On Friday, May 19th, Hannah Jadagu (pron. juh-dah-goo) will release Aperture, her first full-length effort on CD/LP/CS/DSPs worldwide from Sub Pop.
Today, you can watch the official video for a new offering, “Admit It,” an aching new single dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder), but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work.
Jadagu says, “‘Admit It’ is centered around being there for someone you typically lean on. It’s about the value of a certain strength and support that can come from family. I wanted that same idea to come across in the production of the song, which is inspired by the music I listened to during my childhood.”
Jadagu is also announcing a 19-date, headlining US tour for the fall of 2023 in support of Aperture, which begins Wednesday, September 6th in Philadelphia, PA at PhilaMOCA and ends Sunday, October 1st in Chicago, IL at Schubas. The tour will include stops in DC, Carrboro, Nashville, Atlanta, Houston, Dallas, Austin, Phoenix, San Diego, Los Angeles, San Francisco, Sacramento, Seattle, Portland, Boise, Denver, and Lawrence.
Tickets for these shows go on sale Friday, April 21st at 10 am (local).
The tour will be preceded by Jadagu’s hometown release show at Brooklyn’s Baby’s All Right on Saturday, May 20th, and an appearance at Salt Lake City’s Mind The Gap Festival on Saturday, August 26th. A current list of dates is below.
Sat. May 20 - Brooklyn, NY - Baby’s All Right Sat. Aug. 26 - Salt Lake City, UT - Mind The Gap Festival Wed. Sep. 06 - Philadelphia, PA - PhilaMOCA Thu. Sep. 07 - Washington, DC - Songbyrd Fri. Sep. 08 - Carrboro, NC - Cat’s Cradle (Back Room) Sat. Sep. 09 - Nashville, TN - DRKMTTR Sun. Sep. 10 - Atlanta, GA - The Masquerade (Purgatory) Tue. Sep. 12 - Houston, TX - White Oak Music Hall - Upstairs Wed. Sep. 13 - Dallas, TX - Club Dada Thu. Sep. 14 - Austin, TX - Ballroom Sat. Sep. 16 - Phoenix, AZ - Valley Bar Sun. Sep. 17 - San Diego, CA - House of Blues Voodoo Room Tue. Sep. 19 - Los Angeles, CA - The Echo Wed. Sep. 20 - San Francisco, CA - Popscene at Brick & Mortar Thu. Sep. 21 - Sacramento, CA - The Starlet Room Sat. Sep. 23 - Seattle, WA - Barboza Sun. Sep. 24 - Portland, OR - Polaris Mon. Sep. 25 - Boise, ID - El Korah Shrine Basement Wed. Sep. 27 - Denver, CO - Larimer Lounge Fri. Sep. 29 - Lawrence, KS - The Bottleneck Sun. Oct. 01 - Chicago, IL - Schubas
Last month, Jadagu released “Warning Sign,” a standout from Aperture. New York Times called the single “a hushed, hazy song that maps interpersonal tensions onto musical contrasts: quiet and loud, sustained and rhythmic, dulcet and distorted… ‘Warning Sign’ could have been an easygoing R&B vamp, but Jadagu has other imperatives; the song coos with keyboard chords and airborne harmonies, then crashes or glitches. What she hears goes with what she feels: “I can’t stand to hear your voice when it’s oh so loud/Could you quiet down?”
Hannah Jadagu’s Aperture features 12 tracks, including “Lose,” “Say it Now,” “What You Did,” “Warning Sign,” and the aforementioned “Admit it,” was co-produced by Jadagu and Max Robert Baby at Greasy Studios Paris, mixed by Marcus Linon, and mastered by Dave Cooley at Elysian Mastering. Aperture follows the release of Jadagu’s acclaimed What Is Going On? digital-only EP, and stand-alone single “All My Time Is Wasted,” also available on Sub Pop.
Tracklisting: 1. Explanation 2. Say It Now 3. Six Months 4. What You Did 5. Lose 6. Admit It 7. Dreaming 8. Shut Down 9. Warning Sign 10. Scratch The Surface 11. Letter To Myself 12. Your Thoughts Are Ur Biggest Obstacle
This Friday, April 21st, Lael Neale will release Star Eaters Delight on CD/LP/CS/DSPs worldwide from Sub Pop. Today, she shares an official new video for “Must Be Tears,” a bittersweet standout from the album that invokes Nico with its pulsing Mellotron strings.
Neale, who directed the video, reflects, “Even though I’ve lived through many Springs, the season never fails to disappoint me with its lingering cold & dreariness. Flowers are Nature’s apology.”
