On April 12th, METZ will release Up On Gravity Hill, their first album in 4 years, on Sub Pop for the world ex-Canada and in Canada on Dine Alone. The album was engineered by Seth Manchester (Mdou Moctar, Lingua Ignota, Battles, The Body) and features guest performances from Amber Webber of Black Mountain and composer/string arranger Owen Pallett.
METZ, a band once known for blowing out eardrums with songs of joyous rage, have, over their past few records, begun exploring ways to turn abrasiveness into atmospherics, the evolution of their sound not only a reflection of the maturing of the band themselves but also of a changed world that demands nuance and compassion to comprehend and to survive. This is so on their latest effort, Up On Gravity Hill, which finds the band continuing to bend the raw power of rock music to its most delicate, intricate ends. Delivering a deep, detailed, and unyieldingly personal collection of songs that are fused together to form not only METZ’s most powerful record to date but also their most beautiful.
To spotlight this evolution, the band has shared two new contrasting singles: the stomping motorik “99,” and the charging and deeply melodic, “Entwined (Street Light Buzz)”, that offers a dreamier Swervedriver-esque guitar sheen never before utilized by the Canadian trio.
METZ frontman Alex Edkins says, “These two songs couldn’t be more stylistically and thematically dissimilar. ‘Entwined (Street Light Buzz)’ is a song about the deep connection humans can foster with one another and how we carry people with us forever, even after death. ‘99’ is about the scourge of corporate greed and bottom-line thinking that runs rampant in modern society. Anything for a buck is the message being sent to younger generations.”
METZ is also announcing headlining international tour dates supporting Up On Gravity Hill, with dates in North America from April 17th to May 17th and a run of UK and EU dates in the fall from November 3rd through November 29th. The band also has a series of UK and EU festival performances in August, including stops at The Green Man Festival in the UK, La Route Du Rock and Cabaret Vert Festival in France, and the Canela Party in Spain. See below for a full list of shows.
North America Wed. Apr. 17 - Boston, MA - Crystal Ballroom at Somerville Theatre $ Fri. Apr. 19 - New York, NY - Bowery Ballroom $ Sat. Apr. 20 - Philadelphia, PA - Underground Arts $ * Sun. Apr. 21 - Baltimore, MD - Ottobar $ Tue. Apr. 23 - Atlanta, GA - The Earl $ Thu. Apr. 24 - Birmingham, AL - Saturn $ Fri. Apr. 25 - Fayetteville, AR - George’s Majestic Lounge $ Sat. Apr. 26 - Austin, TX - The Parish (Austin Psych Fest) $ Sun. Apr. 27 - Dallas, TX - Sons of Hermann Hall $ Mon. Apr. 29 - Sante Fe, NM - Meow Wolf $ Tues. Apr. 30 - Phoenix, AZ - Valley Bar $ Wed. - May 01 - San Diego, CA - The Casbah $ Tue. May 02 - Los Angeles, CA - The Roxy Theatre $ Wed. May 03 - San Jose, CA - The Ritz $ Thu. May 04 - San Francisco, CA - The Chapel $ Mon. May 06 - Portland, OR - Wonder Ballroom $ Tue. May 07 - Seattle, WA - Neumos $ Fri. May 10 - St. Paul, MN - Turf Club $ Sat. May 11 - Chicago, IL - Bottom Lounge $ Thu. May 16 -Montreal, QE - Theatre Fairmount $ Sat. May 17 - Toronto, ON - Danforth Music Hall $
