Naima Bock has shared an official video for her striking new single, “Lines” which is now available on all DSPs from Sub Pop/Memorials of Distinction. This stand-alone track was engineered & produced by Ali Chant in 2022 at The Playpen Studio, in Bristol, UK.
Bock reveals “Lines is about what we do to each other, some call the dance of intimacy, exchanges. What we are given, carry with us, then subsequently pass on to others- good and bad. How the recipient is often undeserving of the negative side of this reality. It’s about trying to dodge blame and the loneliness of guilt. It’s about the irony of impermanence and unhealthy patterns coexisting; ‘nothing stays’ but ‘nothings changed’. The idea of change I had grown accustomed to but the reality that some things won’t change until you actively work on them is something new to me, preferring to adopt a slightly lazy attitude and misunderstanding the saying ‘all passes’. Sometimes it doesn’t pass quickly enough. It’s also a song about anger, and the familiarity of not knowing where to put it.” You can watch the official video for “Lines” which was directed by Kit Harwood HERE.
Naima will return to the US on Friday, March 3rd performing songs from her critically acclaimed debut release Giant Palm. See below for a full list of dates.
Praised for its originality, warmth, and ambition, Giant Palm has been heralded as one of last year’s finest debuts so far with features from CLASH, Loud & Quiet, The Quietus, and Uncut, and receiving rave reviews like “Album of the Week” from Stereogum, Brooklyn Vegan (Indie Basement), The Line of Best Fit and inclusion on Pitchfork’s “34 Great Records You May Have Missed”, Spring/Summer” list.
Giant Palm also appeared on multiple year end lists, including #1 on Brooklyn Vegan’s “Indie Basement: Top 40 Albums of 2022” as well as its “50 Best Albums of 2022” list. The album also appeared on additional “Best of 2022” lists from Stereogum (#24), Loud & Quiet (#22), Clash (#42), and Our Culture (#50).
US 2023
Fri. Mar. 03 - Brooklyn, NY - Public Records
Sat. Mar. 04 - Philadelphia, PA - World Cafe Live
Sun. Mar. 05 - Washington, DC - Songbyrd Cafe
Wed. Mar. 08 - Seattle, WA - Barboza
Sat. Mar. 11 - Los Angeles, CA - Gold Diggers
UK/Europe 2023
Tue. Mar. 14 - Bristol, UK - Thekla Social*
Wed. Mar. 15 - Norwich, UK - Norwich Art Centre*
Thu. Mar. 16 - O2 - Oxford, UK - Academy Oxford*
Fri. Mar. 17 - London, UK - Heaven*
Sat. Mar. 25 - Bristol, UK - Ritual Union Festival
Sat. Apr. 01- Manchester, UK - Fair Play Festival
Sat. May. 27 - London, UK - Wide Awake Festival
Fri. Jun. 09- Sat. 10 - Ipswich, UK - Brighten The Corners Festival
*Supporting Orlando Weeks
What People Are Saying About Naima Bock’s Giant Palm:
“There’s a bit of ’70s Brian Eno in her vocal delivery and an echo of John Cale in her arrangements, but the fusion of her disparate cultural influences makes for an enchanting sound entirely Bock’s own.” [“Giant Palm”] - New York Times
“Exquisite solo debut” - ★★★★ MOJO
“Quiet, melancholy and occasionally divinely uplifting (8/10)” - Uncut
“Hugely ambitious - the individual pieces are delicately arranged, the end product solid as steel” [ “Music of the Month”] - The Quietus
“A real gem…[it’s] cinematic and spectral; it makes one contemplate things like energy flows and meditation and the long arc of history.” [“Album of the Week”] - Stereogum
“Giant Palm, is quietly dazzling, drawing from a wide range of influences including ’70s British folk, jazz, and Tropicalia.” [“Album of the Week, Indie Basement”] - Brooklyn Vegan
“This album has an unforced charm, making it an ideal accompaniment to long summer nights” ★★★★- The Times of London
“Naima Bock’s ‘Giant Palm’ is - frankly - exquisite. A truly special listen” - CLASH
“Steady and calming, intimate and revelatory, sporadically startling - it’s a record as unique as Bock’s history (8/10)” - Loud and Quiet
“As a debut, Giant Palm situates itself in a specific tradition without being constrained by convention - finding a voice in ten tracks that occupy their own lifeforce, almost set in motion by the elements.” ★★★★ - DIY
“Giant Palm is a stellar debut and one of 2022’s more distinct releases (8/10)” - The Line of Best Fit
“Though she took a roundabout path to make and release Giant Palm, the way Bock shares her profound moments and little insights with a generous spirit makes for an often brilliant debut.” ★★★★ - All Music
Available today, September 7th, Naima Bock has shared a cover of Leonard Cohen’s archetypal masterpiece, “So Long, Marianne,” available now on all DSPs from Sub Pop/Memorials of Distinction. This stand-alone track was engineered & produced by Ali Chant at The Playpen Studio in Bristol, UK.
