Corridor’s Junior, their Sub Pop debut, is available now on CD/LP/DL/CS worldwide through Sub Pop with the exception of Canada through Bonsound. Stream it today on YouTube, Spotify, Apple Music and Bandcamp.
[Photo Credit: Caroline Desilets]
Corridor’s international tour schedule in support of Junior kicks-off tomorrow, Wednesday, October 23rd in Philadelphia at Boot & Saddle and currently ends December 13th in Los Angeles at Morrocan Lounge. For more information on tickets, visit Corridor’s Sub Pop tour dates page.
Oct. 23 - Philadelphia, PA - Boot & Saddle Oct. 24 - Brooklyn, NY - Union Pool Oct. 25 - Washington, DC - Comet Ping Pong Oct. 29 - Amsterdam, NL - Paradiso (Upstairs) Oct. 31 - Nyon, CH - La Parenthese Nov. 01 - Lyon, FR - Le Sonic Nov. 02 - Nantes, FR - Soy Music Festival Nov. 04 - Paris, FR - Point Ephemere Nov. 06 - London, UK - The Waiting Room [Sold Out] Nov. 07 - Antwerp, BE - Trix (Free Show) Nov. 08 - Hamburg, DE - Hafenklang Nov. 09 - Berlin, DE - Westgermany Nov. 10 - Kortrijk, BE - Sonic City Music Festival Nov. 20 - Toronto, ON - The Garrison* Nov. 22 - Montreal, QC - M for Montreal Festival (Le National) * Nov. 28 - Quebec City, QC - l’Anti Dec. 04 - San Francisco, CA - Milk Bar Dec. 07 - Portland, OR - Bunk Bar # Dec. 08 - Vancouver, BC - Astoria ^ Dec. 10 - Seattle, WA - Barboza Dec. 13 - Los Angeles, CA - Moroccan Lounge
* w/ Absolutely Free # w/ Woolen Men ^ w/ N0V3L
Corridor’s Junior is now available through Sub Pop. Purchases of the LP through megamart.subpop.com, select independent retailers and the band’s live shows in North America will receive the limited Loser edition on Soft-Boiled colored vinyl (while supplies last). Meanwhile, LP purchases of Junior throughout the UK and Europe from select independent retailers and the Corridor’s live shows, will receive the limited Loser edition on Egg Yolk colored vinyl (while supplies last).
The album features the singles “Topographe,” “Domino” “Grand Cheval,” “Pow,” and the title track, and was produced by Emmanuel Éthier, engineered by Samuel Gemme, mixed by Éthier and Gemme in Montreal at ReelRoad Studios, and mastered by Josh Bonati at Bonati Mastering in New York.
Now Listen to Haunted Items #1 “Dancing” & “Tunnel”
Frankie Cosmos has announced the release of Haunted Items, a digital-only collection of new stripped-down songs for the piano. Over the next 4 weeks, Sub Pop will share songs from this collection weekly, beginning with the tracks “Dancing” and “Tunnel” which you can listen to today via all digital service providers. See below for a full list of songs.
Frontwoman Greta Kline says of the Haunted Items project: “items themselves are harmless unless they are infused with some kind of energy. These items are haunted by fear, consumerism, commitment, love, loss, the list goes on…I had some of these songs stuck inside me, mostly because I wrote a lot of them for piano and didn’t know how to record them, even as demos. My friend Elia gifted me with 10 hours of recording time with Mark Yoshizumi, and this winter felt like the perfect opportunity to get these out of my system and haunt you with them instead. I have always been afraid of items being haunted, but when you think about it, every item is, right?”
Haunted Items Track and release schedule on DSP’s:
3/13 - Haunted Items #1 “Dancing” “Tunnel”
3/20 - Haunted Items #2 “February” “In The World”
3/27 - Haunted Items #3 “String” “Eternal”
4/3 - Haunted Items #4 “Rings on a Tree” “Allowed” “Today’s Special”
Frankie Cosmos will return to the UK and mainland Europe for a short tour beginning April 1st with a show at EartH in London. The new dates will continue throughout the month with performances in Stockholm, Oslo, Copenhagen, Berlin, Lisbon, Madrid, Barcelona, and Bologna. Frankie Cosmos will then return to the U.S. for an appearance at Austin, TX-based radio station KVRX Festival.