$ w/ Gouge Away * w/ Rid of Me
UK/EU Thu. Aug. 15 - Crickhowell, UK - Green Man Festival Fri. Aug. 16 - St Malo, FR La Route Du Rock Sat. Aug. 17 - Charleville-Mezières, FR - Cabaret Vert Festival Fri. Aug. 23 - Malaga, ES - Canela Party Sat. Nov. 02 - Rennes, FR – L’Antipode Sun. Nov. 03 - La Rochelle, FR - La Sirène Mon. Nov. 04 - Paris, FR - La Maroquinerie Tue. Nov. 05 - Clermont-Ferrand, FR - La Coopérative de Mai Wed. Nov. 06 - Lyon, FR - Le Transbordeur Thu. Nov. 07 - Zurich, CH - Bogen F Sat. Nov. 09 - Prague, CZ - Futurum Sun. Nov. 10 - Budapest, HU - Turbina Tue. Nov. 12 - Krakow, PL - Klub Zascianek Wed. Nov. 13 - Warsaw, PL - Klub Hydrozagadka Sat. Nov. 16 - Berlin, DE - Hole44 Mon. Nov. 18 - Copenhagen, DK - Loppen Tue. Nov. 19 - Hamburg, DE - Hafenklang Wed. Nov. 20 - Amsterdam, NL - Paradiso Thu. Nov. 21 - Groningen, NL - Vera Fri. Nov. 22- Antwerp, BE - Trix Sat. Nov. 23 - Lille, FR - L’Aéronef Mon. Nov. 25 - Birmingham, UK - Hare & Hounds Tue. Nov. 26 - Leeds, UK - Brudenell Social Club Wed. Nov. 27 - Birkenhead, UK - Future Yard Thu. Nov. 28 - Bristol, UK - Strange Brew Fri. Nov. 29 - London, UK - Village Underground
Up On Gravity Hill is available to preorder now on CD/LP/DSPs from Sub Pop. LP preorders in North America from megamart.subpop.com, and select independent retailers will receive the Loser Edition on clear w/ red splatter vinyl. LP orders from independent retail stores & Mega Mart 2 (the new, UK-based sibling site to the world-famous Sub Pop Mega Mart) in the UK and Europe will receive the Loser Edition on Opaque Yellow vinyl. All colored vinyl versions are available while stock lasts.
Tracklisting: 1. No Reservation / Love Comes Crashing 2. Glass Eye 3. Entwined (Street Light Buzz) 4. 99 5. Superior Mirage 6. Wound Tight 7. Never Still Again 8. Light Your Way Home
Watch Father John Misty’s “Real Love Baby” Official Video Directed by Eggs Tyrone here.
Father John Misty is singer-songwriter Josh Tillman, who has released five widely acclaimed albums, including Fear Fun (2012), I Love You, Honeybear (2015), the Grammy-nominated Pure Comedy (2017), God’s Favorite Customer (2018), and his latest, Chloë and The Next 20th Century (2022).
TIME said of Chloë and The Next 20th Century, “He takes a surprising and delightful departure from his usual form for a project that’s grandiose in its ambition, theatrical in its presentation, and thrilling in its execution.” Variety offered this, “What it all adds up to is as gorgeously arranged an orchestral-pop record as we’ve gotten in years. And its brilliance isn’t purely stylistic.”
Father John Misty has sold over 1.6 million albums and seen over one billion streams worldwide. He has earned accolades from the likes of The Guardian, The Sunday Times, Rolling Stone, Stereogum, and Pitchfork, and performed on Saturday Night Live, Austin City Limits, the Late Show with Stephen Colbert, Tonight Show, Jimmy Kimmel Live and Late Night with Seth Meyers. Father John Misty and his incredible live band have headlined The Hollywood Bowl, Red Rocks, and Radio City Music Hall and have appeared at Coachella, Roskilde, Primavera, and Lollapalooza festivals. He’s also contributed to hit songs for artists like Beyonce, Post Malone, Lady Gaga, and Khalid.
