Today, Thursday, April 18th, DEBBY FRIDAY shares “To The Dancefloor,” a new, high-powered anthem available worldwide on all DSPs through Sub Pop. The track, recorded in Toronto and Detroit, is co-produced by DEBBY FRIDAY, Graham Walsh, and Detroit’s rising ghettotech connoisseurs, HiTech.

“To The Dancefloor” is a cheeky hybrid of electronic music genres and FRIDAY’s first single release of the year. Its Sims-inspired official video, directed by DEBBY FRIDAY with camerawork by Stella Gigliotti, is a nod to online NPC trends and virtual reality games of the early 2000s.  

Of the video, DEBBY says, “I <3 the internet. I got the idea from watching Youtubers and TikTokers and thinking about how I used to spend hours playing games like Sims 3 and IMVU.”  

“To The Dancefloor” follows DEBBY FRIDAY’s 2023 release, GOOD LUCK, her acclaimed Polaris Music Prize-winning, full-length debut. The album was co-produced by DEBBY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto and mastered by Heba Kadry in New York. Following the Polaris win, she released the sprightly-paced “let u in” single that September.

DEBBY FRIDAY’s international tour schedule for 2024 resumes Friday, June 7th in St. Johns, Newfoundland at the Lawnya Vawnya Festival and currently runs through Thursday, August 29th - Sunday, September 1st in Dorset, UK at the End of the Road Festival. Please find a complete list of dates below.

Fri. Jun. 07 - St. Johns, NL - Lawnya Vawnya Festival

Sun. Jun. 23 - Vancouver, BC - Westward Music Festival

Fri. Jun. 28 - Toronto, ON - Toronto Pride

Fri. Jul. 19 - Sat. Jul. 21 - Yellowknife, NT - Folk On The Rocks

Fri. Aug. 02 - Katowice, PL - OFF Festival

Fri. Aug. 16 - Saint-Malo, FR  - La Route De Rock

Thurs. Aug. 8 - Rees Haldern, DE - Haldern Pop Festival 

Sat. Aug. 17- Sun. Aug. 18 - Hamburg, DE - MS Dockville

Sun. Aug. 18 - Pukkelpop Hasselt, BE - Pukkelpop 

Thu. Aug. 29 - Sun. Sep. 01 - Dorset, UK - End of the Road Festival

Fri. Aug. 30 - Eindhoven, NL - Hit The City Festival

DEBBY FRIDAY’s “To The Dancefloor,” “let u in,” and GOOD LUCK are available now worldwide from Sub Pop. 

Past praise for DEBBY FRIDAY:

“With perhaps the most confident and promising debut album of the year, the Toronto-based electronic musician Debby Friday creates an alluringly dark, industrial backdrop for her slinky self-mythologizing and galvanizing pep talks to herself. “Speak up, speak up, Friday Child,” she intones on the intention-setting opener. “Say what you came to say.” Does she ever.” [GOOD LUCK] “The Best Albums of 2023” - THE NEW YORK TIMES

“Album of the Week” [GOOD LUCK] - STEREOGUM

“GOOD LUCK is an assured and frequently surprising debut that feels like a trip into the lascivious, eclectic wormhole of Friday’s world – and with so much to take in, and so much fun to be had, you won’t want to leave.”  8/10 - CRACK

“DEBBY defies easy categorization, mixing rap, electro, post-punk, industrial, techno and more into a glitchy, bruising and bitcrushed blend that is fiery, magnetic and all her own.” [GOOD LUCK] - BROOKLYN VEGAN 

“Album of the Week” [GOOD LUCK] - TREBLE

“There’s an extraordinary elasticity across GOOD LUCK’s

masterful production that makes repeated listens not just enjoyable but irresistible.” “8/10, Album of the Week” - LOUD & QUIET

“Fans of Azealia Banks, JPEGMAFIA, SZA, Yves Tumor, and even Nine Inch Nails could all find themselves at home in her world. And soon enough, with her innovation and confidence, it seems like the rest of the world will, too.” “The Rising Artists You Need To Know” - ALTERNATIVE PRESS

“Packed into a succinct, live-wire 33-minutes, GOOD LUCK is testament to how effectively Friday can capture life in all its dense, unpredictable emotions.” - CHICAGO READER

“Welcome to Planet Debby: If you wandered into the back room 

at Empire Garage and Control Room at the right moment on Thursday afternoon, you found yourself in the middle of an interstellar rave in full swing. Toronto experimental artist Debby Friday was onstage, performing a thudding electro-rap song with hints of Azealia Banks and Donna Summer…Leaping off the stage into the small crowd, she demanded that they come closer — “I need your energy!” — and kept on chanting, 

in a long vamp that bent space and time.” “Highlights from SXSW 23, Day Three” - Rolling Stone

“In contrast to the pulse-quickening tempos and noisy synths of her past music, her production is deft and graceful, with a skipping beat and cascading backing vocals. ‘Lady Friday/All you do is rеbel,’ Friday chastises herself—tough talk against a fragile, gorgeous sound.” [“SO HARD TO TELL”]  “Best New Track” - PITCHFORK

“One of the young year’s most audacious bangers” [“SO HARD TO TELL”] - BILLBOARD

“Hyperpop can sometimes come off as abrasive but in the hands of Canadian singer DEBBY FRIDAY it’s soulful, even elegant.” [“SO HARD TO TELL”] - NYLON

“A graceful entrance into yet another territory: lush R&B”[“SO HARD TO TELL”] “Now Playing” - NPR MUSIC