On November 8th, Sub Pop will releaseLike Someone I Know: A Celebration Of Margo Guryan. This 12-song compilation is an homage to Guryan’s classic 1968 record, Take a Picture, featuring reinterpretations by contemporary artists Clairo, Margo Price, TOPS, Rahill, June McDoom, MUNYA & Kainalu, Frankie Cosmos & Good Morning, Kate Bollinger, Pearl & The Oysters, Bedouine & Sylvie, Barrie, and Empress Of. A portion of proceeds from this album will be donated to providing and advocating for affordable reproductive health services.
Today, you can watch the animated official video for Empress Of’s version of “Someone I Know” directed by Sabrina Nichols (The Smile, Loma, youbet). Click here to watch.
About Margo Guryan: Most of our stories about cult musicians who make an album or two and then seem to vanish are framed by grief, despair, and frayed ambition. Not so with Margo Guryan, an ardent jazz anomaly who disdained pop music until hearing “God Only Knows” in 1966, opening a window onto the wonders that form could contain. Only two years later, she released her own set of little pop symphonies, Take a Picture, to great praise and expectation. But having already divorced the hard-gigging valve trombonist Bob Brookmeyer, she declined to tour or even talk about it all that much, content even if her reticence meant Take a Picture was soon consigned to discount racks and cutout bins. She wrote and recorded for years to come, even collaborating with Neil Diamond’s band, but mostly she seemed satisfied by her relatively private life—raising her stepson, Jonathan; carousing with a small clutch of pals; talking politics with whoever was game. Rather than a tragedy, Guryan was an ornate pop architect who also drew and lived by her boundaries.
But as befits music so stunning and subtle, Guryan, who died in 2021, has enjoyed several renaissances over the last few decades—multiple reissues and international intrigue, faithful champions who introduced her tender work to successive generations. And now, it’s happening again: Soon after her near-whispered and lovelorn hymn “Why Do I Cry” made her a TikTok star in 2021, the same year she passed, Numero Group launched a reissue campaign, resulting in the acclaimed 2024 set, Words and Music. And now, a dozen artists—none of whom were born when Take a Picture was made, most of whom weren’t even born for a crucial early reissue by Franklin Castle—have reinterpreted and reimagined that entire album (plus one bonus track) for Like Someone I Know: A Celebration of Margo Guryan. Empress Of, Margo Price, Clairo, June McDoom: They all affirm Guryan’s sharpness as a songwriter and the brilliance of an album that has far outstripped whatever promotional cycle Guryan rejected so long ago.
Guryan was born to a sprawling family in a home so big it housed multiple generations just before World War II in Far Rockaway, back when the place was still mostly framed by trees. Her family was matrilineal, with a mother who worked as a radiologist while her father played piano at home and a widowed grandmother who ran the place with unwavering sovereignty. While still a composition student at Boston University, Guryan stumbled into a gig playing piano between Miles Davis Quintet sets, signed a songwriting deal with Atlantic Records, and botched a session with Nesuhi Ertegun. But she wasn’t looking to be a singing star, anyway. In 1959, she headed to the foundational Lenox School of Jazz in the Berkshires, staving off advances from her contemporaries to write for Ornette Coleman and Don Cherry, earn the attention of instructor Max Roach, and made a longtime mentor and friend of Gunther Schuller. She became an accomplished lyricist, writing not only for Coleman and Nancy Harrow but also for Harry Belafonte and Gary MacFarland.
But it was that subsequent encounter with the Beach Boys that opened the trap door for Guryan to Take a Picture and scores of other super songs, many of which appear on Words and Music. Take a Picture is a sophisticated survey of mid-20s romance and indecision, from the flirty romp of “Sunday Morning” and falling-for-you affirmation “Can You Tell” to the desperate helplessness of “What Can I Give You.” In less than 150 seconds, “Thoughts” traces a relationship from its ecstatic start to empty end, Guryan’s pillowtop voice sitting perfectly between the bouncing piano and lachrymose strings. She mines nostalgia for the recent past in “Someone I Know” and, quite brilliantly, for something that hasn’t even ended yet in the title cut. What remains astonishing about Take a Picture is how placid and nice the surface can seem yet how much is going on just beneath it—the difficult rhythmic shifts, the textural juxtapositions, the dissonance and eeriness lurking in the crevices. Twice as long as almost everything else here, the willfully psychedelic excursion and closer, “Love,” is a jarring semaphore, telling you to go back and listen for the intricacies in everything else. “When do you get to be someone who can give/And live without hurting someone you love?” she coos over caustic guitar and curling organ, the question spilling in reverse over the rest of the record.