Lael Neale has extended her international tour schedule for 2023 in support of Star Eaters Delight, resumes this Saturday, April 22nd in Los Angeles at Permanent Records Roadhouse, and now runs through Saturday, June 3rd in Düdingen, Switzerland, with an appearance at the Bad Bonn Kilbi Festival. Highlights for this tour include an appearance at Brighton, UK’s The Great Escape Festival Wednesday, May 10th through Saturday, May 13th (exact date TBC), Tuesday, May 30th in Barcelona, ES at Heliogàbal, and Wednesday, May 31st at Madrid, ES at Sound Isidro @ Siroco. A current list of dates is below, and tickets for these shows are on sale now.
US 2023 Sat. Apr. 22 - Los Angeles, CA - Permanent Records Roadhouse Mon. Apr. 24 - Phoenix, AZ - Trunk Space Wed. Apr. 26 - Austin, TX - Chess Club Sat. Apr. 29 - Nashville, TN - drkmttr Wed. May 03 - Washington, DC - Comet Ping Pong Fri. May 05 - New York, NY - Public Records Sat. May 06 - Northampton, MA - Parlor Room Sun. May 07 - Philadelphia, PA - Dolphin
UK/EU 2023 Wed. May 10 - Brighton, UK - The Great Escape Festival Thu. May 11 - Brighton, UK - The Great Escape Festival Fri. May 12 - Brighton, UK - The Great Escape Festival Sat. May 13 - Brighton, UK - The Great Escape Festival Sun. May 14 - Leeds, UK - In Colour Festival Mon. May 15 - Manchester, UK - The Castle Hotel Tue. May 16 - London, UK - The Lexington Wed. May 17- Paris, FR - La Boule Noire Thu. May 18 - Tourcoing, FR - Le Grand Mix Fri. May 19 - Brussels, BE - Botanique (Witloof Bar) Sat. May 20 - Amsterdam, NL - Paradiso (London Calling Fest) Mon. May 22 - Berlin, DE - Kantine am Berghain Tue. May 23 - Hamburg, DE - Aalhaus Wed. May 24 - Copenhagen, DK - Huset Thu. May 25 - Oslo, NO - Krosset Fri. May 26 - Stockholm, SE - Nomad Sat. May 27 - Gothenburg, SE - Oceanen Tue. May 30 - Barcelona, ES - Heliogàbal Wed. May 31 - Madrid, ES - Sound Isidro @ Siroco Thu. Jun. 01 - Lisbon, PT - ZDB Sat. Jun. 03 - Düdingen, CH - Bad Bonn Kilbi Festival
The beguiling Star Eaters Delight reveals an expansion of Neale’s sonic collaboration with producer and accompanist Guy Blakeslee and arrives on the heels of her Sub Pop debut Acquainted With Night, which won international acclaim for its crystalline vocals, clever songwriting, and excellent use of Omnichord to build a world of beautiful reveries.
In April of 2020, Lael moved from Los Angeles back to her family’s farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos. Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She explains: “The unbroken silences on the farm compelled me to break them with sound. This album is louder and more external, calling out to the world.”
Shindig! raves “The spellbinding Star Eaters Delight signals an expansion of her sonic sensibilities that feels metropolitan and voracious (conjuring scenes where lo-fi, post-punk, and avant-garde were in deep conversation) and flirts with the noisy and angular (5/5).” Meanwhile, Uncut offers this, “An elegantly spare showcase of her radiant voice, a tremulous yodel tinged with gospel and country inflections. Bathed in antique analog acoustics, spine-tingling ballads of romantic yearning like “If I Had Wings” and “Return To Me Now” blend guitar with vintage instruments including Mellotron and a Suzuki Omnichord.”
Star Eaters Delight was written by Neale, with arrangements and production by Guy Blakeslee. The recordings were made on cassette in Virginia and mastered by Chris Coady in Los Angeles. The album is available to preorder from Sub Pop. LP preorders from megamart.subpop.com, and select independent retailers in North America, the UK and Europe, will receive the Loser edition on gold vinyl.
Lael Neale
Star Eaters Delight
Tracklisting: 1. I Am The River 2. If I Had No Wings 3. Faster Than The Medicine 4. In Verona 5. Must Be Tears 6. No Holds Barred 7. Return To Me Now 8. Lead Me Blind
The gutter-scraped amalgamation of sludge, punk, noise, and bracing wit of Pissed Jeans is back on full display in “No Convenient Apocalypse,” a new single release and first material since Why Love Now, the group’s acclaimed album of 2017.
“No Convenient Apocalypse,” which was originally recorded for the Cyberpunk 2077 video game soundtrack, is available today on all DSPs and will be followed by a 7” single on May 19th. The b-side to the physical single is “Bathroom Laughter (Live in Allentown),” and that song will be available in all DSPs on May 19th, as well. Preorder here.