Bock shares about the cover: “I first found out about Leonard Cohen’s ‘So Long Marianne’ when I was walking in Fordham Park in New Cross, London as a young teenager. I saw ‘To laugh and cry and cry and laugh about it all again’ inscribed on a bench plate in memory of a woman called Marianne (this bench has now sadly gone). The lyrics touched me in a profound way, and I remember crying a little when I saw them. These words in the context of someone’s passing were so profound and (for me) encompassed all of life and its constant tides. Of course, I later went home and listened to the hell out of Mr. Cohen, which I would continue to do for many years after, always finding safety in his voice and words.”
We (myself and the band) had been playing this song as a cover during our tours in 2022, and when we went in with Ali Chant, we decided to record a live version of it. I always felt nervous about recording a cover of Leonard Cohen. it obviously never stands up to the original, but I wanted to do it justice and, if nothing else, try not to diminish it in any way. My feelings around this recording were somewhat complicated, and although I could recognize how good the band (Meitar Wegman on Saxophone, Cassidy Hansen on drums, Clem Appleby on bass/ electric guitar, and Oliver Hamilton on violin, everyone on backing vocals) sounded, I didn’t like my vocal delivery. That is until I heard the backing vocals come in on a later chorus, and something inside me clicked, and I fell in love with what we had done.
I have always felt hugely supported by the musicians I play with, and when I heard their voices in this recording, it reminded me to be accepting and LOVING of imperfections, imperfections in my voice, which I have always (like many singers) been painfully aware of, imperfections in art, in myself. I thought if I didn’t want to present something imperfect to the world, then where do I stand morally in regards to what people consume, perfection only? This is the reality for many people, not just in artistic expression but in appearance, career trajectory etc. perfection only pleases. This is not only unrealistic but also detrimental to our minds and souls, we never will be perfect and if all we consume feels like it is, then we must be less. This is not a game that I will support, so here it is, my lovingly given imperfect version of ‘So long, Marianne’. I also altered the lyrics from ‘Violet park’ to ‘Fordham park’ to honour the Marianne who introduced me (from the other side) to Leonard Cohen. “
Bock will embark on a 9-date EU tour, beginning in Leipzig, Germany, on September 15th, opening for Squid, with headline and festival performances in the UK & Vienna in November. See below for a full list of dates.
Fri. Sep. 15 - Leipzig, DE - UT Connewitz # Sat. Sep. 16 - Zurich, CH - Mascotte # Tue. Sep. 19 - Milan, It - Santeria Social Club # Thu. Sep. 21 - Barcelona, ES - Sala Apolo # Fri. Sep. 22 - Valencia, ES - Teatro La Rambleta # Sat. Sep. 23 - Madrid, ES - Sala Copernico # Sun. Sep. 24 - Bordeaux, FR - Rock School Barbey # Mon. Sep. 25 - Paris, FR - Elysee Montmartre # Wed. Sep. 27 - Rouen, FR - Le 106 # Mon. Oct. 25 - Totnes, UK - The Albatross Tue. Oct. 26 - Falmouth, UK - The Cornish Bank Fri. Nov. 03 - Hebden Bridge, UK - The Trades Club Sun. Nov. 05 - Manchester, UK - Deaf Institute Thu. Nov. 9 - Bristol, UK - Dareshack Fri. Nov. 10 - London, UK - EartH (AKA Hackney Arts Centre) Thur. Nov. 23 - Vienna, AT - Blue Bird Festival (Porgy & Bess)
# w/ Squid
What People Are Saying About Naima Bock: “There’s a bit of ’70s Brian Eno in her vocal delivery and an echo of John Cale in her arrangements, but the fusion of her disparate cultural influences makes for an enchanting sound entirely Bock’s own.” [“Giant Palm”] - New York Times
“Exquisite solo debut” - ★★★★ MOJO
“Quiet, melancholy and occasionally divinely uplifting (8/10)” - Uncut
“Hugely ambitious - the individual pieces are delicately arranged, the end product solid as steel” [ “Music of the Month”] - The Quietus