Apr. 01 - London, UK- EartH (AKA Hackney Arts Centre) Apr. 03 - Stockholm, SE - Melodybox Apr. 04 - Gothenborg, SE - Pustervik Arp. 05 - Oslo, NO - John Dee Apr. 06 - Aarhus - DK - TAPE Apr. 07 - Copenhagen, DK - Lille Vega Apr. 09 - Berlin, DE - Musik & Frieden Apr. 10 - Heidlberg, DE - Karlstorbahnhof Apr. 12 - Gipuzkoa, ES - Dabadaba, Donostia Apr. 13 - A Coruña, ES - Garufa Club Room Apr. 15 - Lisbon, PT - ZDB Gallery Apr. 16 - Madrid, ES - El Sol Apr. 17 - Barcelona, ES - Razzmatazz Apr. 19 - Bologna, IT - Covo Club May. 11 - Austin, TX- KVRX Fest (w/ Fat Tony, Video Age, Palm and more)
Album release show on May 25th at Babyland with Positive No & Bat Zuppel.
On May 31st, The Gotobeds - Cary, TFP, Eli and Gavin - return to the fray with their third full lengther, Debt Begins at 30. The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds - as Pittsburgh as it gets, the folk music of the Steel City - have more tar for us to swallow. Debt Begins at 30 is an old-fashioned blast furnace and the liquid iron flows.
The album’s first single, “Calquer the Hound,” features guest performances by Kim Phuc singer Rob Henry, and Evan Richards of The City Buses. (The album has guests on all eleven tracks - see the track list below for the details.) The song has euphony, a sly bridge, plenty of trademark bash, and a spacey outro. It’s a sanguine album opener, more Al Oliver than Starling Marte, to put it in Pittsburgh Pirates terms. Tune in to “Calquer the Hound” here and here (see also Brooklyn Vegan March 6th).
[Photo Credit: Shawn Brackbill]
The band has confirmed an album release show in their hometown of Pittsburgh, PA on May 25th at Babyland. Positive No & Bat Zuppel will open. They will also be opening for Mudhoney Oct 17th at Mr. Smalls in Pittsburgh. More dates to be announced in the coming weeks.
Debt Begins at 30 is now available for preorder through Sub Pop Mega Mart. Preorders of the LP through megamart.subpop.com, select independent retailers in the U.S., and select European and UK retailers will receive the limited, orange-vinyl Loser Edition while supplies last.
Debt Begins at 30 Tracklisting:
1. Calquer the Hound (with Evan Richards of The City Buses and Rob Henry of Kim Phuc) 2. Twin Cities (with Tracy Wilson of Positive No) 3. Slang Words (with Joe Casey of Protomartyr) 4. 2:15 (with Matt Barnhart of Tre Orsi/Mint Mile) 5. Poor People Are Revolting (with Pittsburgh poet Jason Baldinger and Gerard Cosloy of Air Traffic Controllers/Homestead Records/12XU Records) 6 .Debt Begins at 30 (with Mike Seamans of Mind Cure Records) and Bob Weston of Shellac/Mission of Burma) 7. On Loan (with Greg Ahee of Protomartyr) 8. Dross (with Bob Nastanovich of Pavement/Silver Jews) 9. Parallel (with Tim Midyett of Mint Mile/Silkworm) 10. Bleached Midnight (with Pittsburgh poet Scott MacIntyre) 11. Debt Begins at 30 (Alt version) (with Victoria Ruiz of Downtown Boys)
About The Gotobeds Debt Begins at 30: Give me a minute or three to extol the virtues of The Gotobeds, the modern rock-and-roll sensation that has always sounded like they love to play. Never maligned by having the world’s weight on their backs, The Gotobeds - Cary, TFP, Eli and Gavin - return to the fray with their third full lengther, Debt Begins at 30. The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds - as Pittsburgh as it gets, the folk music of the Steel City - have more tar for us to swallow. Debt Begins at 30 is an old-fashioned blast furnace and the liquid iron flows. Debt Begins at 30 is not “pub sop” in any way or shape.