Those mirrored senses of slyness and meticulousness, both musical and lyrical, presided over Guryan’s output long after any idea of stardom had faded. She turned earthquake danger into existential boogie on “California Shake,” celebrated the outlaws and their long odds during “I’d Like to See the Bad Guys Win,” and danced with entendre during “Come to Me Slowly.” Indeed, Guryan was not afraid of mischief, whether lampooning the president and all his men during a three-song suite about Watergate or presaging Rihanna by half a century on “Under My Umbrella.” Her perpetually soft voice, audacious songcraft, and complete candor: Guryan, in 1968 and beyond, was making daring music, no matter how gently those sounds seemed to move.
A portion of proceeds being donated to providing and advocating for affordable reproductive health services, Like Someone I Know reinforces the strength of Guryan’s songs by allowing different artists to take them for trips of their own. The core always remains, unwavering. McDoom stretches static and harmony beneath “Thoughts,” as if they’re spinning on a dub plate beneath her arcing vocals. Rahill lets “Sun” unfurl over harmonium drone and entrancing percussive ticks, digging into Guryan’s interest in the surreal. Frankie Cosmos and Good Morning take a country shuffle through “Take a Picture,” entwined vocals falling over the rhythmic skips with perfect romantic relish. Over the last few decades, it has become increasingly clear just how good Guryan was, how sturdy her songs have been amid varying tides of taste. Like Someone I Know offers absolute validation, a testament to the enduring relevance and brilliance of Guryan’s work.
Like Someone I Know: A Celebration Of Margo Guryan Launch is now available to preorder from Sub Pop. LP preorders from megamart.subpop.com (North America), Mega Mart 2 (UK/EU), and independent retailers worldwide will receive the limited Loser edition on Opaque Red vinyl (while stock lasts!).
Various Artists Like Someone I Know: A Celebration Of Margo Guryan
Tracklisting: 1. Sunday Morning (TOPS) 2. Sun (Rahill) 3. Love Songs (Clairo) 4. Thoughts (June McDoom) 5. Don’t Go Away (MUNYA | Kainalu) 6. Take a Picture (Frankie Cosmos |Good Morning) 7. What Can I Give You (Kate Bollinger) 8. Think of Rain (Pearl & The Oysters) 9. Can You Tell (Bedouine | Sylvie) 10. Someone I Know (Empress Of) 11. Love (Barrie) 12. California Shake (Margo Price)
Today, Lael Neale is sharing the sparkling official video for “Electricity,” a new song available now worldwide on all DSPs from Sub Pop.
“Electricity” was written and composed by Neale and produced and arranged by longtime creative collaborator Guy Blakeslee. The video was directed by Neale, and features cinematography by Chance Gray, with movement direction and choreography by Sandi Denton and a performance by the Rated Z Dancers.
Neale says, “I wrote the song during an ice storm a couple of winters ago that caused a 5-day power outage while I was living on my family’s farm in Virginia. I experienced intense withdrawal from all these things we’ve come to depend on so heavily in our modern life - like lighting, heat, refrigeration, and entertainment. I felt a range of sensations from utter emptiness to complete liberation. I realized we’re essentially electrified beings now, but through unplugging entirely we have a chance to gain a new perspective and reset ourselves.”
Lael Neale will hit the road for a string of dates supporting Ben Howard (August 10th-15th) and an appearance at San Francisco’s Outside Lands (August 11th). Neale, a painter, will have a solo art show titled “Altogether Stranger,” held at AndPens Gallery in Eagle Rock, CA, on Friday, August 2nd. The current list of dates are below, and tickets for these shows are on sale now.
Fri. Aug. 2 - Eagle Rock, CA - AndPens Gallery (“Altogether Stranger” Solo Painting Show) Sat. Aug. 3 - San Pedro, CA - Genuine Souvenirs Festival Sat. Aug. 10 - Los Angeles, CA - The United Theater on Broadway * Sun. Aug. 11 - San Francisco, CA - Outside Lands Festival Tue. Aug. 13 - Portland, OR - Roseland Theater * Wed. Aug. 14 - Seattle, WA - Moore Theatre * Thu. Aug 15 - Vancouver, BC - Queen Elizabeth Theatre *
* w/ Ben Howard
Neale’s most recent full-length is the beguiling Star Eaters Delight, her second album released in April 2023. The album reveals an expansion of Neale’s sonic collaboration with producer and accompanist Guy Blakeslee and arrives on the heels of her Sub Pop debut Acquainted With Night, which won international acclaim for its crystalline vocals, clever songwriting, and excellent use of Omnichord to build a world of beautiful reveries.
Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She explains: “The unbroken silences on the farm compelled me to break them with sound. This album is louder and more external, calling out to the world.”
Lael Neale’s Star Eaters Delight, is also available now from Sub Pop.
What people are saying about Lael Neale: “A unique, boldly weird proposition, and one that proudly carries the faint hint of tractor grease. Half of it comes on like cult 70s folk artist Karen Dalton hanging out with the Velvet Underground and Suicide, while the rest offers somewhat more modern balladry, placing her more in the world of Angel Olsen and Cat Power.” - THE GUARDIAN
“Spellbinding” ★★★★★ - SHINDIG!
“There’s something a little haunting about her voice, it helps too that she writes primarily on the Omnichord, which has a little bit of spookiness built into it. But this is kind of an album for Luddites about how to exist in a world that demands too much of your attention and how you can be intentional about the way you move through it. It was recorded on cassette, which I love because it brings a real warmth to it, and a real presence of being in the room, which I think really delivers that message home.” “New Music Friday: The Best Releases Out April 21st” - NPR MUSIC
“…An excellent new album” - STEREOGUM
“Neale has placed her trust in life’s meanders—and in its source—and the result is her best work yet: a golden mean between experimentation and pop, lo-fi and hi-fi, vitality and rest.” - PASTE
“Neale is imaginative, but she’s steeped in songwriting craft and she knows her way round a whopping chorus.” ★★★★ - MOJO
“Star Eater’s Delight…was recorded on cassette, and tape hiss acts like a third band member here. She sings of flowers, rivers, seas, and trees; holy water, perfect deaths; bells of time, patience, and the speed of medicine. Carried by words and rhythm, she’s barreling towards something just beyond the horizon.” - AQUARIUM DRUNKARD
“Neale has put together a tight package of an album with no stray notes but one also brimming with a sly multitude of ideas. Kudos to Neale for not playing it safe and simultaneously doing something wholly different than anyone else out there.” 9/10 - UNDER THE RADAR
“This collection of versatile songs acts as a tour of different neighborhoods in the beautifully smeary nocturnal dream world Neale began building on her last album.” ★★★★ - ALL MUSIC
“A collection of songs with the weight and conviction of hymns. Some have a more spare, lo-fi feel, with Neale’s voice accompanied by vintage instruments, including her signature mellotron, but the real centerpiece is the eight-minute “In Verona,” which brings a real sense of urgency to its invocations of Shakespeare.” “Notable Releases of the Week” - BROOKLYN VEGAN
“An elegantly spare showcase of her radiant voice, a tremulous yodel tinged with gospel and country inflections. Bathed in antique analog acoustics, spine-tingling ballads of romantic yearning....” - UNCUT
Today, The Postal Service have shared a brand-new remix of their fan-favourite track “The District Sleeps Alone Tonight” by multi-GRAMMY Award nominated electro-pop duo Sylvan Esso.
The track - which is taken from the band’s critically acclaimed album Give Up - comes ahead of their extended 20th anniversary co-headline ‘Give Up Transatlanticism’ tour with Death Cab For Cutie. This extraordinary live run celebrates the 20th anniversaries of each band’s seminal 2003 album, The Postal Service’s RIAA Platinum-certified Give Up and Death Cab for Cutie’s RIAA Platinum-certified breakthrough fourth studio LP Transatlanticism – two classics released within a mere eight months of one another, and created with a total recording budget of just $20k.
Speaking on the remix – which is released via Sub Pop - The Postal Service’s Jimmy Tamborello says, “I love Sylvan Esso and was excited to hear the song through their ears. It came out so good, big and tweaky and fun!”
Speaking on being asked to reimagine the track, Sylvan Esso say, “The District Sleeps Alone Tonight was a formative song for both of us, Nick remembers hearing the promo copy spooling out of his car speakers while he delivered pizza - Amelia remembers hearing it in the back of someone’s van during her freshman lunch hour. Both of us thought the song touched something new then - and to be asked to reinterpret it now is an honour.”