“A real gem…[it’s] cinematic and spectral; it makes one contemplate things like energy flows and meditation and the long arc of history.” [“Album of the Week”] - Stereogum
“Giant Palm, is quietly dazzling, drawing from a wide range of influences including ’70s British folk, jazz, and Tropicalia.” [“Album of the Week, Indie Basement”] - Brooklyn Vegan
“This album has an unforced charm, making it an ideal accompaniment to long summer nights” ★★★★- The Times of London
“Naima Bock’s ‘Giant Palm’ is - frankly - exquisite. A truly special listen” - CLASH
“Steady and calming, intimate and revelatory, sporadically startling - it’s a record as unique as Bock’s history (8/10)” - Loud and Quiet
“As a debut, Giant Palm situates itself in a specific tradition without being constrained by convention - finding a voice in ten tracks that occupy their own lifeforce, almost set in motion by the elements.” ★★★★ - DIY
“Giant Palm is a stellar debut and one of 2022’s more distinct releases (8/10)” - The Line of Best Fit
“Though she took a roundabout path to make and release Giant Palm, the way Bock shares her profound moments and little insights with a generous spirit makes for an often brilliant debut.” ★★★★ - All Music
On April 14th, Shannon Lay will release a 9-song digital album of covers entitled Covers Vol. 1. She shares “I absolutely love doing covers. It’s such a joy to offer my perspective on songs I admire and spread the word about amazing artists. Covers Vol. 1 is the first in a series of cover records celebrating my obsession with shannonizing songs.”
For her debut cover, “Angeles” by Elliott Smith, Lay shares “If I had a nickel for every minute I’ve spent listening to Elliott Smith I’d be a very rich woman. His intricate thoughtfulness always fills me up. “Angeles” was one of those songs I was always quite intimidated to learn but upon finally trying it came together so naturally. Then Debbie Neigher topped things off with an amazing piano outro. I love feeling Elliott’s spirit embedded in the musical scene at large. Anywhere notes are played he lives on.” Directed by Kai MacKnight you can watch this charming homage to Smith and her home, Los “Angeles” HERE.
Lay will embark on a 8-date run opening for Whitney starting on March 20th in Denver, CO, with additional shows in Salt Lake City, Seattle, Portland and San Francisco, ending on March 30th in her home city of Los Angeles. She will then head overseas in April playing headline shows in France, Manchester, Bristol and London with performances at Sound & Vision Festival in Cambridge, UK and Roots of Heaven Festival in Haarlem, NL. See below for a full list of dates.
Mon. Mar. 20 - Denver, CO - - Bluebird Theatre ^ Tue. Mar. 21 - Fort Collins, CO - Aggie Theatre ^ Wed. Mar. 22 - Salt Lake City, UT - Soundwell ^ Sat. Mar. 25 - Seattle, WA - Crocodile ^ Sun. Mar. 26 - Portland, OR - Aladdin Theater ^ Mon. Mar. 28 -San Francisco, CA - The Chapel ^ Tue. Mar. 29 - Menlo Park, CA - Guild Theater ^ Wed. Mar. 30 - Los Angeles, CA - The Regent ^ Sat. Apr. 15 - Toulon, FR - Faveurs de Printemps Tue. Apr. 18 - Manchester, UK - Gullivers Wed. Apr. 19 - Bristol, UK - The Cube Thu. Apr. 20 - London, UK - Kings Place Fri. Apr. 21 - Cambridge, UK - Sound & Vision Festival Sun. Apr. 23 - Haarlem, NL - Roots of Heaven Festival Wed. Apr. 26 - Dublin, IE - Cobblestone
^ w/ Whitney
Shannon Lay Covers Vol. 1
Tracklisting: Angeles (Elliott Smith) From the Morning (Nick Drake) Blues Run the Game (Jackson C. Frank) Close My Eyes (Arthur Russell) The Keepers (Ty Segall) I Lost Something in the Hills (Sibylle Baier) Glow Worms (Vashti Bunyan) I’m Set Free (The Velvet Underground) I Am Slow (OCS)
On Friday, May 19th, Hannah Jadagu (pron. juh-dah-goo) will release Aperture, her first full-length effort on CD/LP/CS/DSPs worldwide from Sub Pop. The 12-song album, which features “What You Did,” “Lose,” “Admit It,” and “Say it Now,” was co-produced by Jadagu and Max Robert Baby at Greasy Studios Paris, mixed by Marcus Linon, and mastered by Dave Cooley at Elysian Mastering.
