Bully aka Alicia Bognanno is sharing “Lose You,” a new, gorgeous and fuzzy melancholic rocker, out today worldwide on all DSPs from Sub Pop. The single was recorded in 2022, at MMK Studios and Alicia’s House in Nashville, mastered by Joe LaPorta at Sterling Sound, and features vocal harmonies from Sophia Allison aka Soccer Mommy.
Bognanno says, “When ‘Lose You’ came about it was the first time I’ve considered having someone else sing on a Bully song. I love Sophie’s voice and have always admired everything she does so to me it was a no brainer. Watching her soar out of the Nashville scene and dominate indie music world wide has been a joy. Writing ‘Lose You’ was a way for me to work through the pain and reality of impermanence. It doesn’t make it any easier but reflection is often followed by growth and to me that’s what life is all about.”
Bully has announced new tour dates for the Spring and Summer of 2023. Highlights for this run of shows include: March 16th in Nashville opening for The Breeders, April 15th at the High Water Festival in North Charleston, SC, UK & EU dates May 20th-28th, and a 13-date run as main support for the Pixies and Franz Ferdinand June 8th-25th. See a full list of dates below.
Thu. Mar. 16 - Nashville, TN -The Basement East ^ Sat. Apr. 15 - North Charleston, SC - High Water Festival Sat. May 20 - Amsterdam, NL - London Calling Paradiso Mon. May 22 - Manchester, UK - Yes (Pink Room) Tue. May 23 - Bristol, UK - THEKLA Thur. May 25- Birmingham, UK - Dead Wax Fri. May 26 - London, UK - Moth Club Sat. May 27- Leeds, UK - Live At Leeds In The Park Sat. Jun. 03 - Lexington, KY - Railbird Festival Thu. Jun. 08 - Boston, MA - MGM Music Hall at Fenway * Fri. Jun. 09 - Philadelphia, PA - The Met Philadelphia * Sat. Jun. 10 - Washington, DC - The Anthem * Mon. Jun. 12 - Columbus, OH - KEMBA Live! * Tue. Jun. 13 - Pittsburgh, PA - Stage AE * Wed. Jun. 14 - Cincinnati, OH - The Andrew J Brady ICON Music Center * Fri. Jun. 16 - Raleigh, NC - Red Hat Amphitheater * Sat. Jun. 17 - Asheville, NC - Rabbit Rabbit * Tue. Jun. 20 - Atlanta, GA - Coca-Cola Roxy * Wed. Jun. 21 - New Orleans, LA - The Fillmore * Fri. Jun. 23 - Houston, TX - Bayou Music Center * Sat. Jun. 24 - Dallas, TX - Southside Ballroom * Sun. Jun. 25 - Austin, TX - Moody Amphitheater *
^ w The Breeders * w/ Pixies and Franz Ferdinand
Since the release of her 2020 critically acclaimed record, SUGAREGG which Rolling Stone described as “full-throated, wild and free” and The New Yorker credited as “too insistent not to linger,” Bognanno has kept busy by writing, producing, and touring.
In 2022, Bognanno wrote the score and theme song for the NBC News Original Podcast Tiffany Dover Is Dead, which reached #1 on Apple’s podcasts chart last summer. She contributed the unreleased “Never Needed” to the limited-edition Portraits of Her charity album. Bognanno produced Bleed Out, the most recent longplayer from beloved indie mainstays The Mountain Goats. She also performed alongside an all-star band including Soccer Mommy, Snail Mail and Speedy Ortiz in Alex Ross Perry’s, musical workshop Slanted! Enchanted! which was inspired by the music of Pavement and is a part of a larger film project on the slacker-rock scene.
Bognanno is currently at work on a new full length album, which will see its release later this year from Sub Pop.
What people have been saying about Bully: “Sticky hooks, shout-along lyrics, and walloping, caffeinated riffs.”- Pitchfork
“The most explosive collection of songs from Bognanno’s discography.” [SUGAREGG] - Under the Radar
“…The songs on SUGAREGG feel like the singer, songwriter, guitarist, engineer and producer has reached a new level of comfort in her relationship with herself.” - Nashville Scene
“…Alicia Bognanno’s voice is as mesmeric and feral as ever, and her band sound simply, effortlessly, gigantic…you’re going to be rotting your teeth on SUGAREGG for weeks.” ★★★★ - NARC
Beach House will release Become, a new five-song EP, as a Record Store Day crystal-clear vinyl exclusive on Saturday, April 22nd, 2023.
