the
Performing Arts
Nov. 29 - Baltimore, MD - Joseph Meyerhoff
Symphony Hall
Nov. 30 - Baltimore, MD - Joseph Meyerhoff
Symphony Hall
Dec. 01 - Baltimore, MD - Joseph Meyerhoff
Symphony Hall
“Like the best classic albums, its
pleasures run deep.” - Pop Matters
“Like a cocaine-fuelled jam
between David Bowie, John Lennon and Leon Russell, the Louisiana-bred,
Portland-based rocker would’ve played Max’s Kansas City” [8/10] - Uncut
Kyle Craft & Showboat Honey’s new full-length Showboat Honey is out today July 12th,
2019 worldwide from Sub Pop. The album, which features the singles &
official videos for “Broken Mirror Pose,”“2 Ugly 4 NY,” and “Deathwish Blue,” was recorded and produced by Kyle
Craft, Kevin Clark, and Billy Slater at their own Moonbase Studios in Portland
over 2018. The album was mixed by Trevor Spencer and mastered by April Golden
at Golden Mastering. Stream it now on YouTube, Spotify and Apple Music.
Showboat Honey is available through Sub Pop Mega Mart. Purchases of the LP through
megamart.subpop.com and select independent
retailers in North America, the UK and Europe will receive the limited Loser edition on a clear
blue translucent mix with spots red hi-melt (while supplies last). There is also a new T-shirt design
available.
Kyle Craft and Showboat Honey Tour Dates + Ticket Links
Kyle Craft & Showboat Honey’s previously
announced headlining dates for 2019 in support of the album resume tonight,
July 12th in Seattle with an in-store at Easy Street Records, and currently end
on August 24th in San Francisco at Cafe Du Nord.
Jul. 12 - Seattle, WA - Easy Street Records instore Jul. 13 - Seattle, WA - Ballard Seafood Fest Jul. 14 - Spokane, WA - The Bartlett Jul. 15 - Billings, MT - Pub Station Taproom Jul. 17 - St. Paul, MN - Turf Club Jul. 18 - Chicago, IL - Empty Bottle Jul. 19 - Louisville, KY - Jimmy Can’t Dance Jul. 20 - Cleveland, OH - Grog Shop Jul. 22 - Toronto, ON - Horseshoe Tavern Jul. 23 - Northampton, MA - Iron Horse Jul. 24 - Allston, MA - Great Scott Jul. 26 - Newport, RI - Newport Folk (Museum Stage) Jul. 30 - Woodstock, NY - Colony Aug. 01 - Brooklyn, NY - Baby’s All Right Aug. 02 - Philadelphia, PA - Boot & Saddle Aug. 04 - Washington, DC - Pearl Street Warehouse Aug. 05 - Carrboro, NC - Cat’s Cradle Aug. 06 - Athens, GA - Georgia Theater Rooftop Aug. 07 - Atlanta, GA - The Earl Aug. 08 - Birmingham, AL - Saturn Aug. 09 - Nashville, TN - The Basement Aug. 10 - Oxford, MS - Proud Larry’s Aug. 11 - New Orleans, LA - One-Eyed Jacks Aug. 14 - Shreveport, LA - Minicine Aug. 15 - Dallas, TX - Three Links Aug. 16 - Austin, TX - The Mohawk Aug. 18 - Phoenix, AZ - The Valley Bar Aug. 19 - Tucson, AZ - 191 Toole Aug. 22 - San Diego, CA - Soda Bar Aug. 23 - Los Angeles, CA - The Moroccan Aug. 24 - San Francisco, CA - Cafe Du Nord
What “The People” are saying about Kyle
Craft & Showboat Honey:
“Kyle
Craft and his backing band Showboat Honey provide a glam-tastic Bowie-esque
joyride, full of meaty Stones riffs and sprinkled with caustic soda lyrics that
a true Dylan devotee has processed and posted from the heart.” [4/5]- NARC
“The
result is a cohesive set of tracks centered around a rough patch that hit at
the same time as Craft was falling in love…Fans of his glam rock-influenced
sound will find plenty to latch onto.” - Billboard
“Having
been the darling of the moment when his solo debut was first released, Craft
clearly shows that he has more to offer than just being that guy with wild hair
that sounds like someone else. He has a range and depth that is showcased
beautifully on this new album, his third on Sub Pop, and first as Kyle Craft
& Showboat Honey. “ - Eleven PDX
“On
the track, his typically wailing voice is stunted by almost spoken-word verses