“…There’s a humbleness and honesty to the song. Like any real love, it’s about learning to surrender such power to the other person.” “Best New Track” - PITCHFORK
“Equal parts schmaltzy and sincere, it’s a folk-rock rumination on love that’s bound to be a hipster wedding staple for years to come.” “10 Best Songs of 2016” - USA TODAY
Sometimes music seems to come from an undefinable source, appearing in your mind as though sent from a place outside of yourself. Other times it comes from your friend’s brain while you are sitting right next to them, and it still somehow feels like your own.
haha same, the new project from Greta Kline of Frankie Cosmos and Cody Fitzgerald of Stolen Jars, is an effortless collaboration between friends. Filled with warmth, energy, and just a tinge of darkness, their singles “Guess What To Do” and “Calling It A Night” are a true mix of their distinct musical styles. Fitzgerald’s indie-pop production style marries perfectly with Kline’s particular lyrical sensibility, grasping for an understanding of the world at large by focusing in on the smallest moments. It all comes together to give haha same a sound all their own.
“A word that kept coming up when we talked about collaborating was ‘easy’,” says Kline of the songwriting process, “we bounced sonic ideas around and got excited about little details. Sometimes Cody would be laying down a part in the song and I’d be sitting on the floor with his dog Moon, writing lyrics. Then we kind of unfolded the stories behind the songs together, asking questions and clarifying the meanings behind each line.”
“Yeah exactly,” notes Fitzgerald, “over the course of a couple hours these songs felt like they had fallen out of our brains fully formed. At the end of the day, these songs are about extremely particular, but very relatable moments in life. So just like we did when we were writing them, we hope that everyone who listens to them will have that same moment of recognition and maybe even find themselves saying the words ‘haha same.’”
En Attendant Ana is a Paris-based indie pop band formed in 2014 and known for their jangly guitars, catchy hooks, layered melodies and poetic lyrics that gravitate around Margaux Bouchaudon’s vocals. They burst onto the international scene with their debut album Lost and Found on Chicago’s Trouble in Mind label, which led to a U.S. tour in 2018.
Their second album Juillet has a similar energy, but sees the band make an artistic shift from the lo-fi references of their debut to more sophisticated songwriting. Released just before the lock-down, the album was critically acclaimed but never got the chance to be fully presented live by the band, who are known for their raw, emotional, captivating, and honest live performances.
In 2023, En Attendant Ana (Margaux Bouchaudon, Camille Fréchou, Maxence Tomasso, Vincent Hivert et Adrien Pollin) returned with a third album entitled Principia, widely considered their best work to date, which saw them travel the world on an impressive world tour. The album, said to nod to ’90s British indie, jazz, Krautrock and French pop, has been very well received, both by the media, who have placed Principia on numerous year-end lists (here’s TIME…), and by the band’s ever-growing audience. Here at Sub Pop we’re altogether crazy about them.
En Attendant Ana’s UK tour schedule for 2024 begins Tuesday, April 2nd in Kalsruhe, DE at Kohl, and runs through June 14th in Southend, UK at Twenty-One Arts. A full list of dates are below.
Tue. Apr. 02 - Kalsruhe, DE - Kohl Wed. Apr. 03 - Stuttgart, DE - Merlin Thu. Apr. 04 - Nuremberg, DE - Soft Spot Fri. Apr. 05 - Berlin, DE - Schokoladen Sat. Apr. 06 - Hannover, DE - Feinkost Lampe Sun. Apr. 07 - Hambourg, DE - Nachtasyl Mon. Apr. 09 - Amsterdam, NL - Toekomstmuziek Wed. Apr. 11 - Liège, BE - Kultura Fri. May 17 - Brighton, UK - The Great Escape (One Church) Sat. May 18 - Brighton, UK - The Great Escape (Patterns) Sun. May 19 - Coventry, UK -Just Dropped In Records Mon. May 20 - Newcastle, UK - Cumberland Arms Tue. May 21 - Hull, UK - Polar Bear Music Club Wed. May 22 - Glasgow, UK - Mono Thu. May 23 - Liverpool, UK - Kazimier Stockroom Fri. May 24 - London, UK - Dot to Dot Party (Oslo) Sat. May 25 - Bristol, UK - Dot to Dot festival Sun. May 26 - Nottingham, UK - Dot to Dot festival Fri. Jun. 14 - Southend, UK - Twenty-One Arts
You can still subscribe to the Sub Pop Singles Club Vol. 8 to get all twelve super-limited 7” vinyl records featuring exclusive music by today’s finest musicians! It’s limited to a mere 835 subscriptions because it’s volume 8, and 2023 marked Sub Pop’s 35th birthday! You’ll get the aforementioned 7”s from En Attendant Ana and haha same, along with singles from Mary Jane Dunphe, Vanishing Twin, SUNN O))), Telehealth, Thrash Palace (feat. EMA, Vice Cooler, Sarah Register), Gaye Su Akyol, Jessica Winter & Jonathan Snipes, Margaritas Podridas, Brontez Purnell, and Suki Waterhouse (which includes her collaboration with Belle & Sebastian).