“The Become EP is a collection of 5 songs from the Once Twice Melody sessions. We didn’t think they fit in the world of OTM, but later realized they all fit in a little world of their own. To us, they are all kind of scuzzy and spacious, and live in the spirit realm. It’s not really where we are currently going, but it’s definitely somewhere we have been. We hope you enjoy these tunes,” Alex and Victoria/Beach House.
Become, which features the songs “American Daughter,” “Devil’s Pool,” “Holiday House,” “Black Magic” and the title track, was produced by Beach House, with mixing by Alan Moulder (track 1), Trevor Spencer (tracks 2, 3, 5), and Caesar Edmunds (track 4), and mastering by Greg Calbi and Steve Fallone at Sterling Sound.
Once Twice Melody earned “Best Albums of 2022” placement from the likes of The New Yorker, Variety, The Ringer, Under the Radar, Brooklyn Vegan, The AV Club, Stereogum, PAPER, PASTE, All Music, PopMatters, Pitchfork “Readers Poll,” Gorilla vs. Bear, Treble, Magnet, No Ripcord, Uncut, Uproxx “Critics Poll,” and more.
Once Twice Melody also peaked at #1 on Billboard’s Albums Sales Chart, the band’s first-ever record to do so. It also debuted at #1 on the Top Alternative Albums, Top Rock Albums, Tastemaker Albums, and Top Current Album Sales charts (see Billboard’s March 1st news story). The album also spent six weeks at #1 on the NACC 200 College Charts. Beach House also performed Once Twice Melody standout “Superstar” on the Late Show with Stephen Colbert.
In 2022, Beach House’s ”Space Song,” the duo’s track from their 2015 album Depression Cherry, became the group’s first certified Platinum single.
What people are saying about Beach House: “Once Twice Melody is one of the best records of the year and a testament to the virtue of constancy” (“The Best Music of 2022”) - The New Yorker
“Once Twice Melody is their most definitive and probably best work — and even more remarkably in these ADD-addled times, they’ve done it with a sprawling, 18-song album that is around 80 minutes long (#5/”The Best Albums of 2022, Jem Aswad”) - Variety
“Melody is mesmerizing, and it raises exciting possibilities of how Beach House’s sound could evolve in the next decade-plus (#18/”The 33 Best Albums of 2022”) - The Ringer
“Victoria Legrand and Alex Scally doled out four perfectly sweeping segments for their eighth full-length; taken together, they represent the pinnacle of the band’s craft. There are far too many highlights to single just one or two out: Once Twice Melody is an album that keeps on giving, immersive and rewarding, a marvel to get lost in.” (#23/”The 50 Best Albums of 2022”) - Stereogum
“From the majestic opening notes of the title track to the last electronic flourish of closer “Modern Love Stories,” Once Twice Melody is the culmination of everything Beach House do best.” (#45/”The 50 Best Albums of 2022”) - PASTE
Beach House Become EP Artwork
Tracklisting: 1. American Daughter 2. Devil’s Pool 3. Holiday House 4. Black Magic 5. Become
Today, Friday, February 24th marks the release of Bria’s follow up EP Cuntry Covers Vol. 2 on LP/CD/DSPs. Building on the tried-and-true/bold-and-new duality of Cuntry Covers’ first offering, Vol. 2 delivers a deeper dive into the duo’s brilliant alchemy of traditional and contemporary reinterpretations. Bria has shared an official lyric video for her sultry reinterpretation of Mary Margaret O’Hara’s song “When You Know Why You’re Happy” which you can watch HERE.
“Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists” shares Bria. She adds “I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.”
Bria has confirmed a new show on February 28th at No Somos Nada in Mexico City, Mexico with additional shows on March 9th at Zebulon in Los Angeles, CA and March 18th at the Horseshoe Tavern in Toronto, ON. These live shows will showcase songs from Cuntry Covers Vol. 1 and Vol. 2. Additional dates to be announced soon.