Though I never considered The Gotobeds a band that needed assistance from their peers, Debt Begins at 30 features outside contributors on every track. The album’s first single, “Calquer the Hound,” includes local buddy Evan Richards, and Rob Henry of Kim Phuc. “Calquer the Hound” has euphony, a sly bridge, plenty of trademark bash, and a spacey outro. It’s a sanguine album opener, more Al Oliver than Starling Marte.
On “Twin Cities,” the lads tap Tracy Wilson, formerly of Dahlia Seed and currently of Positive NO!, to share the vox, and the result is an exuberant pop song proving The Gotobeds benefit from women ruling the scene. “Twin Cities” is more Dakota Staton than Don Caballero. “Debt Begins at 30,” the title trackular, includes the wizardry of Mike Seamans and legend Bob Weston. It’s a brooding romp with tribal beats and slash-and-burn guitar, more Rocky Bleier than Le’Veon Bell.
Unsurprisingly, The Gotobeds called partners-in-rock-crime Protomartyr a coupla times, with Joe Casey bolstering “Slang Words” and hook-fiend Greg Ahee shredding on “On Loan.” “Slang Words” is a savory wrecking ball with a crunching bite, more of a soft shell crab sandwich from Wholey’s Market than a 4am slop feast at Primanti Brothers. “On Loan” is an anthemic jangle-fest with high-arcing fret work, more Karl Hendricks (rest his soul) than “Weird Paul” Petroskey.
Silkworm guitarist Tim Midyett is tapped on “Parallel,” a grand song that enters a world of whimsy, melodic and uncomplicated, more Jaromir Jagr than Sidney Crosby. The likes of 12XU label boss Gerard Cosloy, Tre Orsi’s Matt Barnhart, the wonderful Victoria Ruiz of Downtown Boys, Pittsburgh wordsmiths Jason Baldinger and Scott MacIntyre, and yours truly strut stuff on other tracks. In my case, I just scream “dross” on “Dross” several times. Good judgment on the part of The Gotobeds to know that’s the best I can do, more Max Moroff than Andrew McCutchen.
Anyways, The Gotobeds have quickly reached the veteran stage, but, based upon Debt Begins at 30, their best days are ahead of them. It’s a pleasure to be associated with such an excellent band.
Preservation Hall Jazz Band has released the video for their song “Keep Your Head Up” today, premiered via Billboard. The track, which features
Cuban singer Eme Alfonso, appears on
their new album A Tuba To Cuba, the
soundtrack to the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch, out now via Sub Pop. Watch and share “Keep Your
Head Up” here. Stream
and order A Tuba to Cubahere.
“Keep Your Head Up” is simple message with a big meaning,” says Ben Jaffe. “Walk with your head
high, walk with pride, and live your life with grace and honor and an
appreciation for all humanity. Don’t let things break you down and don’t
allow anyone or anything to diminish your spirit.”
“We met the wonderful Eme Alfonso at a performance at an amazing old factory that’s
been converted into a multi-disciplinary art space called Fabrica Del
Arte. That same evening we met she came up and improvised lyrics in
Spanish on the spot. Eme later told me the words she sang have a deep meaning
in Cuba, the translation is something like “walk with your head out
front, don’t be so down, walk with joy.”
“To say Preservation Hall
Jazz Band is to refer to the purest essence of our traditions and to discover
NOLA, through the band and Ben its director, was for me one of the most beautiful
experiences of my life,” says singer Eme
Alfonso. “Because in New Orleans… Jazz and art flow from the streets
of this city and it’s clear that it has a direct connection to Cuba, Havana,
and all of those who came before us. Our grandparents are connected
through these rhythms, dances, melodies, and customs and this shared history of
our ancestors unites us all.
“New Orleans and Cuba are deeply connected,” Alfonso continues. “This
collaboration is a conduit, a lesson to show our people, and others in the
world that we are all family and that art and music has the power to unites us.”
“We went to Cuba in prayer position,” says Preservation Hall band
leader and bass player Ben Jaffe when he speaks of the pilgrimage he and the
group took to Cuba in December 2015. “We went to receive and offer at the same
time. We had never experienced a moment like this, it felt as though all roads
were intersecting at once.” The critically acclaimed 2019 documentary ATuba
to Cuba documented the band’s journey as they explored the links that
connect New Orleans and Cuba so indelibly – their shared, tragic history as
destinations where enslaved Africans struggled to simply survive, and their
current status as places where the cultural inheritance from those ancestors is
kept alive in both song and deed – but that was only half the story. This
collection of songs, a musical account of a
generations-in-the-making reunion of musical
families separated by time, politics, and distance, tells the other
half.