Computer users: fear not! You will also get digital downloads of the tracks through your Sub Pop Mega Mart account. Hear music from the series via the Singles Club playlist, and subscribe here.
Today, Tuesday, February 20th, marks the release of a split single featuring Clipping’s “Tipsy” and Cooling Prongs’ “Midnight,” available worldwide from Sub Pop.
Clipping’s “Tipsy” was previously only available as part of the 2020 Save Stereogum, an exclusive ‘00s Covers Comp and crowdfunding campaign for the site’s supporters. Clipping was one of 40 artists asked to record never-before-heard covers of songs from 2000-2009. Clipping says, “J-Kwon’s ‘Tipsy’ is one of the greatest party rap songs of all time. We could never make a beat as hard as the original, so we took our version in another direction — something like if Skinny Puppy had somehow remixed it in the late 1980s.”
“Midnight” by Cooling Prongs (AKA Christopher Fleeger, who collaborated with Clipping on Double Live) is a musique concrète tribute to Ice-T’s classic track of the same name. Fleeger’s process involved recording for many weeks, every night between midnight and 6am, with microphones mounted to the outside of his van, at all the locations mentioned in the lyrics to the original song. Hundreds of hours of audio were edited and arranged to create a field-recording companion to the journey the rapper describes through South Central Los Angeles, from the AMPM location on Vermont, through all of the intersections he names, finally ending at Ice-T’s childhood home, just off Crenshaw.
Clipping has also scheduled a series of UK & European tour dates for 2024, which begin Thursday, April 18th in Tilburg, NL with an appearance at the Roadburn Festival, and run through Thursday, April 25th in Leeds, UK at Project House.
Fri. Apr. 19 - Tilburg, NL - Roadburn Festival Sat. Apr. 20 - Krems an der Donau, AT - Donaufestival Sun. Apr. 21 - Munich, DE - Zirka Mon. Apr. 23 - Koln, DE - Club Volta Wed. Apr. 24 - Brussels, BE - Les Nuits Botanique Thu. Apr. 25 - Leeds, UK- Project House
On May 24th, Australian group Girl and Girl will release their debut full-length, Call A Doctor, on CD/LP/DSP via Virgin Australia (AU/NZ) and Sub Pop (ROW.) The album is the full-length follow-up to Girl and Girl’s 2023 digital release Divorce +, an eight-track EP that featured the standout singles “All I See” and “Dance Now.”
Call A Doctor is an unforgettable first bow from Girl and Girl, an audacious and aggressively tuneful blast of a record from this Australian four-piece garage rock outfit. The band is comprised of frontperson Kai James (singer, guitarist) and his Aunty Liss (drums), along with longtime friends Jayden Williams (guitar) and Fraser Bell (bass). Call A Doctor was recorded at Sundowner Sound in Melbourne, a two-story industrial complex where the band ate, slept, and made music in marathon sessions for two weeks straight with producer Burke Reid (Courtney Barnett, Julia Jacklin).
To celebrate the launch of their new forthcoming long player, the band is sharing an official videofor their lead single, “Hello,” from director Tayla Lauren.
The band’s front person, Kai James, shares this about the single: “‘Hello’ is the story of a young man who requires daily consults with health professionals in order to rationalise his self-destructive thoughts and routines. It’s about romanticizing your own misery. Letting those deep, dark, dirty thoughts take over. Understanding that even if you could pull yourself out, you wouldn’t because the constant stress and worry are all too familiar and comfortable.”
