The Gotobeds (l to r): Gavin Jensen, Carey Belback, Eli Kasan, TFP
[Photo credit: Shawn Brackbill]

This morning, The Gotobeds shared “Brass Not Rash,” which just so happens to be the second track from their forthcoming album Blood // Sugar // Secs // Traffic, via Noisey. 

Noisey had this to say of “Brass Not Rash”: “A catchy post­-punk gem that dips in and out of its own melody when it damn well sees fit. It comes off like a petulant nod to Les Savy Fav: shouty, affirmative and brainy (see track premiere April 27th).”
 
The Gotobeds have scheduled North American shows from April 28th through July 17th to support of Blood // Sugar // Secs // Traffic. These dates will include stops in Detroit, Brooklyn, Toronto, Montreal, DC, Boston, and more. Additional live dates to be announced soon. (Tour dates below.)

The Gotobeds’ Blood // Sugar // Secs // Traffic will be available on CD/LP/DL/CASS worldwide June 10th through Sub Pop, and is available for preorder now at Sub Pop Mega Mart, iTunes, Amazon, Google Play,Bandcamp, and independent retailers near you. LP preorders will receive the limited “Loser” edition on baby poop yellow vinyl.

The 11-track album, featuring “Real Maths/Too Much” and the aforementioned “Brass Not Rash,” was produced by the band and Matt Schor in their friend My War Matt’s basement, and mastered by Matthew Barnhart at Chicago Mastering.

 
More on The Gotobeds by Protomartyr’ Joe Casey:
Hey, what’s this? Well that, my friend, is the newest album from The Gotobeds, entitled Blood // Sugar // Secs // Traffic. It’s their second full-length LP and their first for Sub Pop. Whoa, whoa, please slow down. I’m already completely lost. What you just said sounded like a stream of complete gibberish. Okay, I’ll lay it out for you and if you have any questions could you yell them at me? SOUNDS GOOD. The Gotobeds formed vaguely around 2009 in Pittsburgh and play a mutant strain of rock music that is often filed under punk, indie rock, or 99-cent discount bin. WAIT, THE GOTOBEDS? I HEARD THEY WERE KNUCKLEHEADS! Only if the knuckle is the part of the human body that contains the brains. Much like their previous releases on underground stalwart labels like Mind Cure and 12XU, this new album artfully slips intelligence and experimentation into a dying art form. It’s a harder feat than you’d think. [read at Sub Pop].

 
Tour Dates
Apr. 28 - Columbus, OH - Big Room Bar
Apr. 29 - Detroit, MI - Donovan’s Pub
Jun. 11 - Brooklyn, NY - Northside Festival
Jun.18 - Pittsburgh, PA - Brillobox
Jul. 06 - Bloomington, IN - the Bishop Bar
Jul. 08 - Madison, WI - the Frequency
Jul. 11 - Toronto, ON - Drake Hotel
Jul. 12 -  Montreal, QC - Le Divan Orange
Jul. 13 - Allston, MA - Great Scott
Jul. 14 - Portsmouth, NH - 3s Artspace
Jul. 15 - Providence, RI - Aurora
Jul. 17 - Washington, DC - DC9

For ticket links, click on over here.

Time for you to not miss hearing all 12 songs from Kyle Craft’s Dolls of Highland; Kyle’s forthcoming Sub Pop debut is streaming now (5 days before release!) exclusively via SPIN.com.
 
SPIN says of Dolls of Highland: “Kyle Craft is a 27-year-old singer/songwriter from Louisiana, who in his past life was either a glam-rock idol or frontman for a power-metal band. His sound is a swampy ’70s boogie that splits the difference between Dr. John and David Bowie…but his voice is a captivating, armor-piercing howl that gives his first album Dolls of Highland its own character, and keeps it from ever feeling explicitly retro. The engrossing LP, recorded in Portland with two members of Sub Pop veterans Helio Sequence helping to mix, has more of an out-of-time quality to it, with the moseying piano shuffle of “Eye of the Hurricane” and the chilling Spectorian balladry of “Lady of the Ark” existing as standards in some alternate-universe classic-rock canon (see feature April 25th).”
 
Meanwhile, Pitchfork, in its excellent (8.1 out of 10!) review of Dolls of Highland, offered this: “…Melds the voodoo-infused mythology of the South with rambunctious glam rock, and Kyle Craft summons you into its world like a carnival barker wooing customers into a funhouse…vivid, immersive storytelling and sharply focused, fat-free songs that have the lived-in feel of 40-year-old FM-radio favorites. And he can dial down the irreverence and deliver the drama on more sobering turns like “Trinidad Beach (Before I Ride)” (where Craft forges a spiritual kinship with another southern Anglophilic misfit, the late Chris Bell of Big Star), and the astounding “Lady of the Ark,” a strummed-out song for a silenced siren that’s launched heavenward atop Spectorized drum crashes and sleigh-bell rattles (8.1/10, review April 25th).”

