Today, Thursday, April 18th, DEBBY FRIDAY shares “To The Dancefloor,” a new, high-powered anthem available worldwide on all DSPs through Sub Pop. The track, recorded in Toronto and Detroit, is co-produced by DEBBY FRIDAY, Graham Walsh, and Detroit’s rising ghettotech connoisseurs, HiTech.
“To The Dancefloor” is a cheeky hybrid of electronic music genres and FRIDAY’s first single release of the year. Its Sims-inspired official video, directed by DEBBY FRIDAY with camerawork by Stella Gigliotti, is a nod to online NPC trends and virtual reality games of the early 2000s.
Of the video, DEBBY says, “I <3 the internet. I got the idea from watching Youtubers and TikTokers and thinking about how I used to spend hours playing games like Sims 3 and IMVU.”
“To The Dancefloor” follows DEBBY FRIDAY’s 2023 release, GOOD LUCK, her acclaimed Polaris Music Prize-winning, full-length debut. The album was co-produced by DEBBY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto and mastered by Heba Kadry in New York. Following the Polaris win, she released the sprightly-paced “let u in” single that September.
DEBBY FRIDAY’s international tour schedule for 2024 resumes Friday, June 7th in St. Johns, Newfoundland at the Lawnya Vawnya Festival and currently runs through Thursday, August 29th - Sunday, September 1st in Dorset, UK at the End of the Road Festival. Please find a complete list of dates below.
Fri. Jun. 07 - St. Johns, NL - Lawnya Vawnya Festival
Sun. Jun. 23 - Vancouver, BC - Westward Music Festival
Fri. Jun. 28 - Toronto, ON - Toronto Pride
Fri. Jul. 19 - Sat. Jul. 21 - Yellowknife, NT - Folk On The Rocks
Fri. Aug. 02 - Katowice, PL - OFF Festival
Fri. Aug. 16 - Saint-Malo, FR - La Route De Rock
Thurs. Aug. 8 - Rees Haldern, DE - Haldern Pop Festival
Sat. Aug. 17- Sun. Aug. 18 - Hamburg, DE - MS Dockville
Sun. Aug. 18 - Pukkelpop Hasselt, BE - Pukkelpop
Thu. Aug. 29 - Sun. Sep. 01 - Dorset, UK - End of the Road Festival
Fri. Aug. 30 - Eindhoven, NL - Hit The City Festival
DEBBY FRIDAY’s “To The Dancefloor,” “let u in,” and GOOD LUCK are available now worldwide from Sub Pop.
Past praise for DEBBY FRIDAY:
“With perhaps the most confident and promising debut album of the year, the Toronto-based electronic musician Debby Friday creates an alluringly dark, industrial backdrop for her slinky self-mythologizing and galvanizing pep talks to herself. “Speak up, speak up, Friday Child,” she intones on the intention-setting opener. “Say what you came to say.” Does she ever.” [GOOD LUCK] “The Best Albums of 2023” - THE NEW YORK TIMES
“Album of the Week” [GOOD LUCK] - STEREOGUM
“GOOD LUCK is an assured and frequently surprising debut that feels like a trip into the lascivious, eclectic wormhole of Friday’s world – and with so much to take in, and so much fun to be had, you won’t want to leave.” 8/10 - CRACK
“DEBBY defies easy categorization, mixing rap, electro, post-punk, industrial, techno and more into a glitchy, bruising and bitcrushed blend that is fiery, magnetic and all her own.” [GOOD LUCK] - BROOKLYN VEGAN
“Album of the Week” [GOOD LUCK] - TREBLE
“There’s an extraordinary elasticity across GOOD LUCK’s
masterful production that makes repeated listens not just enjoyable but irresistible.” “8/10, Album of the Week” - LOUD & QUIET
“Fans of Azealia Banks, JPEGMAFIA, SZA, Yves Tumor, and even Nine Inch Nails could all find themselves at home in her world. And soon enough, with her innovation and confidence, it seems like the rest of the world will, too.” “The Rising Artists You Need To Know” - ALTERNATIVE PRESS
“Packed into a succinct, live-wire 33-minutes, GOOD LUCK is testament to how effectively Friday can capture life in all its dense, unpredictable emotions.” - CHICAGO READER