that ride along with a slow-rolling piano progression. It’s a suspense-building
element that pays off when the song eventually crashes into a wave of horns,
electric guitars and sheer swagger.” [“Broken Mirror Pose”/ Heavy Rotation] - World
Cafe
“A
glammy, ’70s style anthem with a soaring chorus.” [“Broken Mirror Pose”] - Brooklyn Vegan
“Craft,
whose lyrics and electric guitar hooks have drawn comparisons to Bob Dylan and
The Rolling Stones, is no stranger to vintage sounds.” [“Broken Mirror
Pose”] - PASTE
“Craft
has brought his signature twang into a more Raconteurs-esque world with his
latest release.” [2 Ugly 4 NY] - Alt Citizen
Minor Poet has announced new tour dates for September 2019 in support of The Good News out now on Sub Pop. The quartet’s eastern U.S. trek begins on September 12th in Washington, DC at the Songbyrd Cafe and ends September 27th in Charlottesville, VA at The Southern. Along the way, Minor Poet will co-headline with 6131 Records act Sammi Lanzetta (September 12th-26th), and Stray Fossa (September 27th).
Sep. 12 - Washington, DC - Songbyrd Cafe * Sep. 13 - New York, NY - Alphaville * Sep. 14 - Wilmington, DE - 1984 * Sep. 19 - Chapel Hill, NC - Nightlight * Sep. 20 - Charlotte, NC - Petra’s * Sep. 21 - Norfolk, VA - Charlie’s Cafe * Sep. 26 - Harrisonburg, VA - Golden Pony * Sep. 27 - Charlottesville, VA - The Southern ^
* w/ Sammi Lanzetta ^ w/ Stray Fossa
Minor Poet’s The Good News, featuring the singles “Museum District” and “Tropic of Cancer” was produced by Andrew Carter and Adrian Olsen (Natalie Prass, Foxygen) at Montrose Recording in Richmond. The Good News is available through Sub Pop Mega Mart. Purchases of the LP through megamart.subpop.com and select independent retailers in North America, UK, and Europe will receive the limited Loser edition on clear with red and blue swirl vinyl (while supplies last).
Clipping has returned with There Existed an Addiction to Blood, the group’s fourth effort and the follow up to Splendor and Misery, their acclaimed album of 2016. There Existed an Addiction to Blood features the singles “Nothing Is Safe,” “Blood of the Fang,” “La Mala Ordina” (Feat. Benny The Butcher, ElCamino, The Rita), and was produced by Clipping, mixed by Steve Kaplan, and mastered by Dave Cooley at Elysium Masters in Los Angeles. The album also features appearances from Ed Balloon, La Chat, Counterfeit Madison, and Pedestrian Deposit. There Existed an Addiction to Blood will be available on 2xLP/Deluxe 2xLP/CD/CS/DL on Friday, October 18th, 2019 worldwide from Sub Pop.
There Existed an Addiction to Blood finds Clipping interpreting another rap splinter sect through their singular lens. This is Clipping’s transmutation of horrorcore, a purposefully absurdist and creatively significant sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap.
The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. If traditional horrorcore was akin to Blacula, the hugely popular blaxploitation flick from the early 70s, Clipping’s latest is analogous to Ganja & Hess, the blood-sipping 1973 cult classic regarded as an unsung landmark of black independent cinema, whose score by Sam Waymon, the band samples on “Blood of the Fang” and inspired the album’s title.
[2xLP Deluxe Limited “Lamestain” Edition]
There Existed an Addiction to Blood is available through Sub Pop Mega Mart. Preorders of the LP through megamart.subpop.com and select independent retailers in North America will receive the limited, deluxe 2xLP “Lamestain” edition on blood-splattered clear vinyl (while supplies last). Meanwhile, LP preorders of There Existed an Addiction to Blood throughout the UK and Europe from select independent retailers will receive the limited Loser edition on opaque silver vinyl (while supplies last).
