Watch the official video for Father John Misty’s “Q4,” the new single from Chloë and the Next 20th Century, his forthcoming new album, directed by Grant James (“I Love You, Honeybear,” “Funtimes in Babylon”) with title design by Rafa Orrico, and typestract animation by Cossa.
On April 14th, 2022, Father John Misty will celebrate the release of Chloë and The Next 20th Century, with a pair of intimate performances presented by Rough Trade and Rockefeller Center at the iconic Rainbow Room.
Entry to the show is free with the pre-purchase of a signed LP edition of Chloë and The Next 20th Century, available for $32.98, on a first-come-first served basis from the online store here. Pre-purchase of the record confirms your RSVP to the show. Availability is limited.
Up to two records may be pre-purchased per person for redemption of two passes to the show.
Rough Trade and Rockefeller Center present Father John Misty at The Rainbow Room April 14, 2022 Early show / 7pm Late show / 9:30pm Rainbow Room (65th Floor) 30 Rockefeller Plaza, NYC
Father John Misty’s first two symphony performances for 2022 — February 25th in Los Angeles at Walt Disney Concert Hall with the LA Phil, and April 7th in London at the Barbican with Britten Sinfonia conducted by Jules Buckley — are now both sold out.
Chloë and The Next 20th Century, which also includes the singles “Funny Girl,” “Goodbye Mr. Blue,” and “Kiss Me (I Loved You),” and will be available April 8th, 2022 worldwide from Sub Pop and in Europe from Bella Union. All formats of Chloë and the Next 20th Century are available for preorder now from Sub Pop, Bella Union (UK/Europe), and select independent retailers in North America.
“Funny Girl,” Chloë and the Next 20th Century’s first single, saw praise upon its release in early January. Rolling Stone offers this, “A lovely, languid gem that shows Tillman quietly reintroducing himself — with a little help from an orchestral arrangement that echoes old Hollywood…in classic Misty fashion, leaves us quizzically charmed (“Song You Need To Know”).” The FADER says ‘Funny Girl’ is a “lush and romantic ballad…and shows that there’s much more to Josh Tillman… (‘20 Best Rock Songs Right Now’),” while CLASH calls it a “Gorgeous new song” and notes that it’s “sheer Father John Misty - tender, open, and just a touch ironic, the word play is matched to a clipped, neo-classic vocal.”
Father John Misty returns with Chloë and the Next 20th Century, his fifth long-player and first new material since the release of God’s Favorite Customer in 2018. Watch the official video for “Funny Girl,” the album’s first offering, directed by Nicholas Ashe Bateman.
Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson.
The album sees Tillman and producer/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, as well as Dave Cerminara’s return as engineer and mixer. Basic tracks were recorded at Wilson’s Five Star Studios with strings, brass, and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others.
Chloë and The Next 20th Century includes the singles “Funny Girl,” “Q4,” “Goodbye Mr. Blue,” and “Kiss Me (I Loved You),” and will be available April 8th, 2022 worldwide from Sub Pop and in Europe from Bella Union.
Tracklisting: 1. Chloë 2. Goodbye Mr. Blue 3. Kiss Me (I Loved You) 4. (Everything But) Her Love 5. Buddy’s Rendezvous 6. Q4 7. Olvidado (Otro Momento) 8. Funny Girl 9. Only a Fool 10. We Could Be Strangers 11. The Next 20th Century
Limited edition deluxe 2xLP box set with exclusive, expanded artwork in a gorgeous hardcover book containing both LPs pressed on clear red vinyl, a poster by Rafa Orrico, and two bonus 7” singles featuring covers of Chloë and the Next 20th Century songs, performed by Lana Del Rey (“Buddy’s Rendezvous”) and Jack Cruz (“Kiss Me (I Loved You)”).
The limited Loser Edition 2xLP gatefold version pressed on clear blue vinyl (North America-only).
Standard 2xLP gatefold version pressed on black vinyl.
CD in a gatefold digipak with a poster.
Cassette
Digital
There will also be a new T-shirt design available.
Father John Misty and his band have also scheduled two symphony performances for 2022: February 25th in Los Angeles at Walt Disney Concert Hall with the LA Phil, and April 7th in London at the Barbican with Britten Sinfonia conducted by Jules Buckley. Tickets for these shows will be on sale Friday, January 7th, 2022 at 10 am (local).