While her debut digital-only EP What Is Going On? was heavy on layered reverb, making Jadagu’s vocals feel “shy,” she took what she calls a more “intimate, up close” approach while recording her voice for the LP. That experimentation is best heard on the rousing lead single “What You Did,” which leverages crushing accusations against the song’s unnamed subject. Screaming static and a crunchy guitar part softens under Jadagu’s calm delivery as she sings: “Act like it’s best if we make amends, but I don’t wanna talk to you again.”(Damn). Watch the official video “What You Did,” which stars Jadagu, and is directed by Leia Jospé.
Jadagu’s What Is Going On?, and follow-up singles “All My Time Is Wasted,” and previously released Aperture-highlight “Say It Now,” have earned her praise from the likes of Brooklyn Vegan, The FADER, For the Rabbits, Alternative Press, Guitar World, Jezebel, SPIN, Stereogum, Ones to Watch, Under the Radar, Dork, CLASH, The Independent, DIY, The Line of Best Fit, The Forty Five, and Our Culture.
CLASH says “Say It Now” is “A lucid slice of indie pop, the hazy guitars wrap themselves around a lyric that refuses to shy away from difficult questions.” The Line of Best Fit raves, calling it “a triumphantly dreamlike stitching together of smooth R&B tones and spacious indie instrumentation, with pop elements bleeding through the seams.” Stereogum offers this, “[‘Say It Now’] is “a dreamy, poppy indie-rock song with a chorus big enough to sweep you away.”
Jadagu also toured steadily, playing shows and winning over audiences across the US and Europe opening for the likes Faye Webster, Beach Fossils, Wild Nothing, Ritt Momney, Metronomy and Arlo Parks, and performing at Denmark’s Roskilde Festival in July and Pitchfork Music Fest in London. A headlining North American tour announcement will follow in the coming weeks.
More on Hannah Jadagu’s Aperture: Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu’s most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu’s subject matter. In a short run time, What Is Going On? confronts some of the nation’s most urgent struggles all through Jadagu’s compassionate perspective. “I want my songs to be both super intimate and still universally relatable,” Jadagu says. “With the EP, so many people told me that the songs resonated with them on a personal level, and that’s what I’m always hoping for.”
Resonate it did; What Is Going On? is Jadagu’s first Sub Pop release, but she’d been putting out music on SoundCloud for years, garnering a small online fanbase as she settled into an aesthetic, and recognition from a broader audience was overdue. “It really took off when I became a percussionist in my middle school’s band,” she says. “Writing songs started as a hobby and quickly became a passion to the point that I spent all my free time recording.”
On May 19th, 2023 Jadagu premieres Aperture, her first LP and most ambitious work to date. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. “Where I grew up, everyone is Christian; even if you don’t go to church, you’re still practicing in some form,” Jadagu says, laughing. “Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I’ve been questioning my relationship to the church since high school, it’s definitely a theme on this album, but so is family.”
As a kid, Jadagu followed her older sister – a major source of inspiration who she refers to as “the blueprint” – to a local children’s chorus, where she received choral training. “I hated it,” Jadagu admits. “But it taught me how to harmonize, how to discover my tone, how to recognize and write melody.” The aching single “Admit It” is dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder) but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work.
“Lose” showcases Jadagu’s love of contemporary indie auteurs as it weaves a spare and unpretentious guitar riff with barebones piano chords all while Jadagu sings about the thrill and underlying fear that comes with beginning a new relationship. It is, in her words, a “classic pop song.” “The things we haven’t done/ Play out in my mind/ Would you just give me time?” she sings, nearing the end, as the skittering drumbeat propels the song from a place of contemplative yearning to defiance. “Every track on this album, except for “Admit It”, was written first on guitar, which is an instrumental throughline,” Jadagu says. “But the blanket of synths I use throughout helps me move between sensibilities. There’s rock Hannah, there’s hip-hop Hannah, and so on. I didn’t want any of the songs to sound too alike.”