“Welcome to Planet Debby: If you wandered into the back room
at Empire Garage and Control Room at the right moment on Thursday afternoon, you found yourself in the middle of an interstellar rave in full swing. Toronto experimental artist Debby Friday was onstage, performing a thudding electro-rap song with hints of Azealia Banks and Donna Summer…Leaping off the stage into the small crowd, she demanded that they come closer — “I need your energy!” — and kept on chanting,
in a long vamp that bent space and time.” “Highlights from SXSW 23, Day Three” - Rolling Stone
“In contrast to the pulse-quickening tempos and noisy synths of her past music, her production is deft and graceful, with a skipping beat and cascading backing vocals. ‘Lady Friday/All you do is rеbel,’ Friday chastises herself—tough talk against a fragile, gorgeous sound.” [“SO HARD TO TELL”] “Best New Track” - PITCHFORK
“One of the young year’s most audacious bangers” [“SO HARD TO TELL”] - BILLBOARD
“Hyperpop can sometimes come off as abrasive but in the hands of Canadian singer DEBBY FRIDAY it’s soulful, even elegant.” [“SO HARD TO TELL”] - NYLON
“A graceful entrance into yet another territory: lush R&B”[“SO HARD TO TELL”] “Now Playing” - NPR MUSIC
Today, Wednesday, September 27th, DEBBY FRIDAY is sharing “let u in,” a new, drum ‘n’ bass-tinged pop single, available worldwide on all DSPs through Sub Pop. The track, recorded in Melbourne during her Australian Winter tour supporting her 2023 album GOOD LUCK, is co-produced by FRIDAY and frequent Wicca Phase Springs Eternal collaborator, Australian electronic music producer and vocalist Darcy Baylis.
The “let u in” single follows the release of GOOD LUCK, FRIDAY’s acclaimed Polaris Music Prize-winning, full-length debut. The album features the singles “SO HARD TO TELL,” “I GOT IT,” “WHAT A MAN,” and “HOT LOVE,” which was co-produced by FRIDAY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto, and mastered by Heba Kadry in New York.
Her international tour schedule in support of GOOD LUCK and “let u in,” resumes October 27th in Chicago at Sanctum at Thalia Hall and currently runs through December 14th in Montreal at Le Ritz. Please find a current list of confirmed dates below.
Fri. Oct. 27 - Chicago, IL - Sanctum @ Thalia Hall Fri. Nov. 03 - Manchester, UK - Homobloc @ Yes Pink Room Sat. Nov. 04 - Brighton, UK - Mutations Festival Tue. Nov. 07 - Oslo, NO - BLA Wed. Nov. 08 - Copenhagen, DK - Rust Thu. Nov. 09 - Stockholm, SE - Brooklyn Bar Fri. Nov. 10 - London, UK - Thirdman London Sat. Nov. 11 - London, UK - Pitchfork London (@ Roundhouse) % Wed. Nov. 15 - Brussels, BE - Fifty Lab Wed. Dec. 13 - Toronto, ON - Velvet Underground Thu. Dec. 14 - Montréal, QC - Le Ritz % w/ Yaeji, Jessy Lanza
Of her SXSW appearances, Rolling Stone raved: “Welcome to Planet Debby: If you wandered into the back room at Empire Garage and Control Room at the right moment on Thursday afternoon, you found yourself in the middle of an interstellar rave in full swing. Toronto experimental artist Debby Friday was onstage, performing a thudding electro-rap song with hints of Azealia Banks and Donna Summer… Leaping off the stage into the small crowd, she demanded that they come closer — “I need your energy!” — and kept on chanting, in a long vamp that bent space and time. It was the kind of serendipitous moment that makes SXSW one of the best places in the world to discover a new favorite.”
GOOD LUCK is available now worldwide from Sub Pop. LP purchases from megamart.subpop.com, Mega Mart 2, select independent stores in North America, the U.K., and E.U., and FRIDAY’s live shows will receive the limited Loser edition on metallic silver vinyl (while supplies last).