Father John Misty returns to the stage for a free, two-night stand with the LA Phil on Wednesday, September 22nd, and Thursday, September 23rd, 2021. The shows will take place at the intimate 1,050 capacity outdoor amphitheatre The Ford in Los Angeles, California. These very special engagements will be Father John Misty’s first live appearances since 2019.
If selected, there will be a two (2) ticket limit per email address
Registration ends September 5th at 10pm PST
Eligible ticket registrants will be selected at random and notified via email between September 14th and September 17th to claim tickets
Registering does not guarantee tickets to the event
Entry is valid for either show date and is based on availability. Only one registration is needed to be eligible for tickets for either show date.
Father John Misty has released four widely acclaimed albums – Fear Fun (2012), I Love You, Honeybear (2015), Pure Comedy, his Grammy-nominated album (2017), God’s Favorite Customer (2018), and most recently, “To S.” b/w “To R.” the double A-side contribution to Sub Pop Singles Club Vol. 5.
Father John Misty recently released Off-Key In Hamburg, his first live album in March of 2020, and Anthem +3, a collection of covers of songs by Leonard Cohen, Yusuf/Cat Stevens, and Link Wray released in July of 2020. Combined, Off-Key In Hamburg and Anthem +3 raised over $150,000 for multiple causes including The Recording Academy’s MusiCares COVID-19 Relief Fund, CARE Action and Ground Game LA.
Father John Misty’s“To S.” b/w “To R.” is the singer’s double A-side contribution to Sub Pop Singles Club Vol. 5, and his first new, original, studio material since his acclaimed 4th album, 2018’s God’s Favorite Customer. These gorgeous, meticulously rendered tunes were recorded at Fivestar Studios and Funky Monkey Soundhaus NoHo in Los Angeles, produced by Dave Cerminara and The Haxan Cloak, mixed by Cerminara, and mastered by Adam Ayan at Gateway Mastering.
“To S.” and “To R.” follows Father John Misty’s Off-Key In Hamburg, his first live album, released in March of 2020, and Anthem +3, a collection of covers of songs by Leonard Cohen, Yusuf/Cat Stevens, and Link Wray was released July 2020. Combined, Off-Key In Hamburg and Anthem +3 raised over $100,000 for multiple causes including The Recording Academy’s MusiCares COVID-19 Relief Fund, CARE Action and Ground Game LA. Father John Misty is also selling his infamous “Poem Zone” t-shirt via his official webstore, with August proceeds from the store benefitting his touring crew.
Moor Mother’s contribution to the Sub Pop Singles Club Vol. 5 is Forever Industries, two phenomenal, atmospheric tracks of jazz-tinged experimental hip-hop recorded in early 2020. The songs speak about the temporal domain known as the future, making space, outer space, and industry. The A side is produced by Olof Melander, and the B side is produced by frequent Moor Mother collaborator Mental Jewelry; both tracks were recorded by Moor Mother in her home studio in North Philadelphia.
Moor Mother – aka Camae Ayewa – is a touring musician, poet, and visual artist based in Philadelphia. Over the past four years, Moor Mother released two acclaimed albums, 2016’s Fetish Bones, and 2019’s powerhouse of liberation-minded punk/hip-hop/electronic energy, Analog Fluids of Sonic Black Holes. Moor Mother has toured throughout the world and performed live with Nicole Mitchell, Art Ensemble of Chicago, The Bug, and Justin Broadrick, to name a few. As a visual and soundscape artist, her work has been presented at The Kitchen NYC, Metropolitan Museum of Art Chicago, Guggenheim, and the Hirshhorn Gallery. She is the co-founder of Rockers! Philly, an event series and festival focused on marginalized artists, and Black Quantum Futurism Collective, a literary and artistic collaboration with Rasheedah Phillips. In addition to her solo work as Moor Mother, Ayewa is a vocalist and collaborator in Irreversible Entanglements, 700 Bliss (with DJ Haram), Art Ensemble of Chicago, and Moor/Jewelry (with Mental Jewelry).
Father John Misty’s Anthem +3 is a digital EP featuring covers of Leonard Cohen, Yusuf/Cat Stevens, and Link Wray, that is now available in all DSPs through Sub Pop, with the exception of Europe through Bella Union. Hear here.