Clipping
There Existed an Addiction to Blood
Tracklisting: 1. Intro 2. Nothing Is Safe 3. He Dead (feat. Ed Balloon) 4. Haunting (Interlude) 5. La Mala Ordina (feat. The Rita, Benny The Butcher & El Camino) 6. Club Down (feat. Sarah Bernat) 7. Prophecy (Interlude) 8. Run for Your Life (feat. La Chat) 9. The Show 10. Possession (Interlude) 11. All in Your Head (feat.Counterfeit Madison & Robyn Hood) 12. Blood of the Fang 13. Story 7 14. Attunement (feat. Pedestrian Deposit) 15. Piano Burning (composed by Annea Lockwood)
Clipping will perform at the 2019 Adult Swim Festival in Los Angeles on Saturday, November 16th. Additional live performances to be announced soon.
About Clipping’s There Existed an Addiction to Blood: The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first-person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past.
Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is clipping’s transmutation of horrorcore, a purposefully absurdist and creatively significant sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and Three 6 Mafia and the near-entirety of classic Memphis cassette tape rap.
The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. If traditional horrorcore was akin to Blacula, the hugely popular blaxploitation flick from the early 70s, Clipping’s latest is analogous to Ganja & Hess, the blood-sipping 1973 cult classic regarded as an unsung landmark of black independent cinema, whose score by Sam Waymon, the band samples on “Blood of the Fang” and inspired the album’s title.
From the opening “Intro,” Clipping summon an unsettling eeriness. Diggs sounds like he’s rapping through a drive-thru speaker about the bottom falling out, bodies hitting the floor, and recurrent ghosts. You hear ambient noises, footsteps and shovels. The hairs on your arms stick up like bayonets. You can practically see the knife’s edge, sharp and luminous.
Each song contains its own premise and conceptual bent. There is “Nothing is Safe,” a reversal of Assault on Precinct 13, where the band create their own version of a John Carpenter-inspired rap beat and the cops are the ones raiding a trap house. Diggs sketches the narrative from the perspective of the victims, full of lurid and visceral details and intricate wordplay. The windows are boarded and sealed, the product simmers on the stove, the bodies sleep fitfully in shifts. Then law enforcement arrives and the bullets start to fly.
“He Dead” turns police officers into werewolves while Diggs flips Kendrick Lamar’s “Riggamortis” into something gravely literal.“All In Your Head” finds Clipping re-contextualizing the pimp talk of Suga Free and Too $hort into a metaphor for an Exorcist-style possession. The album contains interludes featuring hissing recordings of demonic invasions and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with “Piano Burning,” a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning.
In the hands of the less imaginative or less virtuosic, it could come off as overwrought or pretentious. Instead, Clipping annex new terrain for a sub-genre often left for dead. In its own way, one could compare what they’ve accomplished to Tarantino’s post-modern reworkings of critically overlooked but creatively fertile blaxploitation, horror and spaghetti western cinema.
Everything fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy, as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows.
Clipping’s last album, the 2016 afro-futurist dystopian space opusSplendor & Misery was recently named one of Pitchfork’s Best Industrial Albums of All-Time. Commissioned for an episode of This American Life, their 2017 single “The Deep” became the inspiration for a novel of the same name, written by Rivers Solomon and published by Saga Press. But it’s their latest masterwork that embodies what the band had been building towards — a work that finds them without peer. This is experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horror-core that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas.
On November 1st, Omni will release their Sub Pop debut Networker. The first single, “Sincerely Yours”, delivers a tight groove accompanied by smart leads. Elements that have become a definitive part of Omni’s immediately recognizable sound. However, there is a new sonic brilliance to this recording. If spring single, “Delicacy”, was a taste for what was to come, “Sincerely Yours” lifts the curtain to reveal their lush, new sound.
Networker’s 11 tracks were written between tours and a handful of studio sessions, allowing Omni’s Frankie Broyles and Philip Frobos to push their songwriting boundaries while keeping the stage in mind, designing songs to enhance their tight, energetic performances. Longtime collaborator, Nathaniel Higgins returned to help capture what is their most “HI-FI” album to date. Together they recorded the LP in Vienna, GA between November 2018 - April 2019.