LISTEN TO “THE DISTRICT SLEEPS ALONE TONIGHT (SYLVAN ESSO REMIX)”HERE
This week’s highly anticipated live dates include shows in Glasgow, Cardiff, and Barcelona (tickets available HERE), as well as their co-headline show at London’s All Points East (ft. The Decemberists, Yo La Tengo, Phoenix, The Lemon Twigs, Sleater-Kinney, Teenage Fanclub, Gossip + more) on 25th August, as well as Kalorama in Madrid, Spain, and Meo Kalorama in Lisbon, Portugal. Full dates outlined below. Support at the Glasgow and Cardiff dates comes from Teenage Fanclub and from The Kills in Barcelona.
The extension comes in response to massive demand from fans, following the joint tour’s critically acclaimed and wildly-successful US 2023 dates. That run was entirely sold-out and included back-to-back shows at NYC’s Madison Square Garden, three nights at LA’s Hollywood Bowl, and marquee dates in many other major cities – bringing 250k+ fans together at iconic arenas and amphitheatres across the US.
Benjamin Gibbard, co-founder of both bands, will continue to pull double duty on the 2024 dates, performing Give Up and Transatlanticism in full alongside his respective bandmates. “Few musicians have released two culture-shifting records in the span of a single year,” Pitchfork proclaimed within their glowing review of this fall’s first MSG show, “and even less have done it with two different musical outfits.”
“I know for a fact I will never have a year again like 2003. The Postal Service record came out, Transatlanticism came out. These two records will be on my tombstone, and I’m totally fine with that. I’ve never had a more creatively inspired year.” – Benjamin Gibbard
Ben also recently spoke with The Guardian for a career-spanning piece ahead of the live dates. Take a read HERE.
The Postal Service is comprised of Gibbard, Tamborello, and Jenny Lewis; Death Cab for Cutie is comprised of Gibbard, Nick Harmer, Dave Depper, Zac Rae, and Jason McGerr. All upcoming tour dates are enclosed below.
THE POSTAL SERVICE x DEATH CAB FOR CUTIE | CO-HEADLINE UK / EU TOUR DATES
AUGUST
23 – Glasgow, UK – OVO Hydro* 24 – Cardiff, UK – Utilita Arena* 25 – London, UK – All Points East Festival 27 – Barcelona, ES – Poble Espanyol^ 29 – Madrid, ES – Kalorama Madrid 30 – Lisbon, PT – Meo Kalorama
*with special guest Teenage Fanclub ^with special guest The Kills
Today, The Bug Club is adding US shows to their 2024 tour schedule in support of On the Intricate Inner Workings of the System, their forthcoming Sub Pop debut. These new dates will begin Tuesday, October 15th in Brooklyn, NY at Baby’s All Right and run through Thursday, October 24th in Seattle, WA at The Black Lodge.
Their previously announced UK tour dates, which bookend the tour, resume on Thursday, August 1st, with a sold-out show at London’s Shacklewell Arms. Please see a full list of dates below.
Thu. Aug. 01 - London, UK - Shacklewell Arms (SOLD OUT) Fri. Aug. 02 - Pikehall, UK - Y Not Festival Thu. Aug. 29 - Brighton, Resident Records (instore) Fri. Aug. 30 - Brighton, UK - Brighton Psych Fest Sat. Aug 31 - Hull, UK - The Adelphi Sun. Sep. 01 - Edinburgh, UK - Edinburgh Psych Fest Mon. Sep. 02 - Riley & Coe Session, BBC Radio 6 Music Tue. Sep. 03 - Liverpool, UK - Rough Trade (instore) Wed. Sep. 04 - Nottingham, UK - Rough Trade (instore) Thu. Sep. 05 - London, UK - Rough Trade East (instore) Tue. Oct. 15 - Brooklyn, NY - Baby’s All Right Sun. Oct. 20 - Los Angeles, CA - The Echo Mon. Oct. 21 - San Francisco, CA - Kilowatt Wed. Oct. 23 - Portland, OR - Showbar Thu. Oct. 24 - Seattle, WA - Black Lodge Thu. Nov. 07 - Bournemouth, UK - Bear Cave Fri. Nov. 08 - Margate, UK - Lido Sat. Nov. 09 - Bedford, UK - Esquires Wed. Nov. 13 - Newcastle, UK - The Cluny Thu. Nov. 14 - Hebden Bridge, UK - The Trades Club Fri. Nov. 15 - Leicester, UK - The SoundHouse Sat. Nov. 16 - Norwich, UK - Norwich Arts Centre
Earlier this month, The Bug Club announced release details for On the Intricate Inner Workings of the System, which will be released worldwide on Friday, August 30th, 2024. The album features the previously released highlights “Quality Pints,” and “Lonsdale Slipons,” along with other feel-good ditties like “War Movies,” “A Bit Like James Bond,” “We Don’t Care About That.”