Girl and Girl have also announced North American & Australian tour dates, with additional appearances at Eurokennees in France and End of the Road in the UK. The band will appear at SXSW in March before heading home for the Hello Australia Tour in April. In late April, the band heads back to the States for a North American tour supporting fellow Aussies Royel Otis. See below for a full list of shows.
Wed. Mar. 13 - Austin, TX - SXSW Thu. Mar. 14 - Austin, TX - SXSW Fri. Mar. 15 - Austin, TX - SXSW Sat. Mar. 16 - Austin, TX - SXSW Thur. Apr. 04 - Gold Coast, QLD - Mo’s Desert Clubhouse Fri. Apr, 05 - Sunshine Coast, QLD - Sol Bar Sat. Apr. 06 - Brisbane, QLD - Black Bear Lodge Fri. Apr. 12 - Melbourne, VIC - The Tote Sat. Apr. 13 - Sydney, NSW - Lansdowne Sun. Apr. 14 - Wollongong, NSW - La La Las Tue. Apr. 23 - St. Paul, MN - Amsterdam Bar & Hall * WED. Apr. 24 - Chicago, IL - Lincoln Hall * Fri. Apr. 26 - Toronto, ON - Longboat Hall * Sar. Apr. 27 - Columbus, OH - A&R Music Bar * Sun. Apr. 28 - Cleveland Heights, OH - Grog Shop * Tue. Apr. 30 - New York, NY - Racket * Wed. May 01 - New York, NY - Racket * Thu. May 02 - Philadelphia, PA - Theater For The Living Arts * Fri. May 03 - Washington, DC - The Howard * Sat. May 04 - Carrboro, NC - Cats Cradle * Wed. May 08 - Austin, TX - The Parish * Thu. May 09 - Denton, TX - Rubber Gloves * Sat. May 11 -Denver, CO - The Perplexiplex at Meow Wolf * Wed. May 15 - Phoenix, AZ - Rebel Lounge * Thu. May 16 - Hollywood, CA - The Fonda Theater * Fri. May 17 - Santa Barbara, CA - Soho Restaurant & Music Club * Sat. May 18 - San Francisco, CA - Rickshaw Stop * Mon. May 20 - Portland, OR - The Aladdin Theater * Tue. May 21 - Vancouver, BC - Fox Cabaret * Wed. May 22 - Seattle, WA - Neptune Theater * Thu. Jul. 04 - Cravanche, FR - Les Eurokennees Fri. Jul. 05 - Cravanche, FR - Les Eurokennees Sat. Jul. 06- Cravanche, FR - Les Eurokennees Sun. Jul. 07- Cravanche, FR - Les Eurokennees Thu. Aug. 29 - Dorset, UK - End Of The Road Fri. Aug. 30 - Dorset, UK - End Of The Road Sat. Aug. 31 - Dorset, UK -End Of The Road Sun. Sep. 01 - Dorset, UK -End Of The Road
* w/ Royel Otis
Call A Doctor is available to preorder now on CD/LP/DSPs from Sub Pop. LP preorders from megamart.subpop.com, select independent retailers (US), select independent retail stores (EU/UK) & Mega Mart 2 (the new, UK-based sibling site to the world-famous Sub Pop Mega Mart) will receive the Loser Edition on White vinyl. All colored vinyl versions are available while stock lasts.
About Girl and Girl’s Call A Doctor: In one sense, it’s easy for artists—songwriters, specifically—to express their feelings in their work. After all, that’s what the lyrics are for! But it’s much harder to convey emotional energy in how you play, slash at the guitar, and the structure of the music itself. That’s precisely why Girl and Girl’s Sub Pop debut, Call A Doctor, feels like such a vital, electrifying shock to the senses. Not since the early work of Car Seat Headrest or Conor Oberst’s widescreen emotional brutality as Bright Eyes has indie rock managed to come across as this intimate and grandiose, as the Australian quartet led by Kai James lay a lifetime’s worth of woes—mental health, the human race’s planned obsolescence if you’ve been living on this cursed rock you know what we’re getting at—across a canvas of indie rock that feels both timeless and in-the-moment.