What people are saying about DEBBY FRIDAY: “The Nigerian-born, Toronto-based singer and rapper Debby Friday’s ambitious, charismatic album “Good Luck” is one of my favorite debuts of the year so far…She’s a shape-shifting, swashbuckling dynamo journeying through different tempos and genres, always on a heroine’s quest for self-discovery.” “The Amplifier” - THE NEW YORK TIMES
“Her first full-length is sweaty and determined, eager to deliver on its teeth-chattering beats with a feverish intensity. The influences are obvious, but the ways that Debby Friday crashes those sounds together are not.” “Album of the Week” - STEREOGUM
“GOOD LUCK is an assured and frequently surprising debut that feels like a trip into the lascivious, eclectic wormhole of Friday’s world – and with so much to take in, and so much fun to be had, you won’t want to leave.” 8/10, CRACK
“There’s an extraordinary elasticity across GOOD LUCK’s masterful production that makes repeated listens not just enjoyable but irresistible.” “8/10, Album of the Week” -LOUD & QUIET
“[Her] most fully realized set of songs to date. The abrasion and urgency of her early EPs remains, but the 10 songs here lean more heavily toward the pulse of the club—and often a vampiric underground den at that…Friday more openly embraces pop on her debut album, but rarely does so outside the presence of the shadow and mystique her music so often casts.” “Album of the Week” - TREBLE
“DEBBY defies easy categorization, mixing rap, electro, post-punk, industrial, techno and more into a glitchy, bruising and bitcrushed blend that is fiery, magnetic and all her own.” [GOOD LUCK] - BROOKLYN VEGAN
“Imagine you walk into a club and there’s industrial playing, then the next track is house, the next cybergoth, and the next alt-pop. Maybe that would sound like sonic whiplash — but in the world of DEBBY FRIDAY, that’s all possible, and the club is bumping… The Nigeria-born-Toronto-based DJ-turned-recording-artist just released her first album with Sub Pop, GOOD LUCK, and it’s an expansive display of her influences, from heavy rock to alt-R&B. Fans of Azealia Banks, JPEGMAFIA, SZA, Yves Tumor, and even Nine Inch Nails could all find themselves at home in her world. And soon enough, with her innovation and confidence, it seems like the rest of the world will, too.” “The Rising Artists You Need To Know” - ALTERNATIVE PRESS
“On Friday’s previous EPs, 2018’s Bitchpunk and 2019’s Death Drive, she reveled in messy synth-punk exuberance. That energy is amped-up on GOOD LUCK…Packed into a succinct, live-wire 33-minutes, GOOD LUCK is testament to how effectively Friday can capture life in all its dense, unpredictable emotions.” - CHICAGO READER
“An explosive, pounding, relentlessly calisthenic dance-floor banger with attitude to spare. A pulsating beat flickers like a strobe light as Friday and Chris Vargas of the duo Pelada, appearing here as Uñas, trade braggadocious bilingual verses. ‘Let mama give you what you need,’ Friday shrieks before calmly assuring, ‘I got it.’” [“I GOT IT”] “The Playlist” - THE NEW YORK TIMES
“In contrast to the pulse-quickening tempos and noisy synths of her past music, her production is deft and graceful, with a skipping beat and cascading backing vocals. ‘Lady Friday/All you do is rеbel,’ Friday chastises herself—tough talk against a fragile, gorgeous sound.” [“SO HARD TO TELL”] “Best New Track” - PITCHFORK
“One of the young year’s most audacious bangers” [“SO HARD TO TELL”] - BILLBOARD
“Hyperpop can sometimes come off as abrasive but in the hands of Canadian singer DEBBY FRIDAY it’s soulful, even elegant.” [“SO HARD TO TELL”] - NYLON
“A graceful entrance into yet another territory: lush R&B”[“SO HARD TO TELL”] “Now Playing” - NPR MUSIC
DEBBY FRIDAY GOOD LUCK
Tracklisting: 1. GOOD LUCK 2. SO HARD TO TELL 3. I GOT IT (feat. Uñas) 4. HOT LOVE 5. HEARTBREAKERRR 6. WHAT A MAN 7. SAFE 8. LET U DOWN 9. PLUTO BABY 10. WAKE UP
Today, DEBBY FRIDAY is sharing an icy new remix of “HOT LOVE,” from her acclaimed debut album GOOD LUCK, reworked by electronic music duo Boy Harsher and available today on all DSPs from Sub Pop.
Tomorrow, Friday, April 28th, FANGORIA will premiere DEBBY FRIDAY’s accompanying album short film GOOD LUCK, a pseudo-autobiographical tale, largely drawn from her own life and experiences growing up as a zillenial anti-heroine. A surrealist reflection on the tumultuous whirlwind that is the end of adolescence and the emotionality of youth, GOOD LUCK is co-directed by FRIDAY and Nathan De Paz Habib (Chino Amobi’s Eroica, and The Bicycle).
Photo Credit: Chinelo Yasin
DEBBY FRIDAY’s headlining tour and festival dates for the UK and Europe begin May 2nd in Brighton, UK at Crofters Rights and run through May 13th at The Great Escape Festival (@ Patterns).
Her international tour schedule has also been extended through November 11th in London at The Roundhouse for Pitchfork London (with Yaeji). New highlights include June 3rd in Toronto at Boiler Room; June 8th-18th for an Australian club and festival tour; July 28th at Hillside Festival in Guelph, Ontario; and two Canadian shows supporting Tegan & Sara on July 29th in Saskatoon, SK at TCU Place, and July 31st in Winnipeg, MB at Burton Cummings.