On the Intricate Inner Workings of the System sees the band serve up a beefy slab of their signature Modern-Lovers-meets-Nuggets garage rock, featuring B-52’s call-and-response fun mixed with AC/DC power chord grunt (read more at Sub Pop).
The Bug Club’s On the Intricate Inner Workings of the System is available to preorder on CD/LP/DSPs from Sub Pop. LP preorders from megamart.subpop.com (North America), Mega Mart 2 (UK/EU), and independent retailers worldwide will receive the limited Loser edition vinyl on Transparent Grey Smoke (US) and Orange/Red Marble (UK/EU) (whilst stock lasts!). On the Intricate Inner Workings of the System’s album cover artwork is from UK illustrator and comic book artist Willem Hampson.
What people are saying about The Bug Club: “‘Quality Pints’ is a wild two-minute rager that reminds me of the Buzzcocks and the Vaselines. It’s all about something the band has surely experienced during all that touring: the search for a decent beer in various cities around the world. In addition to the explosive punk-rock energy, the song has a hip-shaking rock ‘n’ roll element, manifested in a rattling tambourine and occasional outbursts of electric-shock lead guitar” - STEREOGUM
“…the kind of indie punk ripper that feels custom built to send audiences into a shout-along, beer-fueled frenzy.” [“Quality Pints”] BROOKLYN VEGAN
“The amped-up punk track is a blast of shout-along energy, and vicious guitar solos following the pair’s journey to secure a solid pint of beer… It’s as ridiculous as it is fun, and Harris and Willmett are bringing their particular flavor of absurdity to Sub Pop’s legendary roster. Cheers, indeed.” [“Quality Pints”] “Best New Songs” - PASTE
The Bug Club On The Intricate Inner Workings of the System
Tracklisting: 1. War Movies 2. Quality Pints 3. Pop Single 4. Best Looking Strangers in the Cemetery 5. A Bit Like James Bond 6. We Don’t Care About That 7. Lonsdale Slipons 8. Better Than Good 9. Actual Pain 10. Cold. Hard. Love. 11. The Intricate Inner Workings of the System
Last week, Sub Pop shared details on behalf of Jon Benjamin: Jazz Daredevil’s bold new effort, The Original Motion Picture Soundtrack of The (Unproduced) Film…The Jazz Daredevil and its lead single, “I Want You.”
The Original Motion Picture Soundtrack of The (Unproduced) Film…The Jazz Daredevil is out today, August 15th, worldwide from Sub Pop. It features guest appearances from Therese Plaehn-Mirman, Wyatt Cenac, Alexis Kesselman, Larry Murphy, Ana Silvia Daniel, Leo Allen, Brendon Small, Ronnell Johnson, and Preservation Hall Jazz Band. The soundtrack was produced and mixed by Zachary Seman and mastered by Levi Seitz at Blackbelt Mastering.
The Original Motion Picture Soundtrack of the (Unproduced) Film… The Jazz Daredevil follows his landmark 2015 debut Well I Should Have… Learned How to Play Piano, which garnered coverage from people like Stephen Colbert and NPR’s “All Things Considered,” blew through two vinyl pressings, and is now a sought-after collectible; and the 2020 follow-up The Soundtrack Collection, arguably the first truly great collection of movie theme songs performed poorly with a Moog synthesizer and expertly by an orchestra at the same time.
Jon Benjamin: Jazz Daredevil The Original Motion Picture Soundtrack of The (Unproduced) Film…The Jazz Daredevil
1. They All Say… (The Jazz Daredevil Theme) 2. The Proposition (Dialogue) 3. Apartment Fire (Instrumental) 4. Limo Ride (Dialogue) 5. Limo Ride (Instrumental) 6. Balcony (Dialogue) 7. I Want You 8. Truth or Dare (Dialogue) 9. Sex Scene Song (Instrumental) 10. Do You Want Half a Sandwich? (Dialogue) 11. I Got My Hook in You 12. Meeting Ray (Dialogue) 13. The Man in the Mask (Rich’s Theme) 14. Rita’s Plea (Dialogue) 15. Walk Through the Woods (Instrumental) 16. Don’t Go Through the Woods (Dialogue) 17. Murder Plot (The Caretaker’s Theme) 18. Who’s Rich? (Dialogue) 19. I Shoplift Even Though I’m Rich 20. How Do I Know You’re Telling the Truth (Dialogue) 21. The Twist (Instrumental) 22. Lorraine, No… (Dialogue) 23. They All Say… (Reprise)
Today, musician Suki Waterhouse shares a new single titled “Blackout Drunk,” a standout from Memoir of a Sparklemuffin, her forthcoming 18-track double album.