[Photo Credit: Emily Frobos]
Elaborating on the inspiration behind “Sincerely Yours”, Frobos shares that “The last couple of years marked a lot of friends making the 9 to 5 career change. While I’m aware that there are many advantages to that lifestyle, the song is written from an outsider’s perspective while remaining close to their struggles.” You can watch the new video for “Sincerely Yours” right here, and also here.
The band has announced a 26 date world tour this fall in support of their Sub Pop debut Networker. The North American run will kick off on Oct. 23rd in Nashville, and find the group touring through Chicago, Brooklyn, DC, and Raleigh, ending in their home city of Atlanta on Nov. 4th. They will then head overseas beginning on Nov. 10th in Kortrijk, Belgium with shows in Hamburg, Copenhagen, Berlin, Paris, Lille, Brighton, Glasgow, and London. See below for a full list of shows.
Networker is now available for preorder from Sub Pop. LP preorders of the album through megamart.subpop.comand select independent retailers in North America, UK, and Europe will receive the limited Loser edition on opaque blue while supplies last.
Oct. 23 - Nashville, TN - The Basement Oct. 25 - Chicago, IL - Empty Bottle Oct. 27 - Toronto, ON - The Garrison
Oct. 28 - Montreal, QC - Bar Le Ritz Oct. 29 - Brooklyn, NY - Baby’s All Right Oct. 30 - Brooklyn, NY - Sultan Room Nov. 2 - Washington, DC - Pie Shop Bar Nov. 3 - Raliegh, NC - Kings Raleigh Nov. 4 - Atlanta, GA - The Earl Nov. 10 - Kortrijk, BE - Sonic City Festival Nov. 11 - Hamburg, DE - Molotov Nov. 12 - Copenhagen, DK - Loppen Nov. 13 - Berlin, DE - BERGHAIN KANTINE Nov. 14 - Utrecht, NL - Ekko Nov. 15 - Le Havre, FR - Mc Daids Nov. 18 - Paris, FR - La Boule Noire Nov. 19 - Lille, FR - La Bulle Nov. 20 - Brussels, BE - Le Botanique Nov. 21 - Colmar, FR - Le Grillen Nov. 22 - St. Gallen, CH Palace St. Gallen Nov. 23 - Lyon, FR - Sonic Nov. 25 - Brighton, UK - Hope Nov. 26 - Bristol, UK - Rough Trade (Bristol) Nov. 27 - Manchester, UK - YES Nov. 28 - Glasgow, UK - Mono (Glasgow) Nov. 29 - Leeds, UK - Brudenell Social Nov. 30 - London, UK - Oslo
About Omni:
Enter Networker, the new album by Omni and first with indie giant Sub Pop Records. Their sound is still defined by sparse drums, locked-in bass, blistering guitar, and nonchalant, yet assured vocals, but from the first notes of “Sincerely Yours” you’ll immediately notice that Networker sounds much cleaner and more “HI-FI” than their prior two albums, Deluxe (2016) and Multi-task (2017). The departure in fidelity suits the new record and allows the listener to enjoy the nuances of their meticulous arrangements. Don’t worry, the riffs of Gang of Four and Wire are still present, but the production is more lush and the harmony is even more expansive. Despite nods to the sounds of the ’70s and ’80s what comes through is a record fully rooted in the here and now. Thematically, this is apparent on the title track “Networker” taking a candid snapshot of the “digital you” aspect of life in the age of the internet. The otherwise fun romp “Skeleton Key” also acknowledges the “direct message and obsessive” side of social media with lines like “if you don’t like what you see, the pretty face on the screen, scroll on by…”
Networker was written half between tours and half during recording sessions. The band, Philip Frobos on bass/vocals and Frankie Broyles on guitars/drums/keys, returned with longtime collaborator Nathaniel Higgins to the studio in South Georgia where they also recorded Multi-task and most recent single “Delicacy.” In this case, the “studio” is a cabin near Vienna, GA (pronounced Vye-anna) that was built by Frankie Broyles’ great-grandparents in the 1940s. The band completed four sessions between November 2018 and April 2019. Omni hit their stride in the cabin with songs such as “Moat,” which cruises along at a nice mid-tempo clip with sounds that are maybe piano or maybe the “behind the bridge” strings of a Jaguar a la Sonic Youth or This Heat. “Blunt Force” provides a nice contrast to some of the more upbeat cuts, getting jazzy with it’s less traditional arrangement and psychedelic outro.