Pissed Jeans have also announced new US midwest and east coast headlining tour dates for 2023. The dates span Thursday, June 1st in Cambridge at Sonia and run through Sunday, June 18th, in Cleveland at Grog Shop. Tickets for these shows are on sale Wednesday, April 19th (@10 am ET).
Thu. Jun. 01 - Cambridge, MA - Sonia * Fri. Jun. 02 - Hamden, CT - Space Ballroom * Sat. Jun. 03 - New York, NY - Le Poisson Rouge (In The Round) * Thu. Jun. 15 - Pittsburgh, PA - Thunderbird Cafe & Music Hall ^ Fri. Jun. 16 - Chicago, IL - Subterranean ^ Sat. Jun. 17 - Detroit, MI - El Club ^ Sun. Jun. 18 - Cleveland, OH - Grog Shop ^
* w/ Carnivorous Bells ^ w/ Kilynn Lunsford
Pissed Jeans is currently at work on the follow-up to Why Love Now, an album that took aim at the mundane discomforts of modern life—from fetish webcams to office-supply deliveries, and won raves from the likes of The New Yorker, New York Times, Rolling Stone, Pitchfork, The Guardian, Uncut, Stereogum, and more.
What people have said about Pissed Jeans: “…Pissed Jeans has done well to land its aggression closer to home. “Why Love Now” is still rich in sludge—just not the toxic kind.” [Why Love Now] - The New Yorker
“Their most unsparing work of self-flagellation yet, a generous grope through their own dirty laundry that begs both a smirk and a wince.” [Why Love Now] - Rolling Stone
“… One of our era’s best punk bands.” [Why Love Now] - SPIN
“It isn’t for the faint-hearted, but is a lot of fun and delivers some uncomfortable home truths.” [Why Love Now] ★★★★ The Guardian
“Another blast of full-fury guitar rock.” [“The Bar Is Low”] - Billboard
“Matt Korvette, the skeptical frontman of a terrific, coarsely named post-hardcore band from Allentown, Pa., doesn’t want to hear your compliments. As a dude, he knows he’s being graded on a curve…The track feels partly inspired by a recent series of unmaskings in the public sphere. “It just seems to be quite an easy bet,” Mr. Korvette sputters. “Those we adore just haven’t spilled their secrets yet.” But the excoriation is all-inclusive: By the end, he floats a claim about our rate of evolution as a species. (Spoiler alert: It’s not hopeful.)” [“The Bar Is Low”] - New York Times
Sub Pop is elated to announce the recruitment of Chicago band Deeper to its iconic label roster. To celebrate this pivotal occasion, the group has shared an official video for their new single “Sub.”
The band says about the single and video: “‘Sub’ was in the trash can for a minute. We recorded it in 2021 at a slower tempo before realizing it didn’t work. It was built again from the ground up, this time with a much faster tempo and different dynamics. The nice thing about iterating on songs over the pandemic was having time to revisit old ideas – the song even features a guitar part from the first recorded Deeper song that we ended up discarding. Lyrics jump around events from the last few years, often reflecting on the past and present. The video functions as a vessel for us to reference characters from past videos, showing them stuck in a loop, in a purgatory where they’re waiting to move on to whatever is coming next.”
Deeper is currently working on its Sub Pop debut, which will be available later this year. In the meantime, the band will embark on a 15-date run beginning on Wednesday, May 10th, in Omaha, NE, at Reverb Lounge, with additional shows in Salt Lake City, Denver, Minneapolis, Chicago, Cleveland, Atlanta, and Orlando. Deeper will also appear at this year’s Pitchfork Music Festival in their home city of Chicago. See below for a full list of shows.
Wed. May 10 - Omaha, NE - Reverb Lounge Thu. May 11 - Fort Collins, CO - The Coast Fri. May 12 - Salt Lake City, UT - The Urban Lounge Sun. May 14 - Salt Lake City, UT - Kilby Block Party (@ The Utah State Fairpark) Wed. May 17 - Denver, CO - Mission Ballroom* Fri. May 19 - Minneapolis, MN - First Avenue* Sat. May 20 - Milwaukee, WI - Turner Hall Ballroom* Sun. May 21 - Chicago, IL - The Salt Shed* Tue. May 23 - Detroit, MI - Majestic Theatre* Wed. May 24 - Cleveland, OH - Agora Theater & Ballroom* Thu. May 25 - Asbury Park, NJ - Asbury Lanes* Mon. May 29 - Atlanta, GA - 529 Bar Tue. May 30 - Tampa, FL - Crowbar Wed. May 31 - Miami, FL - Gramps Fri. Jun. 02 - Orlando, FL - Will’s Pub Fri. Jul. 21 - Chicago, IL - Pitchfork Music Festival (@ Union Park)
Sub Pop kicks-off the eighth and latest round of its legendary Singles Club with new music by Brontez Purnell and Margarita Podridas, both out today worldwide on all DSPs from Sub Pop. The very limited 7” vinyl versions can be had only by subscribing at the Sub Pop Mega Mart.