Emblematic of this ethos is the single “Warning Sign,” which starts out as an acoustic, R&B slowburner before a muscular electric guitar enters the mix and the song morphs into something akin to psychedelic. “I knew I could make another album on my phone, but I wanted to make sure that I was leveling up, especially for the debut,” Jadagu says. So she began the difficult process of searching for a co-producer capable of complementing her work without dominating it. Enter Max Robert Baby, a French songwriter and producer who captured Jadagu’s attention with his take on Aperture’s lead single “Say It Now.” The duo worked together remotely, sending stems to one another via email, before eventually meeting in-person for the first time at Greasy Studios on the outskirts of Paris.
“When I recorded my EP, it was all MIDI, but in the studio Max and I worked with a ton of analog instruments,” Jadagu says. “There’s some Glockenspiel on the album, calling back to my percussionist days, and some synth warping that adds texture.” While What Is Going On? was heavy on layered reverb, making Jadagu’s vocals feel “shy,” she took what she calls a more “intimate, up close” approach while recording her voice for the LP. That experimentation is best heard on the rousing “What You Did,” which leverages crushing accusations against the song’s unnamed subject. Screaming static and a crunchy guitar part softens under Jadagu’s calm delivery as she sings: “Act like it’s best if we make amends, but I dont wanna talk to you again.”
An aperture is strictly defined as an opening, a hole, a gap. On a camera, it’s the mechanism that light passes through, allowing a photographer to immortalize a moment in time. For Jadagu, the word perfectly encapsulates the mood of her debut album. In the years it took her to complete, she faced moments of darkness, sure, but the process of making it, her first ever in a professional studio, was ultimately a cathartic experience, one she now shares with you, the listener. Let the light in.
Hannah Jadagu Aperture
Tracklisting: 1. Explanation 2. Say It Now 3. Six Months 4. What You Did 5. Lose 6. Admit It 7. Dreaming 8. Shut Down 9. Warning Sign 10. Scratch The Surface 11. Letter To Myself 12. Your Thoughts Are Ur Biggest Obstacle
On April 7th, Mudhoney will release their mind-melting new album Plastic Eternity, on CD/LP/CS/DSP via Sub Pop. Today you can hear the latest blinding flipper “Move Under,” from this tropically hot musical combo, by clicking HERE. This new single follows the swinging Escalator vibes of “Almost Everything,” another Plastic Eternity highlight released last month.
Mudhoney has confirmed a 29-date North American run in October and November. These newly announced shows begin on Friday, October 13th in Spokane, WA, with additional plays in Saint Paul, Chicago, Detroit, Boston, New York, Atlanta, and Los Angeles, closing the run with 2 hometown shows on November 18th and 19th in Seattle, WA at The Crocodile. These dates follow the band’s previously announced Australian tour, in April and May. See below for a full list of shows.
Australia Sun. Apr. 16 - Brisbane, AU - The Zoo Thu. Apr. 20 - Marrickville, AU - Factory Theatre Fri. Apr. 21 - Belford, AU - Gumball Festival Sat. Apr. 22 - Wollongong, AU - AOW Uni Bar Sun. Apr. 23 - Canberra, AU - ANU Kambri Thu. Apr. 27 - Melbourne, AU - Corner Hotel Fri. Apr. 28 - Castlemaine, AU - Theatre Royal Sat. Apr. 29 - Torquay, AU - Torquay Hotel Sun. Apr. 30 - Melbourne, AU - Cherry Bar Wed. May 03 - Adelaide, AU - Lion Arts Factory Thu. May 04 - Perth, AU - The Rosemount Fri. May 05 - Margaret River, AU - The River