“Blackout Drunk” intoxicates with its swinging handclap-laden bounce, woozy riffing, doo-wop harmonies, and chantable chorus. The blistering new bop was produced by Fred Ball, Hazey Eyes, and the album’s executive producer, Eli Hirsch, and written by Suki, Ball, and Natalie Findlay.
Watch the new visualizer by filmmaker and animator Callum Scott-Dyson (who directed Suki’s “My Fun” and “Faded” visuals).
Memoir of a Sparklemuffin will be available on Friday, September 13th, 2024 on CD/2xLP/CS/DSPs from Sub Pop. LP preorders from megamart.subpop.com (US), Mega Mart 2 (UK/EU), and your local record store will receive the limited Loser edition vinyl on Sparklemuffin Pearl (North America), and Sparkle Starlight (UK/Europe). There is also an Afterglow Purple vinyl, along with new Suki merch available from her Official Merch Store (All limited edition vinyl colors available whilst stock lasts!).
Suki’s The Sparklemuffin Tour, her previously announced 25-city North American headlining jaunt in support of the album, begins at Salt Lake City’s Love Letters Festival on Friday, September 27th, and will make stops in Los Angeles, New York City, Chicago, Boston, Toronto, Montreal, and more. Preceding the tour, Suki will also appear at London’s All Points East (August 18th), and will support Mitski at Portland, OR’s Moda Theatre (September 21st).
SUMMER/FALL 2024 Sun. Aug. 18 - London, UK - All Points East Festival Sat. Sep. 21 - Portland, OR - MODA Center +
“THE SPARKLEMUFFIN TOUR” FALL 2024 Fri. Sep. 27 - Salt Lake City, UT - Love Letters Festival Sat. Sep. 28 - Denver, CO - Mission Ballroom * Thu. Oct. 17 - Houston, TX - House of Blues ^ Fri. Oct. 18 - Austin, TX - ACL Live at the Moody Theater ^ Sat. Oct. 19 - Dallas, TX - The Factory in Deep Ellum ^ Mon. Oct. 21 - Phoenix, AZ - The Van Buren ^ Tue. Oct. 22 - San Diego, CA - The Sound ^ Wed. Oct. 23 - Los Angeles, CA - Greek Theatre ^ Fri. Oct. 25 - San Francisco, CA - The Warfield Mon. Oct. 28 - Vancouver, BC - Commodore Ballroom ^ Tue. Oct. 30 - Portland, OR - Roseland Theater ^ Mon. Dec. 02 - Kansas City, MO - The Truman ^ Tue. Dec. 03 - St. Louis, MO - The Factory ^ Wed. Dec. 04 - Indianapolis, IN - Egyptian Room at Old National Centre ^ Fri. Dec. 06 - Cleveland, OH - The Agora ^ Sat. Dec. 07 - Brooklyn, NY - Brooklyn Paramount ^ [Sold Out] Sun. Dec. 08 - Brooklyn, NY - Brooklyn Paramount ^ Tue. Dec. 10 - Philadelphia, PA - Franklin Music Hall ^ Wed. Dec. 11 - Washington, DC - The Anthem ^ Fri. Dec. 13 - Boston, MA - Roadrunner ^ Sat. Dec. 14 - Montreal, QC - MTELUS ^ Sun. Dec. 15 - Toronto, ON - HISTORY ^ Tue. Dec. 17 - Royal Oak, MI - Royal Oak Music Theatre ^ Wed. Dec. 18 - Chicago, IL - The Salt Shed ^ Thu. Dec. 19 - Nashville, TN - Ryman Auditorium ^ Sat. Dec. 21 - Atlanta, GA - The Eastern ^
^ w/ Bully * w/ Debbii Dawson + w/ Mitski
Suki Waterhouse Memoir of a Sparklemuffin
1. Gateway Drug 2. Supersad 3. Blackout Drunk 4. Faded 5. Nonchalant 6. My Fun 7. Model, Actress, Whatever 8. To Get You 9. Lullaby 10. Big Love 11. Lawsuit 12. OMG 13. Think Twice 14. Could’ve Been A Star 15. Legendary 16. Everybody Breaks Up Anyway 17. Helpless 18. To Love