On “Courtesy Call,” Omni successfully ride the line of being able to pleasantly reference influences without mimicking. They venture into experimental Haruomi Hosono territory while still managing to sound like Thin Lizzy. The same could be applied to “Sincerely Yours” where the fantastic guitar work and a beautiful breakdown in the middle dive into late 70’s jazz production. On standout cut “Present Tense,” Yellow Magic Orchestra vibes are present in the fun synthesizer riff while the guitar counterpoint checks this direction pulling the song back into something fresh, sharp, and definitely Omni.
Overall, Networker is simultaneously fun, catchy, and contains some truly impressive musicianship. This combo is especially hard to pull off as bands that are great players often don’t have great or memorable songs. Omni and Nathaniel Higgins have done a stellar job of reigning in their diverse influences into a cohesive record by curating their sounds into a tight package that leaves you just on the cusp of understanding where the band is coming from, while still feeling like you’re hearing something totally fresh. While their earlier records had more of a “post-punk” sound, Networker is an amalgamation of the best sounds of the ’70s and ’80s, all arranged with (mostly) guitars, bass, and drums for our contemporary age, and it really works! There are hooks everywhere, vocal and instrumental, that will leave you humming along, even during the first listen. As Philip Frobos says in “Present Tense,” “guess who’s on my mind right now?” Well, Omni’s on mine and will be on yours soon.
Watch the Animated Video for METZ’s take on Gary Numan’s “M.E.” + Find Details of Newly Announced Fall Shows
On July 12th, Sub Pop released Automat, a collection of METZ non-album singles, B-sides, and rarities dating back to 2009, available on LP for the first time, and including the band’s long out-of-print early (pre-Sub Pop) recordings. It’s a chronological trip through the lesser-known material of METZ, the widely-adored and delightfully noisy 3-piece punk band from Toronto, ON.
The vinyl LP format of Automat included an exclusive bonus 7” single of METZ interpretations of three diverse cover songs, a glimpse of their wide-ranging and excellent taste. And, on Aug. 20 (aka today) these three bonus tracks will be available in digital services everywhere (such as YouTube, Spotify and Apple Music). Rejoice! And then also go listen to: a cover of Sparklehorse’s “Pig,” from a very limited 2012 Record Store Day split single originally released by Toronto’s Sonic Boom record shop; “I’m a Bug,” a cover of the Urinals’ art-punk classic, originally released on YouTube (not an actual record label) in 2014; and METZ’s previously unreleased rendition of Gary Numan’s “M.E.”
You can also watch the mesmerizing video for “M.E.,” featuring a three-headed Pleasure Principle hydra illustrated by Kirin Booth and animated by Martin MacPherson here now, and/or also by clickinghere.
M.E Tracklisting: 1. “I’m a Bug” by the Urinals 2. “Pig” by Sparklehorse 3. “M.E” by Gary Numan
METZ have a handful of upcoming shows before getting to work on their 4th full-length LP which will be released on Sub Pop when we are all damn good and ready.
Sep. 07 - Toronto, ON - Echo Beach (MATTYFEST w Wu Tang Clan) Oct. 10 - Perris, CA - Desert Daze (w The Flaming Lips, Stereolab, Lightning Bolt) Oct. 19 - Queens, NY - Octfest 2019, presented by Pitchfork and October, at Knockdown Center Nov. 01 - London, ON - The Rec Room @ Dec. 02 - Glasgow, UK - The Barrowland Ballroom # Dec. 03 - Glasgow, UK - The Barrowland Ballroom # Dec. 04 - Manchester, UK - Manchester Academy 1 # Dec. 05 - Leeds, UK - O2 Academy Leeds # Dec. 07 - London, UK - Alexandra Palace Theatre #
