Beginning January 13th in Fargo, ND, Alan Sparhawk of Low will embark on a mammoth run of dates supporting his acclaimed 2024 album, White Roses, My God, with newly announced shows in Australia from Feb 13th- Feb 15th. The January run will feature an opening performance from Circuit des Yeux.
 
White Roses, My God received praise from Stereogum, Pitchfork, Clash, MOJO, Uncut, The Line of Best Fit, Under The Radar, Brooklyn Vegan and The New York Times. The album was also #1 in Electronic Sound Magazine’s 2024 Albums of the Year.

 
North America:
Mon. Jan 13 - Fargo, ND - The Aquarium @
Wed. Jan 15 Bozeman, MT - The Rialto @
Fri. Jan 17- Seattle, WA - The Crocodile  @
Sat. Jan 18- Portland, OR - Mississippi Studios @
Mon. Jan 20- San Francisco, CA - Great American Music Hall  @
Tue. Jan 21- Los Angeles, CA - Lodge Room @
Wed. Jan 22- San Diego, CA - The Casbah @
Fri. Jan 24- Salt Lake City, UT - Urban Lounge @
Sat. Jan 25- Denver, CO - Bluebird @
 
Australia: 
Fri. Feb. 13 - Sydney, AUS - Oxford Art Factory
Sat. Feb. 14 - Brisbane, AUS - Crowbar
Sun. Feb. 15 - Melbourne, AUS - Northcote Social Club
 
Europe/ UK:
Fri. Feb. 21 -  Zurich, Switzerland - Bogen F
Sat. Feb. 22 - Geneva, Switzerland - Antigel Festival
Mon. Feb. 24 -  Munich, Germany - Ampere
Tue. Feb. 25 - Berlin, Germany - Lido
Thu. Feb. 27 - Paris, France - Petit Bain
Fri. Feb. 28 - Antwerp, Belgium - Trix Club
Sun. Mar. 2 - Nijmegen, Netherlands - Doornroosje (Red Room)
Mon. Mar. 3 - Amsterdam, Netherlands - Paradiso
Wed. Mar. 5 - Brighton, United Kingdom - Chalk
Thu. Mar. 6 - Bristol, United Kingdom - The Lantern (Bristol Beacon)
Fri. Mar. 7 - Manchester, United Kingdom - Band on the Wall
Sat. Mar. 8 - Glasgow, United Kingdom - Room 2
 
North America:
 
Wed. Mar. 26 - Bloomington, IN - The Bishop
Thu. Mar. 27 - Knoxville, TN - Big Ears Festival
Sat. Mar. 29 - Atlanta, GA - The Earl
Mon. Mar. 31- Carrboro, NC - Cat’s Cradle Back Room
Tue. Apr. 1 - Washington, DC - Atlantis
Fri. Apr. 02 - Brooklyn, NY - Elsewhere
Thu. Apr. 03 - Boston, MA - Sinclair
Fri. Apr. 04 - Hamden, CT - Space Ballroom
Sat. Apr. 05 - Philadelphia, PA - PhilaMOCA
Mon. Apr. 07 - Toronto, ON - Horseshoe
Tue. Apr. 08 - Detroit, MI - Loving Touch
Wed. Apr. 09 - Chicago, IL - Thalia Hall
Thu. Apr. 10 - Minneapolis, MN - First Ave (w/ Mount Eerie)
Fri. Apr. 11 - Milwaukee, WI - Turner Hall (w/ Mount Eerie)=
 
Europe/ UK
Wed. May 28 - Liverpool, UK - Arts Club
Thu. May 29 - London, UK - EartH
Fri. May 30 - Portsmouth, UK - Wedgewood Rooms
Sat. May 31 - Utrecht, Netherlands - TivoliVredenBurg (Cloud Nine)
Mon. Jun. 02 - Turin, Italy - Spazio211
Tue. Jun. 03 - Rome, Italy - Largo Venue
Wed. Jun. 04 - Bologna, Italy - Express Festival (Locomotiv Club)
Thu. Jun. 05 - Milan, Italy - Unaltrofestival - Magnolia
Sat. Jun. 07 - Barcelona, Spain - Primavera Festival
Mon. Jun. 09 - Madrid, Spain - Sala El Sol
Wed. Jun. 12 - Porto, Portugal - Primavera Festival
Tue. Aug. 05 - Copenhagen, DenMar.k - Lille Vega
Mon. Aug. 11- Cambridge, UK - Jun.ction 2
Tue. Aug. 12- Newcastle, UK - The Cluny
Wed. Aug. 13- Nottingham, UK - Rescue Rooms
Thu. Aug. 14- Norwich, UK - Norwich Arts Centre
 
@ Circuit des Yeux
 

“‘Get Still’ is built from synthetic pieces — deep sub-bass, electronic drums, Alan Sparhawk’s voice so heavily Auto-Tuned that it no longer sounds recognizably human. In its gooey melody, you can still hear some ghost of Low’s beauty. Here, Sparhawk pushes the electronic explorations of Low’s late-period records way beyond reason, finding something weird and powerful in the process.“Get Still” is built from synthetic pieces — deep sub-bass, electronic drums, Alan Sparhawk’s voice so heavily Auto-Tuned that it no longer sounds recognizably human. In its gooey melody, you can still hear some ghost of Low’s beauty. Here, Sparhawk pushes the electronic explorations of Low’s late-period records way beyond reason, finding something weird and powerful in the process.” - STEREOGUM
 
“…the distorted vocals were put through T C Helicon C-1 hard pitch pedal, and the disorienting results are surreal, but also intensely emotive. You’re left with the sense of someone grappling with absence, the space in his life leaving a colossal void; somehow, amidst all this, Alan Sparhawk is still moving forwards, and the will to continue make ‘Get Still’ a gripping experience.” - CLASH
 
“…this is a record that ultimately finds Sparhawk turning pain into a kind of spiritual beauty” - Uncut ‘Album of the Month’
 
“…viscerally inventive within its closed sound world: snaking, slurred, and often anarchically fun.” - Pitchfork
 
“Like almost everything Sparhawk creates, it is beautiful, but also very heavy, as you might expect, with grief at its core.” - Brooklyn Vegan
 
“White Roses, My God is a glance at Sparhawk’s musical sketchbook that’s somehow both unrehearsed and constructed with care, enjoyable and unknowable, as transient as it is profound. It may be somewhat unexpected in form, but its compelling content should come as no surprise” - Under the Radar
 
“…minimalist and elegiac, at once teasing, fracturing, and stumbling upon emotions through the means of vocal manipulation and technological rigidity ” -Our Culture
 
“Made by Sparhawk entirely on his own, White Roses is the sound of someone searching for his voice, a new way to articulate the love they shared and all that is missed.” - The Quietus

Alan Sparhawk
White Roses, My God
 
Tracklisting:
1. Get Still
2. I Made This Beat
3. Not the 1
4. Can U Hear
5. Heaven
6. Brother
7. Black Water
8. Feel Something
9. Station
10. Somebody Else’s Room
11. Project 4 Ever