When
asked to describe the collection of songs assembled on Tuba to Cuba, Jaffe sums it up by saying,
“It’s like listening to the radio.” And yes, ATuba to Cuba actually feels less like
an ordinary soundtrack and more like a living document, a recording of a
broadcast that’s been waiting to exist, a modern version of the static-y radio
signals that were broadcast between America to the Caribbean in the early and
mid-20th century, sending the sounds of jazz and mambo and R&B and more back
and forth across the vast divides of water and culture and politics. It’s a
story, this album, and the tale being told mirrors the band’s experience.
The resulting
collection of songs is what Jaffe describes
as “a beautiful conversation.” The music of ATuba to Cuba is an ecstatic expression of that ongoing conversation, a
restless and lush trip up and down strange FM wavelengths bridging thousands of
miles and hundreds of years, where all involved are
talking with each other and over each other in excitement, charged with the
thrill of recognition of the evidence of their shared familial roots, an
undeniable kinship rooted in bloodlines, rhythm, and melody.
[Photo credit: Josh Goleman]
Preservation Hall Jazz Band Tour Dates + Ticket Links:
Jul. 28 - Newport, RI - Newport Folk Festival
Aug. 02 - Happy Valley, OR - Pickathon
Aug. 03 - Happy Valley, OR - Pickathon
Aug. 05 - Folsom, CA - Harris Center For The
Arts
Aug. 06 - Folsom, CA - Harris Center For The
Arts
Aug. 08 - San Francisco, CA - SFJAZZ
Aug. 09 - San Francisco, CA - SFJAZZ
Aug. 10 - San Francisco, CA - SFJAZZ (7:00PM)
Aug. 10 - San Francisco, CA - SFJAZZ (9:30PM)
Aug. 11 - San Francisco, CA - SF Jazz Center -
Miner Auditorium
Aug. 15 - Philadelphia, PA - Old Pool Farm
Aug. 16 - Philadelphia, PA - Old Pool Farm
Aug. 17 - Philadelphia, PA - Old Pool Farm
Aug. 18 - Philadelphia, PA - Old Pool Farm
Aug. 24 - Arrington, VA - Lockn’ Music
Festival
Sep. 20 - Louisville, KY - Bourbon & Beyond
Festival
Sep. 21 - Franklin, TN - Pilgrimage Music
Festival
Sep. 22 - Franklin, TN - Pilgrimage Music
Festival
Oct 22 - Ridgefield, CT - The Ridgefield
Playhouse
Oct 23 - Red Bank, NJ - Count Basie Theatre
Oct 24 - New York, NY - Town Hall Theatre
Oct 25 - Boston, MA - Berklee Performance Center
Oct 26 - Portsmouth, NH - The Music Hall
Oct 28 - Montreal, QC - Place des Arts - Theatre
Oct 29 - Toronto, ON - Roy Thomson Hall
Oct 30 - Pittsburgh, PA - Byham Theatre
Nov 01 - Kent, OH - The Kent Stage
Nov 02 - Goshen, IN - Goshen College Music
Center
Nov 04 - Chicago, IL - Thalia Hall
Nov 05 - Saint Paul, MN - Fitzgerald Theatre
Nov 07 - Denver, CO - Paramount Theatre
Nov 09 - Phoenix, AZ - Music Theater at the
Musical Instrument Museum
Nov 11 - Livermore, CA - Livermore Valley
Performing Arts Center
Nov 13 - Chico, CA - California State University
Chico - Laxson Auditorium
Nov 15 - Santa Rosa, CA - Luther Burbank Center
for the Arts
Nov 16 - Arcata, CA - John Van Duzer Theatre
Nov 17 - Portland, OR - Revolution Hall
Nov 18 - Seattle, WA - Benaroya Hall – Taper
Auditorium
Nov 20 - Santa Cruz, CA - Rio Theatre
Nov 21 - Santa Barbara, CA - UCSB Campbell Hall
Nov 22 - San Diego, CA - Wonderfront Music
Festival
Nov 23 - Cerritos, CA - Cerritos Center for the
Performing Arts
Nov. 29 - Baltimore, MD - Joseph Meyerhoff
Symphony Hall
Nov. 30 - Baltimore, MD - Joseph Meyerhoff
Symphony Hall
Dec. 01 - Baltimore, MD - Joseph Meyerhoff
Symphony Hall
On August 23rd, Shannon Lay will release her Sub Pop debut entitled August which will be available on CD/LP/DL/CS worldwide on August 23rd. On the title single “August”, Lay shares that “August is a declaration. I will live my life the way I want to live it and only accept the opportunities that bring me joy. Music has become something that feels much bigger than I am. I fully embrace the immensity of it all and will grow with it every day.”