Tour Dates: Tue. Feb 28 - Mexico City, MX - No Somos Nada Thu. Mar. 09 - Los Angeles, CA - Zebulon Sat. Mar. 18 - Toronto, ON - Horseshoe Tavern
What people are saying about Bria:
“Cuntry Covers Vol. 2 “skirts the edges of the genre [country music] and ultimately leaves the listener with a very satisfying subversion of the classics the duo have chosen to interpret.”- Northern Transmissions
“Here’s a haunting, dystopian version version of Where Have All The Cowboys Gone? by Bria - it’s always an honor to hear the songs live on” - Paula Cole
“it’s an other-worldly take on the Karen Dalton standard…” [“Green Rocky Road”] - Clash
“Where Dalton’s original is quite lo-fi and scratchy, Bria have added some fidelity and warmth to it through golden-strummed guitars and a lackadaisical but precise beat.” [“Green Rocky Road”] - Beats Per Minute
“It’s the third track that’s truly mind-blowing, however. An ode to the late, great trailblazer, Loretta Lynn, Bria turns the classic ‘Don’t Come Home A-Drinkin (With Lovin’ On Your Mind) into a vibrant pop song that ABBA or The Primitives would be proud of.” - The Rodeo
“Salmena’s raspy tinged voice provides a depth of longing and fractured tenderness on her cover of Karen Dalton’s track, “Green Rocky Road.’” [“Green Rocky Road”] - Ears to Feed
“The band’s version will win over any Jennings fans, or fans of old country.” [“Dreaming My Dreams Of You”] - Northern Transmissions
“Cuntry Covers Vol. 1 seamlessly drifts between classic country references and a new perspective of reimagining what country could sound like” - Tonitruale
About Bria: As its name suggested, the intimate and sultry Cuntry Covers Vol. 1 was always going to have a follow-up. Led by the brooding vocals of Bria Salmena, Cuntry Covers Vol. 2 is every bit as potent as its predecessor whose noir-inflected alternative country-rock stood in sharp contrast to the singer’s commanding delivery as leader of post-punk revivalists FRIGS. Debuting the project in 2021, the languid, reverb-drenched Cuntry Covers Vol. 1 saw her artfully collaborating with multi-instrumentalist Duncan Hay Jennings and reimagining a carefully picked collection of Americana anthems.
Vol. 2 pushes the envelope further and harder. Encompassing feverish takes on tracks by Gillian Welch, Paula Cole, Mary Margaret O’Hara, Robert Lester Folsom, Glenn Campbell – by way of Nick Cave – and the late, great Loretta Lynn, Bria’s deliciously dark approach shimmers through these six startling songs.
Created during a break from Salmena and Jennings’ work in Orville Peck’s world-conquering backing band, Vol. 2 was recorded directly after Peck’s second album and Bria’s US tour supporting Wolf Alice. Embracing contrast, the sunny circumstances in which Vol. 1 was made were flipped on their head. Instead of a bucolic barn in the Canadian countryside, they recorded the new tracks in chilly Toronto, huddled together in their tiny makeshift home studio, with Jennings at the controls. “There’s a lot of chaotic energy to it, because it’s us cramped in a space where we’re all also working and living during the dead of winter,” explains Salmena, who also enlisted the help of local Toronto musicians Lucas Savatti (FRIGS), Simone Baril (US Girls, The Highest Order, Darlene Shrugg, Partner), Andrew Manktelow, and frequent collaborator Jaime Rae McCuaig.
While Vol. 1 was Bria’s attempt at subverting country music’s conservative roots and primarily white and heterosexual agenda, here the emphasis was on experimentation. The duo purposely split the two sides of the EP, with the A-side acting as more of an homage to the tracks covered, and the B-sides interpretations taking on a more traditional route with the source material. “We wanted to mess with things,” she says. And while Vol. 2 might be less personal, it’s just as idiosyncratic, with half of the reversions staying truthful to the originals and others taken to a different universe entirely. Building on the tried-and-true/bold-and-new duality of Cuntry Covers’ first oering, Vol. 2 delivers a deeper dive into the duo’s brilliant alchemy of traditional and contemporary reinterpretations. The added experimental flourishes, from dizzying electronica and pulsing bass to sax-driven soul, take Bria’s new EP into previously uncharted territory, signaling a thrilling new step in Bria’s adventurous evolution.