An audacious and aggressively tuneful blast of a record, Call A Doctor is an unforgettable first bow from Girl and Girl, whose origins lie in James and guitarist Jayden Williams jamming in his mother’s garage in the afternoon after school. One afternoon, James’ Aunty Liss headed down to their practice space after walking her dog and asked if she could sit in on drums. “It sounded really great,” James recalls. “We begged her to stay, and she said, ‘I’ll stay until you find another drummer.’ We wore her down, and she eventually became a permanent member.”
After bassist Fraser Bell joined to round things out, Girl and Girl hit the road and began to make a name for themselves beyond the Australian bush, eventually signing to Sub Pop off the strength of word of mouth. Call A Doctor came together quickly soon after, largely recorded in marathon sessions in a two-story industrial complex over the course of two weeks. “That added to the intensity of the album,” James says about the frenzied creative process overseen by producer Burke Reid. “I can hear the stress in the record, which is good because that’s what it’s about—being tense, tied up, and in your own head.”
Call A Doctor’s eleven songs—spanning sweeping guitar epics and wry acoustic shuffles to spiky punk maneuvers and the type of raw, adoringly unvarnished indie-pop associated with legendary PacNW label K Records—are literally plucked from James’ personal history, as he reworked older recordings with newer lyrics reflecting his past struggles as well as new anxieties that emerged prior to the album’s recording. “I’ve struggled with mental health for a lot of my life,” he explains, “and I went through a particularly difficult patch when we were making the album; the band had started to get some attention, and I felt an enormous amount of pressure to live up to it.”
Far from the sound of collapsing under pressure, Call A Doctor finds James and Co. stepping up with their entire collective chest. This is a record that’s so out-and-out alive that you nearly feel like you’re in the same room with Girl and Girl as you listen to it; lead single “Hello” practically bursts through the speakers, amplified by Aunty Liss’ unbelievable stickhandling duties. “‘Hello’ is all about romanticizing your own misery. Letting those deep, dark, dirty thoughts take over. Understanding that even if you could pull yourself out, you wouldn’t because the constant stress and worry is far too familiar and comfortable.”
“Mother” pogos on a spiky groove that’s reminiscent of the geographically close New Zealanders who make up the legendary Flying Nun label, while “Oh Boy” draws from the Shins’ own jangly sound, injected with James’ wonderfully nervy vocals. Then there’s Call A Doctor’s sorta-centerpiece “Maple Jean and the Anthropocene,” a five-minute epic offering a new perspective on climate change and the notion of what it means, in a personal sense, to suffer: “I live in the bushland, and I was driving home one night and hit and killed a wallaby with my car,” James recalls while discussing the song’s lyrical inspiration. “My first thought was, ‘What is the universe trying to tell me?’ No remorse, no guilt, just total self-centeredness. Which was like, Woah, you fucking psychopath! This wallaby wasn’t put on this earth to send you a message. That’s what the song is about, our egocentric species - thinking you’re the main character and that everything that happens is somehow about you.”
“This record is about an individual who’s too far in their head, trying to get out,” James continues while discussing Call A Doctor’s overall outlook—specifically the snapshot it offers of its creator. But even though this record deals with uneasy topics we all know well from within ourselves, it’s important to emphasize how teeming with life Girl and Girl’s music is. There’s a brazen, bold sense of humor to this stuff, an undeniable brightness to the darkness that makes it impossible not to be drawn in as a listener. Feeling down never sounded so goddamn good.