Recorded with her longtime friend, musician Ty Segall at his home studio lay shared that “I believe whoever you record with tends to affect the mood of music and Ty really brought this jovial sense that I hadn’t really explored yet.” “Once you get rolling with him, he just throws these ideas at the wall. And you’re like, ‘I would never have thought of that!’ I couldn’t have hoped for a better guide and energy to help create this record.” You can listen to her new single “August” by clicking here.
Photo credit: Denee Segall
Lay’s long-player August is available for pre-order from Sub Pop. LP pre-orders of the album through megamart.subpop.com and select independent retailers in North America, UK, and Europe will receive the limited Loser edition on orange vinyl (North America) and Sun Yellow vinyl (UK/EU) while supplies last.
As previously reported, Shannon Lay will be a member of Ty Segall’s Freedom Band for his upcoming full album residencies in Los Angeles, New York, Paris, London, Berlin, and Haarlem (See Pitchfork’s news story April 24th).
Shannon will be playing an album release show at Pico Union Project on Aug. 24th before embarking on an 18-date North American tour opening for Mikal Cronin. This run will begin on November 8th in Portland at Mississippi Studios and end on December 1st in San Diego at the Casbah. Shannon will continue as a special guest performing with Cronin in Europe beginning on Feb. 10th - 29th. See below for a full list of shows.
Aug. 24 - Los Angeles, CA - Pico Union Project ***Record Release Show Oct. 21 - London, UK - Set Nov. 6 - San Francisco, CA - Independent * Nov. 08 - Portland, OR - Mississippi Studios* Nov. 09 - Vancouver, BC - The Fox Cabaret* Nov. 10 - Seattle, WA - Tractor Tavern* Nov. 11 - Missoula, MT - Badlander * Nov. 14 - St. Paul, MN - Turf Club* Nov. 15 - Chicago, IL - Lincoln Hall * Nov. 16 - Detroit, MI - Deluxx Fluxx* Nov. 17 - Toronto, Canada - Horseshoe Tavern* Nov. 18 - Montreal, Canada - Bar Le “Ritz” P.D.B.* Nov. 19 - Allston, MA - Great Scott* Nov. 20 - New York, NY - Bowery Ballroom* Nov. 22 - Philadelphia, PA - Underground Arts* Nov. 23 - Washington, DC - U Street Music Hall* Nov. 24 - Durham, NC - Motorco Music Hall* Nov. 25 - Atlanta, GA - The Earl* Nov. 26 - New Orleans, LA - One Eyed Jacks* Nov. 27 - Austin, TX - Barracuda* Nov. 30 - Tucson, AZ - Toole* Dec. 01 - San Diego, CA - The Casbah* Feb. 10 - Munich, DE - Milla * Feb. 11 - Cologne, DE - Bumann & SOHN * Feb. 12 - Berlin, DE - Kantine am Berghain * Feb. 13 - Aarhus, DK - TAPE * Feb. 14 - Copenhagen, DK - Loppen * Feb. 15 - Stockholm, SE - Nalen * Feb. 17 - Oslo, NO - Ingensteds * Feb. 18 - Gothenburg, SE - Oceanen * Feb. 19 - Hamburg, DE - Molotow (SkyBar) * Feb. 20 - Amsterdam, NL - Bitterzoet * Feb. 21 - Brussels, BE - Botanique * Feb. 22 - Paris, FR - Petit Bain * Feb. 24 - Bristol, UK - The Louisiana * Feb. 26 - Manchester, UK - Soup Kitchen * Feb. 27 - Glasgow, UK - The Hug & Pint * Feb. 28 - Leeds, UK - Brudenell Social Club * Feb. 29 - Brighton, UK - The Hope & Ruin * * w/ Mikal Cronin
METZ will be on tour in May, June and July of this year.