Anthem was recorded a few weeks ago with longtime collaborator and producer Jonathan Wilson at Wilson’s Fivestar Studios in Topanga, California.
Father John Misty Anthem+3 Tracklisting: 1. Anthem (Leonard Cohen) 2. Fallin’ Rain (Link Wray) 3.Trouble (Yusuf / Cat Stevens) 4. One Of Us Cannot Be Wrong (Leonard Cohen)
The additional three covers were recorded over the past few years by Wilson (“One of Us Cannot Be Wrong,” “Trouble”), and Haxan Cloak (“Fallin’ Rain”) and have all been previously released.
CARE is a leading international humanitarian organization fighting global poverty that places special focus on working alongside poor women who, equipped with the proper resources, can assist whole families and entire communities escape poverty through improved basic education, prevention of the spread of HIV, increased access to clean water and sanitation, expanded economic opportunities and the protection of natural resources. CARE also delivers emergency aid to survivors of war and natural disasters and helps people rebuild their lives.
Ground Game LA is a community-driven organization dedicated to building power for the residents of LA. Since 2017 Ground Game LA has been connecting with Angelenos about housing, immigration, civic participation, homelessness, criminal justice reform, militarization, and more. Whether through coalition building, issue campaign organizing or knocking on doors, Ground Game LA empowers residents to actively shape the Los Angeles they want to see.
Father John Misty released the live album Off-Key in Hamburg in March on Bandcamp to benefit the MusiCares Covid-19 Fund which has generated over $80,000 in support. Off-Key in Hamburg is now available on all DSP platforms.
Including Father John Misty, Man Man, Jon Benjamin: Jazz Daredevil, METZ, Gazebos, The Gotobeds, Omni, Versing, and Frankie Cosmos.
On Friday, June 3rd, (aka Bandcamp Friday) Sub Pop & Hardly Art artists past and present – Jon Benjamin, Father John Misty, Frankie Cosmos (as Franz Charcoal), Gazebos, The Gotobeds, Man Man, Omni, METZ, and Versing – will be offering a variety of special releases, sales, and deals through Bandcamp’s “No Revenue Share Day.” Sub Pop and Hardly Art will be passing through 100% of digital sales revenue on Bandcamp to all of our active artists.
Jon Benjamin: Jazz DaredevilWell I Should Have… – long out-of-print LP now available on a special limited edition Red/White/Blue colored vinyl.
Father John MistyAnthem +3 – a 4-song EP featuring covers of Leonard Cohen, Yusuf/Cat Stevens, and Link Wray. Proceeds to benefit both CARE Action Network and Ground Game LA. Pay-what-you-want $5 minimum for the whole EP, no individual track sales.
Gazebos “Therapy” – Previously unreleased track with all proceeds raised Friday, July 3rd to benefit King County Equity Now. Pay-what-you-want on July 3rd, $1/per track after
The Gotobeds “Have You Checked the Tapes?” b/w “Blazing Sun of Youth” – Two previously unreleased tracks from their Debt Begins at 30 album sessions. Proceeds from July 3rd will benefit Sisters PGH COVID-19 support. Pay-what-you-want on July 3rd, $1/per track after Man Man “Dig Deep” – Releases a brand new single with proceeds to benefit both the NAACP and Know Your Rights Campaign. Pay-what-you-want w/ $1 minimum.
METZLive at Ramsgate Music Hall – a 4-song digital EP featuring live versions of METZ’s “Cellophane,” “Acetate,” “Nervous System,” and “Raw Materials” recorded during the band’s date at the UK venue on May 3rd, 2018. Proceeds to help raise funds through Ramsgate Music Hall’s Bandcamp page, while they’re closed due to COVID-19. Pay-what-you-want through July 5, £1.50 per track / £5 for the full EP thereafter.
Omni “The Stranger” b/w “Art for Art’s Sake” – Covers of Billy Joel’s The Stranger,” and 10cc’s “Art for Arts Sake,” originally recorded for Aquarium Drunkard Lagniappe sessions. Proceeds raised July 3rd to benefit Georgia NAACP. Pay-what-you-want on July 3rd, $1/per track after
Versing “Red Wave” b/w “Once Bitten” – Previously unreleased single with all proceeds raised Friday, July 3rd to benefit Northwest Community Bail Fund. Pay-what-you-want on July 3rd, $1/per track after