Track Listing: 1. INTRO 2. Call A Doctor 3. Hello 4. Maple Jean and the Anthropocene 5. Oh Boy! 6. Suffocate 7. Mother 8. You’ll Be Alright 9. Comfortable Friends 10. Our Love (Ours Only) 11. OUTRO
Pissed Jeans is sharing the Joe Stakun-directed official video for “Cling to a Poisoned Dream,” a bruising meditation of harsh truths, and a highlight from their excellent sixth album Half Divorced, out this Friday, March 1st, worldwide on Sub Pop.
The twelve songs on Half Divorced skewer the tension between youthful optimism and the sobering realities of adulthood. Pissed Jeans’ – Matt Korvette (vocals), Bradley Fry (guitar), Randy Huth (bass), and Sean McGuinness (drums) – notorious acerbic sense of humor remains sharper than ever as they dismember some of the joys that contemporary adult life has to offer.
Half Divorced has earned praise from the likes of MOJO (★★★★), and UNCUT. In their 8/10 review, the latter says, “Almost 20 years on, this lot are still kicking against the pricks with their ferocious hybrid of (post-) punk, hardcore and sludgy grunge. Track titles here such as ‘Anti-Sapio’ and ‘Cling to a Poisoned Dream’ suggest their view of the status quo remains brutally realistic, but as always it’s leavened with tunefulness and dark humour. Matt Korvette is a misanthropic force of nature, whether ticking off the negatives of cities from Boston to Rome (‘Everywhere Is Bad’) or addressing adult responsibility (‘Helicopter Parent’). ’80s hardcore rules, as on closer ‘Moving On,’ which taps Bob Mould’s chiming intensity, but PJ throw it off course, notably on Killing Joke-esque epic ‘Junktime.’” Meanwhile, God Is In the TV says the album’s “…throttling compulsion and an undeniable lightness of being make for a winning combination,” and Record Collector succinctly adds “It’s a corker.”
Half Divorced was produced and mixed by Pissed Jeans and Don Godwin and engineered by Mike Petillo at Tonal Park in Takoma Park, Maryland, and mastered by Arthur Rizk (co-producer and mixer for Why Love Now).
Half Divorced is available to preorder from Sub Pop. Preorders in North America from megamart.subpop.com and select independent retailers will receive the limited Loser Edition on Spotify-Colored vinyl (otherwise known as an opaque lime green…). In the UK and Europe, LP orders from independent retail stores will receive the Loser Edition on Coke Bottle Green vinyl. A UK-only Magenta vinyl edition will also be available to preorder through Mega Mart 2 (the new, UK-based sibling site to the world-famous Sub Pop Mega Mart) and Rough Trade Shops. All colored vinyl versions are available while stock lasts.
Pissed Jeans’ previously announced international tour dates in support of Half Divorced span Friday, February 29th through April 4th. More live dates will be announced soon.
Thu. Feb. 29 - Portland, OR - Mississippi Studios Fri. Mar. 01 - Seattle, WA - Madame Lou’s Sat. Mar. 02 - Los Angeles, CA - The Echo Fri. Mar. 15 - Philadelphia, PA - Underground Sat. Mar. 16 - Brooklyn, NY - St. Vitus Fri. Mar. 29 - Schijndel, NL - Paaspop Festival Sat. Mar. 30 - London, UK - EartH (aka Hackney Arts Centre) Sun. Mar. 31 - Manchester, UK - Manchester Punk Fest Tue. Apr. 02 - Glasgow, UK - Stereo Wed. Apr. 03 - Dublin, IE - Whelan’s Thu. Apr. 04 - Leeds, UK - Brudenell Social Club
Next week, Pissed Jeans will host an hourlong takeover of NTS Radio on Friday, March 8th (noon EST). Pissed Jeans Half Divorced
Tracklisting: 1. Killing All the Wrong People 2. Anti-Sapio 3. Helicopter Parent 4. Cling to a Poisoned Dream 5. Sixty-Two Thousand Dollars in Debt 6. Everywhere Is Bad 7. Junktime 8. Alive With Hate 9. Seatbelt Alarm Silencer 10. (Stolen) Catalytic Converter 11. Monsters 12. Moving On