North America Fri. Oct.13 - Spokane, WA - Lucky You Lounge Sat. Oct. 14 - Missoula, MT - Zootown Arts Community Center Sun. Oct. 15 - Billings, MT - The Pub Station TapRoom Wed. Oct. 18 - Saint Paul, MN - Turf Club Thu. Oct. 19 - Milwaukee, WI - X-Ray Arcade Fri. Oct. 20 - Chicago, IL - Avondale Music Hall Sat. Oct. 21- Grand Rapids, MI - The Pyramid Scheme Sun. Oct. 22 - Detroit, MI - Magic Bag Mon. Oct. 24 - Cleveland, OH - Grog Shop Tue. Oct. 25 - Rochester, NY - Photo City Music Hall Wed. Oct. 26 - Boston, MA - Brighton Music Hall Thu. Oct. 27 - Hamden, CT - Space Ballroom Fri. Oct. 28 - New York, NY - Le Poisson Rouge Sat. Oct. 29 - Philadelphia, PA - Underground Arts Tue. Oct. 31 - Asheville, NC - Grey Eagle Tavern & Music Hall Wed. Nov. 01 - Atlanta, GA - The Earl Thu. Nov. 02 - Nashville, TN - The Basement East Fri. Nov. 03. Memphis, TN- Hi Tone Sat. Nov. 04 - Dallas, TX - Sundown at Granada Sun. Nov. 05 - Austin, TX - Antone’s Nightclub Thu. Nov. 09 - Albuquerque, NM - Launchpad Fri. Nov. 10 - Phoenix, AZ - Crescent Ballroom Sat. Nov.11 - Tucson, AZ - Club Congress Sun. Nov. 12 - San Diego, CA - Casbah Tues. Nov. 14 - Los Angeles, CA - Teragram Ballroom Wed. Nov. 15 - San Francisco, CA - Great American Music Hall Fri. Nov. 17 - Portland, OR - Aladdin Theater Sat. Nov. 18 - Seattle, WA - The Crocodile Showroom (21+) Sun. Nov. 19 - Seattle, WA - The Crocodile Showroom (AA)
Plastic Eternity is now available for preorder on CD/LP/CS/DSPs from Sub Pop. LP preorders from megamart.subpop.com, and select independent retailers in North America will receive the limited Loser Edition on “shiny gray matter” vinyl. In the UK, and in Europe the Loser Edition will be available on silver vinyl (both editions available while supplies last). There will also be a new T-shirt design available.
Mudhoney Plastic Eternity
Tracklisting: 1. Souvenir of My Trip 2. Almost Everything 3. Cascades of Crap 4. Flush the Fascists 5. Move Under 6. Severed Dreams in the Sleeper Cell 7. Here Comes the Flood 8. Human Stock Capital 9. Tom Herman’s Hermits 10. One or Two 11. Cry Me an Atmospheric River 12. Plasticity 13. Little Dogs
Sub Pop and Hardly Art artists DEBBY FRIDAY, Hannah Jadagu, ill peach, Kiwi Jr., and Shana Cleveland will perform at this year’s SXSW Festival in Austin, Texas.
Sub Pop and Hardly Art, along with the executives at Saddle Creek and BAMM BAMM, are activating their collective business acumen by pooling resources to throw the adequately-titled “Clear Conflict of Interest” showcase at this year’s festival, to be held on March 16th at the Mohawk.
See below for a full schedule of SXSW shows. For your sonic pleasure, you can also listen to a playlist of tunes from our attending roster HERE.
Tuesday, March 14th
Band: Shana Cleveland Show: Distance SXSW Showcase Location: Central Presbyterian Church (200 E 8th St) Time: 10 pm
Thursday, March 16th
Band: DEBBY FRIDAY Show: Brooklyn Vegan Location: Empire ATX 606 E 7th Street Time: 1:05 pm
Band: Kiwi Jr. Show: Brooklyn Vegan Location: Empire ATX 606 E 7th Street Time: 1:15 pm
Band: Hannah Jadagu Show: Third Man Showcase Location: 13th Floor- 711 Red River Time: 4:15 pm
A Clear Conflict of Interest Showcase. Sub Pop, Saddle Creek and BAM BAM Location: Mohawk 912 Red River
INSIDE 7:30-8:00 pm Strange Ranger 8:20-9:00 pm Le Ren 9:20-10:00 pm Young Jesus 10:20-11:00 pm Shana Cleveland 11:20 pm-12:00 am PENDANT 12:20-1:00 am Model/Actriz 1:20-2:00 am Hotline TNT
OUTSIDE 8:00-8:40 pm ill peach 9:00-9:40 pm Debby Friday 10:00-10:40 pm Kiwi Jr. 11:00-11:40 pm Hannah Jadagu 12:00-12:40 am Tomberlin 1:00-1:50 am: Indigo De Souza