 
Kyle Craft’s previously announced U.S. tour schedule in support of Dolls of Highland spans April 28th in Seattle, WA at the Sunset through May 30th in Salt Lake City, UT at Kilby Court. There will be additional live dates announced soon. (Current dates below.)

Kyle Craft will release Dolls of Highland on CD / LP / DL / CASS worldwide April 29th through Sub Pop, and is now available for preorder from Sub Pop Mega Mart,iTunes, Amazon, Google Play, and Bandcamp. The limited “Loser” edition on pink with black-swirled vinyl is already sold out via the Megamart, SO… grab it from the artist at shows on tour AND at independent retailers near you (while supplies last).

The twelve track album features the singles “Lady of the Ark,” “Eye of a Hurricane,” “Pentecost,” and “Future Midcity Massacre.”  Dolls of Highland was written, recorded and produced by Craft, mixed by Brandon Summers and Benjamin Weikel of The Helio Sequence at the Old Jantzen Building in Portland, and mastered by Greg Calbi at Sterling Sound.
 

 
What people have said about Kyle Craft:
“A swamp bar jukebox loaded with British glitter and Seventies Southern rock; a crawfish boil aboard ELO’s spacecraft.” [10 New Artists You Need To Know] - Rolling Stone
 
“Craft admits his voice sounds a good deal like Bob Dylan’s, and that his muse has come to him many, many times. Still, “Lady of the Ark” hints that Craft’s music is so full of its own weird singularity that he’s on to something far beyond idol worship.” -  Billboard
 
“Louisiana’s answer to Jobriath; a big hair and a voice shrill enough to pose a threat to amalgam fillings, Craft’s nostalgia for junk shop glam and ‘70s pianopomp reaches teenage peak rampage here.” [“Eye of a Hurricane”] - MOJO
 
““Eye of a Hurricane” starts Dolls.. with a sudden jolt of energy, courtesy of the song’s ragtime piano lick. The keys continue to drive the track, as the distorted guitar works to add a sense of eeriness to the song. All the while, Craft displays the full prowess of his vocal range, hitting high notes that hark back to glam rock vocals of the ’70s.” [“Eye of a Hurricane”] - American Songwriter 
 
““Pentecost” sees Kyle Craft…return to his hometown in Louisiana, haunted by the ghost of a friend who took his own life. Paired with his knack for great melodies, it demonstrates Craft’s emotional power as a songwriter.” [“Pentecost” / “All Songs Considered”] -NPR Music
 
“With inviting, yet imperfect vocals and a jangly guitar melody, “Lady of the Ark” is a sweeping goodbye to a long-term relationship. It’s somehow warm, melodic, and rough at the same time.” [The Weeks Best Tracks”] - FLOOD
 
“Like many artists from the South, Craft has a conflicted relationship with the region’s cultural duality, a topic he tackles on “Lady Of The Ark.” Shrouded in guitars and organ, he caustically wails, “Swing low, low sweet heathen / Swing for the wretch and the rock and roll kid,” a line he says he wrote in response to the “shame, shame thing that ‘church folk’ tend to do so often,” and which doesn’t sit well with Craft. “Roam this earth repeat it / All this sin until this wicked world makes sense in time,” he defiantlygrowls near the song’s end. Craft’s roaming days may be done for now, but “Lady Of The Ark” shows his music as wild-eyed and restless” - [“Lady of the Ark” / “Songs We Love”] -  NPR Music
 
“It’s thrilling. It’s the sort of music that can only come from a somewhat unique musical outlook, a track that instantly sounds like nobody other than Kyle Craft. The huge sound of pounding drums, the almost mariachi handclaps, the frankly bizarre fairground-organ interlude, the lyrics than hint at a complex incestuous web of lives and lies, and all that before you even get to the voice…he has said that listening to Bob Dylan inspired him to embrace his voice and make the most of it. Kyle has suggested he shares atone with Bob, but to our ears it’s more like the love child of Withered Hand and Neutral Milk Hotel’s Jeff Mangum, and that’s a very good, if slightly divisive, place to be.” - For The Rabbits
 
“Hard to believe given the innate sense of pop heritage that blossoms from every ounce of his fruitful, endearingly scorched lead vocal but it wasn’t until Craft stumbled upon a David Bowie that he began to take an interest in music. Lucky for us that he did – debut track ‘Lady Of The Ark’ is astormy, rugged gem, led by one of the most distinctly impressive new voices in the game. A mighty fine introduction.” - Gold Flake Paint