Brontez Purnell has been making music since the ‘90s. He started in The Social Lies, a hardcore Afro-punk duo in Alabama in his teens, and later Gravy Train!!! He then went on to lead his long-running project, The Younger Lovers. He is also a dancer, filmmaker, choreographer (The Brontez Purnell Dance Company), and the author of eight books.
Brontez says, “‘Jaboukie’ was originally called ‘100 Boyfriends,’ but I found out that apparently I can be sued for calling that song that since I named my book that (though the song was written waaaaaaaaaaaaay before the book). So then I was like, ‘so which N**** am I gonna @ with this song.’ And Jaboukie was the one who sent a DM text right after I had that thought! True story! So it’s for him❤️. Also, it’s Sub Pop, so I had to rep with my fave Nirvana song from middle school.” Check out the video for “Jaboukie” here.
Hermosillo, Mexico-based quartet Margaritas Podridas was born out of admiration for the underground rock landscape of the ‘90s, culling from the distortion-laden songwriting of the grunge scene, the scuzz-coated pop of shoegaze, and the noisy sojourns of that decade’s college rock’s guitar icons. Sonics aside, there’s a political streak and DIY ethic in Margaritas Podridas that recalls the confrontational idealism of their musical forebearers, evidenced in their underage scene-building efforts in their hometown, their negation of the English language despite their growing international fanbase, and their penchant for giving the middle finger to sexism in both the music industry and the broader world.
Carolina Riveraof Margaritas Podridas says, “‘Filosa’ is one of my favorite songs we’ve ever done. It is a very playful song composed by Rafael, but the lyrics were written by me about feeling stuff you can’t say, hurting the one you love by being indecisive, with anger, and desperation. We had the opportunity to work with very talented friends while recording and producing these songs, such as Jack Endino, who produced Bleach, one of our favorite albums by Nirvana. It was such a dream for us, as well as Felipe Garcia, who has been recording with us since the beginning in our hometown Hermosillo, Sonora.”
Rivera continues, “‘Vómito’ is composed by Poncho. This song is also one of our favorites to play live; it is a song about intense emotions that make you puke. The dynamics of both songs are very playful and exciting, we are very happy with how they came out. It is a dream come true to release them through one of the coolest labels in the music industry, which has had many of our favorite bands that we love, in its catalog.”
Subscribe to the Sub Pop Singles Club Vol. 8 now to get twelve super-limited 7” vinyl records featuring exclusive music by today’s finest musicians! It’s limited to a mere 835 subscriptions, because it’s volume 8, and 2023 is Sub Pop’s 35th birthday! In a world of over 8 billion people (all of whom are record collectors – we checked!), that clearly qualifies this product as MEGA RARE. So, join the .00001% by treating yourself to a subscription immediately! You’ll get 7”s by Margarita Podridas, Brontez Purnell, Vanishing Twin, Suki Waterhouse, and more artists to be announced in the very near future. And, to top it all off, you’ll get a lavish storage box, with art by @oldsweaty, to keep the records together. Trust us, this thing’s gonna be the belle of your bookshelf!
You will get two singles in the mail roughly every other month, starting April 2023 and ending February 2024. Computer users: fear not! You will also get digital downloads of the tracks through your Sub Pop Mega Mart account.
CHAI — the beloved Japanese quartet composed of identical twins MANA (vocals/keys) and KANA (guitar), drummer YUNA, and bassist/lyricist YUUKI — are “professional purveyor[s] of whimsy” (The New York Times). Today, the four-piece unveils their first new single/video of 2023, “We The Female!” Following CHAI’s acclaimed 2021 album, WINK, which “exudes a newfound sense of serenity, even as they remain committed to exuberant self-love” (Pitchfork), “We The Female!” continues expanding CHAI’s canon of anthemic dance jams. The accompanying video, directed by Cezan Iseda, is a charming collage of 80s television homages.
Of “We The Female!,” YUUKI adds: “We are human and were born as female, but we have both female and male aspects in each of our souls, each with our own sense of balance. We can’t just label ourselves into clear-cut, simple categories anymore! I’m not anyone else but just ‘me,’ and you are no one else but just ‘you.’ This song celebrates that with a roar! Yooooooooo!!”
WINK followed CHAI’s beloved 2017 debut PINK, and their superb 2019 sophomore effort, PUNK. Surrounding WINK’s release, CHAI was profiled in V Magazine, The New York Times, NPR and more; it was named one of the year’s best releases by Under The Radar and Paste, who hailed: “CHAI make every moment feel like a treat.”
“WE THE FEMALE!” is a small taste of what CHAI has in store for the year.