Bria Cuntry Covers Vol. 2
Tracklisting: 1. Where Have All the Cowboys Gone? 2. When You Know Why You’re Happy 3. Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind) 4. By The Time I Get to Phoenix 5. I Dream A Highway 6. See You Later, I’m Gone
Today, Lael Neale shares the new song “In Verona,” from her forthcoming album Star Eaters Delight, available on CD/LP/CS/DSPs on April 21st, 2023, worldwide from Sub Pop.
“In Verona” is the centerpiece of the beguiling Star Eaters Delight, a sprawling gospel dirge in which the narrator-as-newscaster chants hypnotic incantations to lament a society plagued by divisions and hypocrisies, reimagining the Montagues and Capulets without mentioning them by name and cautioning the listener to “cast no stone.” Watch the observational and multitudinous official video for “In Verona,” directed by Lael, here.
Lael Neale has extended her international tour schedule for 2023 in support of Star Eaters Delight which now begins Tuesday, April 11th in San Francisco, CA at The Chapel and currently runs through Thursday, June 1st in Lisbon, PT at ZDB. New dates include Thursday, April 13th in Pioneertown, CA at Pappy & Harriet’s and Sunday, May 14 in Leeds, UK at the In Colour Festival. A current list of dates is below, and tickets for these shows are on sale now.
US 2023 Tue. Apr. 11 - San Francisco, CA - The Chapel Thu. Apr. 13 - Pioneertown, CA - Pappy & Harriet’s Sat. Apr. 22 - Los Angeles, CA - Permanent Records Roadhouse Mon. Apr. 24 - Phoenix, AZ - Trunk Space Wed. Apr. 26 - Austin, TX - Chess Club Sat. Apr. 29 - Nashville, TN - drkmttr Wed. May 03 - Washington, DC - Comet Ping Pong Fri. May 05 - New York, NY - Public Records Sat. May 06 - Northampton, MA - Parlor Room Sun. May 07 - Philadelphia, PA - Dolphin
UK/EU 2023 Sun. May 14 - Leeds, UK - In Colour Festival Mon. May 15 - Manchester, UK - The Castle Hotel Tue. May 16 - London, UK - The Lexington Wed. May 17- Paris, FR - La Boule Noire Thu. May 18 - Tourcoing, FR - Le Grand Mix Fri. May 19 - Brussels, BE - Botanique (Witloof Bar) Sat. May 20 - Amsterdam, NL - Paradiso (London Calling Fest) Mon. May 22 - Berlin, DE - Kantine am Berghain Tue. May 23 - Hamburg, DE - Aalhaus Wed. May 24 - Copenhagen, DK - Huset Thu. May 25 - Oslo, NO - Krosset Fri. May 26 - Stockholm, SE - Nomad Sat. May 27 - Gothenburg, SE - Oceanen Thu. Jun. 01 - Lisbon, PT - ZDB
Star Eaters Delight, which features the highlights “I Am The River,” “Must Be Tears,” “Faster Than The Medicine,” and the aforementioned “In Verona,” was written by Neale, with arrangements and production by Guy Blakeslee. The recordings were made on cassette in Virginia and mastered by Chris Coady in Los Angeles.
Star Eaters Delight reveals an expansion of Neale’s sonic collaboration with producer and accompanist Blakeslee and arrives on the heels of her Sub Pop debut Acquainted With Night, which won international acclaim for its crystalline vocals, clever songwriting, and excellent use of Omnichord to build a world of beautiful reveries.
In April of 2020, Lael moved from Los Angeles back to her family’s farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos. Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She explains: “The unbroken silences on the farm compelled me to break them with sound. This album is louder and more external, calling out to the world.”
Star Eaters Delight is now available to preorder from Sub Pop. LP preorders from megamart.subpop.com, select independent retailers in North America, the UK and Europe, will receive the Loser edition on gold vinyl.
Lael Neale
Star Eaters Delight
Tracklisting: 1. I Am The River 2. If I Had No Wings 3. Faster Than The Medicine 4. In Verona 5. Must Be Tears 6. No Holds Barred 7. Return To Me Now 8. Lead Me Blind