Tour Dates
Apr. 28 - Seattle, WA -  The Sunset
Apr. 29 - Portland, OR - Jackpot Records in store (Solo)
Apr. 29 - Portland, OR - Doug Fir (late)
Apr. 30 - Seattle, WA - Urban Outfitters Capitol Hill
May 05 - Portland, OR - NextNW (Solo)
May 19 - San Francisco, CA - The Independent*
May 20 - Los Angeles, CA - Roxy*
May 21 -San Diego, CA - Casbah*
May 22 - Phoenix, AZ - Valley Bar*
May 24 - Austin, TX - Parish*
May 25 - Dallas, TX - Three Links*
May 26 - Shreveport, LA - Bears on Fairfield
May 29 - Denver, CO - Lost Lake Lounge**
May 30 - Salt Lake City, UT - Kilby Court
*w/ Fruit Bats
** w/ Arbor Labor Union

Georgian rippers Arbor Labor Union’s “Mr Birdsong” is a 7-minute, psychedelic, joyful rock ‘n’ roll juggernaut that opens I Hear You, their forthcoming Sub Pop debut.

London’s NME premiered the track and had this to say, “It’s seven-plus minutes of stodgy desert rock delivered with a southern drawl that recalls QOTSA’s more groove-based moments, as well as cult Swede act The Soundtrack Of Our Lives. “Go ahead and say out loud: ‘I AM NOT INSANE!!!’” screams singer/guitarist Bo Orr at one point, sounding both insane and hell-bent on alerting the white coat brigade. It’s a swirling, motorik and wilfully heavy beast (see premiere April 25th).”

Arbor Labor Union’s previously announced U.S. tour in support of I Hear You, begins May 14th in West Columbia, SC at New Brookland Tavern and ends June 17th in Athens, GA at the 40 Watt. (Complete tour dates below.)

I Hear You will be available worldwide May 13th on CD/LP/DL/CASS through Sub Pop, and is available for preorder now via Sub Pop Mega Mart, iTunes, Amazon, Google Play, Bandcamp and independent retailers near you. LP preorders via megamart.subpop.com will receive the limited “Loser” edition on pink vinyl.

The album features highlights “Radiant Mountain Road,” “Belief’d,” the aforementioned “Mr. Birdsong” and “Volume Peaks.” I Hear You was produced and recorded by Randall Dunn and Arbor Labor Union in the fall of 2015 at Avast Studio in Seattle, WA and mastered by Jason Ward at Chicago Mastering.

Tour Dates
May 14 - West Columbia, SC - New Brookland Tavern
May 15 - Carrboro, NC - Cat’s Cradle Back Room
May 16 - Washington, DC -  DC9
May 18 - Philadelphia, PA - Kung Fu Necktie
May 19 - New York, NY - Mercury Lounge
May 20 - Cambridge, MA - Club Bohemia
May 21 - Buffalo, NY - The Leopard Lounge at Town Ballroom
May 22 - Cleveland, OH - Grog Shop
May 24 - Chicago, IL - Schubas
May 25 - Madison, WI - The Frequency
May 26 - Minneapolis, MN - 7th Street Entry
May 27 - Iowa City, IA - The Mill
May 28 - Omaha, NE - Milk Run
May 29 - Denver, CO - Lost Lake Lounge
May 31 - Salt Lake City, UT - Kilby Court
Jun. 02 - Nampa, ID - Flying M Coffee
Jun. 03 - Seattle, WA - Barboza
Jun. 04 - Portland, OR - Mississippi Studios
Jun. 06 - San Francisco, CA - Rickshaw Stop
Jun. 07 - Santa Ana, CA - Constellation Room
Jun. 08 - Los Angeles, CA - Bootleg Hi-Fi
Jun. 10 - San Diego, CA - Hideout
Jun. 11 - Phoenix, AZ - Valley Bar
Jun. 13 - Austin, TX - The Mohawk
Jun. 14 - Dallas, TX - Club Dada
Jun. 15 - Houston, TX - Rudyard’s
Jun. 17 - Athens, GA - 40 Watt

Tickets links can be found right over here.

Celebrating Record Store Day 2016 at Sub Pop’s Airport Store

For the last few months, I have been one of the few Sub Pop corporate associates lucky enough to open the airport store at 6 A.M. For someone who has considered himself a night owl for his entire life, I’m amazed to see how many fully-alert and seemingly-functional human beings are roaming the airport at this hour. They are already munching on breakfast sandwiches, searching for electrical outlets to charge their phones, and staring at the black early morning sky through a 60-by-350-foot glass wall when I get to work. 