METZ, our own widely-adored and delightfully noisy 3-piece punk band from Toronto, released their Sub Pop self-titled debut in 2012 and, in the time since, have cemented their reputation as one of the planet’s most exhilarating live acts and trusted providers of bombastic outsider rock. The band is made up of Alex Edkins, Hayden Menzies, and Chris Slorach. Automat is a collection of METZ non-album singles, B-sides, and rarities dating back to 2009, available here on LP for the first time, and including the band’s long out-of-print early (pre-Sub Pop) recordings. A chronological trip through the lesser known material of METZ, Automat will be released worldwide on Sub Pop July 12, 2019.
The band’s Alex Edkins shares, “The idea to release Automat came after realizing our early 7” singles were being sold online for upwards of $60 bucks a pop. We wanted to make those songs available and affordable to anyone who might want them in the physical format. What started as reissuing a couple of 45s, quickly morphed into an entire LP, compiling rarities, demos and alternate takes from over the years.”
“‘Pure Auto’ is METZ at our most tongue in cheek,” says Edkins. “There are many winks and many nods (autonomy, me, me, me, me, me, for example) but ultimately it’s about being a control freak; fighting the urge to constantly steer the ship. Originally released as the B-side to the ‘Eraser’ 7” it has never been played live, but for some reason still manages to be one of our collective favorites. It was written and recorded very quickly after completing the II album sessions and came out of a surge of creativity/excitement/relief following a particularly intense and time-consuming album. You can watch the new video for “Pure Auto” by Montreal’s Scorpion Dagger by clicking here and also here.”
Consumers of the vinyl format of Automat will be rewarded with a bonus single that includes three additional tracks: a cover of Sparklehorse’s “Pig,” from a very limited 2012 Record Store Day split single originally released by Toronto’s Sonic Boom record shop; “I’m a Bug,” a cover of The Urinals’ art-punk classic, originally released on YouTube (not an actual record label) in 2014; and METZ’s previously unreleased rendition of Gary Numan’s “M.E.”
METZ are currently hard at work on their 4th full-length LP which will be released on Sub Pop when we are all damn good and ready.
All tracks on Automat have been lovingly remastered by Matthew Barnhart at Chicago Mastering Service.
Automat Tracklisting
1. Soft Whiteout 2. Lump Sums 3. Dry Up 4. Ripped on the Fence 5. Negative Space (7 inch version) 6. Automat 7. Wet Blanket (demo) 8. Dirty Shirt 9. Leave Me Out 10. Can’t Understand 11. Pure Auto 12. Eraser
METZ are playing May 25th in Minneapolis and May 26th in Chicago with labelmates Mudhoney and heading overseas on June 23rd, to begin a 14-date EU run with performances at Loose Ends Festival in Amsterdam, Lars Rock Festival in Chiusi Scalo in Italy, Pointu Festival in Island Gaou, France, and ending July 14th in Montmartin-sur-Mer, France.
Tour Dates May 25 - Minneapolis, MN - Fine Line Music Cafe* May 26 - Chicago, IL - Lincoln Hall # May 27 - Milwaukee, WI - Cactus Club Jun. 23 - Amsterdam, NL- Loose Ends Festival Jun. 25 - Bristol, UK - Fleece Jun. 26 - Leeds, UK - Brudenell Social Club Jun. 27 - Manchester, UK - YES Jun. 28 - London, UK - Studio 9294 Jun. 29 - Eindhoven, NL - Effenaar Jul. 02 - Zurich, CH - Bogen F Jul. 03 - Lyon, FR - Ninkasi Gerland / Kao Jul. 05 - Chiusi Scalo, IT - Lars Rock Festival Jul. 07 - Ile du Gaou, FR - Pointu Festival Jul. 09 - Düdingen, CH - Bad Bonn Jul. 10 - Luxembourg-Bonnevoie, LU - Rotondes Jul. 11 - Bremen, DE - TOWER Musikclub Jul. 13 - Paris, FR- La Station, Gare Des Mines for Garage MU Festival Jul. 14 - Montmartin-sur-Mer, FR - Chauffer Dans La Noirceur