They are also ready to exercise their purchasing power, which brings us to 6 A.M., this Saturday, April 16th, in the year of our lord Grunge, where I will have the special sleep-deprived pleasure of opening our airport shop for Record Store Day (RSD). While other record stores tout their once-a-year early/extended hours, I can’t find any store that will beat our standard 6 A.M. opening time, making us still the earliest-opening record store in the galaxy. (The closest I found on the west coast was the Everyday Music location in Beaverton, OR, which promises to open at 7 A.M. this year for Record Store Day.) 

So, if you were worried about traveling through the Seattle-Tacoma International Airport on Record Store Day, and missing out on all the exclusive buying opportunities, fear not! At press time, we are still unpacking boxes and awaiting shipments, but we will definitely have some choice RSD titles for you to take home and/or on vacation with you this Saturday. I think all of these will fit nicely in your carry on bag.

As always, we’ll have copies of the 2016 Sub Pop RSD titles. If you didn’t know, Sub Pop will release two different split singles this year: There’s one by Low and S. Carey (a.k.a. Sean Carey, drummer for Bon Iver and solo recording artist on Jagjaguwar) where they take on unfinished versions of each other’s songs, resulting in some jammy musical alchemy. And our other split single has METZ and Mission of Burma(!!!) covering each other’s songs. You can read more about these right over here. 

But that’s not all! This year we also decided to stock some other non-Sub Pop RSD exclusives in the store. Here are a few that I recommend checking out:

-  METZ and Swami John Reis “Let it Rust” / “Caught Up”: With METZ, the singles just keep on comin’. After passing through San Diego whist on tour, they hooked up with John Reis (of Drive Like Jehu, Hot Snakes, and Rocket From the Crypt fame) and collaborated on two new songs for this gloriously noisy 7”.

- Green River 1984 Demos: These are the earliest recordings by the world’s first ever Grunge band. Jack Endino recently got a hold of the reel and was able to mix it; he says the band sounds “like a scrappy glam punk version of Mudhoney.”

- The Shaggs “Sweet Maria”/ “The Missouri Waltz”: From our good friends at Light in the Attic (can we ever get enough of them?) this 7” contains the previously unreleased song “Sweet Maria,” along with their (what bounds to be) idiosyncratic cover of the state song of Missouri.

- Ravi Shankar In Hollywood, 1971: This is a never before released recording of a private concert Ravi Shankar had in his very own home, for a small group of guests. Word has it that George Harrison was in attendance, and that this unique performance helped to inspire the largest-ever benefit shows at the Concert for Bangladesh, later that year.

- The Thermals “Hey You” / “White Rabbit”: Former Sub Pop band The Thermals just released a new LP this year, We Disappear, over on Saddle Creek Records. This 7” contains a song from that album, along with a sure-to-be-righteous cover of Jefferson Airplane’s “White Rabbit.”

- Various Artists Doused in Mud, Soaked in Bleach: A song-for-song tribute to Nirvana’s Bleach, featuring contributions from Beach Slang, Circa Survive, The Fall of Troy, and more.

- Man Man Six Demon Bag: This year marks the 10th anniversary of Man Man’s second album, Six Demon Bag. The band, whose frontman Ryan Kattner is also in Sub Pop’s own Mister Heavenly, originally released this record as a double 10”, and it is now available as a 12” LP for the first time ever.

- Xiu Xiu Plays the Music of Twin Peaks: The title says it all. Eerie yet beautiful music, from the greatest T.V. show to ever take place in Washington state, that will dance creepily into the red room of your consciousness. 

- And many more titles to choose from!

I’d also be remiss not to mention that today, the day before Record Store Day, Sub Pop has just released the excellent Sam Beam and Jesca Hoop collaboration, Love Letter for Fire, and the airport store still has some smoke-colored vinyl Loser Editions. 

On the subject of Loser Editions, make your RSD more artful with these limited color LPs still available at the airport store:

Doldrums - The Air Conditioned Nightmare (clear vinyl)

Heron Oblivion - Heron Oblivion (white swirl vinyl - only one left in the store!)

Mass Gothic - Mass Gothic (orange vinyl)

Mike & the Melvins - Three Men and a Baby (custom dust sleeve and white vinyl - sold out everywhere else!)

So Pitted - Neo (white vinyl)

And we can’t forget colored vinyl options from Hardly Art. We still have Gazebos Die Alone (clear with yellow), Grave Babies Holographic Violence (blue and purple), Shannon and the Clams Gone by the Dawn (green and white) and Tacocat’s brand new release, Lost Time (black and blue), available on LP. 

Now, if you’ve made it this far, you might be thinking, “Hey, I’m not flying through Sea Tac airport tomorrow, and it’s totally impractical for me to buy a plane ticket on such short notice.” Don’t worry. If you visit the Sub Pop Airport Store anytime this spring, every day can be your own personal Record Store Day (while supplies last, a.k.a, until we sell-out of this stuff).