Of her recent appearances at SXSW, Rolling Stone raved: “Welcome to Planet Debby: If you wandered into the back room at Empire Garage and Control Room at the right moment on Thursday afternoon, you found yourself in the middle of an interstellar rave in full swing. Toronto experimental artist Debby Friday was onstage, performing a thudding electro-rap song with hints of Azealia Banks and Donna Summer… Leaping off the stage into the small crowd, she demanded that they come closer — “I need your energy!” — and kept on chanting, in a long vamp that bent space and time. It was the kind of serendipitous moment that makes SXSW one of the best places in the world to discover a new favorite.”
Tue. May 02 - Bristol, UK - Crofters Rights Wed. May 03 - London, UK - Corsica Studios # Fri. May 05 - Krems, AT - Donau Festival Sat. May 06 - Brussels, BE - Botanique (La Rotonde) Wed. May 10 - Lisbon, PT - ZDB Thu. May 11 - Leeds, UK - Headrow House Fri. May 12 - Manchester, UK - The White Hotel Sat. May 13 - Brighton, UK - The Great Escape @ Patterns Jun. 03 - Toronto, ON - Boiler Room Thu. Jun. 08 - Melbourne, AU - Rising (Max Watts) ^ Fri. Jun. 09 - Hobart, AU - Dark Mofo Sat. Jun. 10 - Hobart, AU - Dark Mofo Mon. Jun. 12 - Sydney, AU - Vivid Wavyland Metro Theatre Wed. Jun. 14 - Sun. Jun. 18 Melbourne, AU - Rising Sat. Jul. 08 - Québec City, QC - Festival d’été de Québec (FEQ) Fri. Jul. 28 - Guelph, ON - Hillside Fest Sat. Jul. 29 - Saskatoon, SK - TCU Place * Mon. Jul. 31 - Winnipeg, MB - Burton Cummings * Sun. Sep. 03 - Seattle, WA - Bumbershoot Fri. Oct. 27 - Chicago, IL - Sanctum @ Thalia Hall Sat. Nov. 11 - London, UK - Pitchfork London % * w/ Tegan & Sara ^ w/ Desire Marea # w/ Grove % w/ Yaeji, Jessy Lanza
GOOD LUCK is available now from Sub Pop. LP purchases from megamart.subpop.com, select independent stores in North America, the U.K., and E.U., and DEBBY FRIDAY’s live shows will receive the limited Loser edition on metallic silver vinyl (while supplies last).
GOOD LUCK features “SO HARD TO TELL,” “I GOT IT,” “WHAT A MAN,” and “HOT LOVE,” was co-produced by DEBBY FRIDAY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto, and mastered by Heba Kadry in New York.
What people are saying about DEBBY FRIDAY: “The Nigerian-born, Toronto-based singer and rapper Debby Friday’s ambitious, charismatic album “Good Luck” is one of my favorite debuts of the year so far…She’s a shape-shifting, swashbuckling dynamo journeying through different tempos and genres, always on a heroine’s quest for self-discovery.” “The Amplifier” - The New York Times
“Her first full-length is sweaty and determined, eager to deliver on its teeth-chattering beats with a feverish intensity. The influences are obvious, but the ways that Debby Friday crashes those sounds together are not.” “Album of the Week” - STEREOGUM
“GOOD LUCK is an assured and frequently surprising debut that feels like a trip into the lascivious, eclectic wormhole of Friday’s world – and with so much to take in, and so much fun to be had, you won’t want to leave.” 8/10 - CRACK
“There’s an extraordinary elasticity across GOOD LUCK’s masterful production that makes repeated listens not just enjoyable but irresistible.” “8/10, Album of the Week” -LOUD & QUIET
“[Her] most fully realized set of songs to date. The abrasion and urgency of her early EPs remains, but the 10 songs here lean more heavily toward the pulse of the club—and often a vampiric underground den at that…Friday more openly embraces pop on her debut album, but rarely does so outside the presence of the shadow and mystique her music so often casts.” “Album of the Week” - Treble
“DEBBY defies easy categorization, mixing rap, electro, post-punk, industrial, techno and more into a glitchy, bruising and bitcrushed blend that is fiery, magnetic and all her own.” [GOOD LUCK] - Brooklyn Vegan
“Imagine you walk into a club and there’s industrial playing, then the next track is house, the next cybergoth, and the next alt-pop. Maybe that would sound like sonic whiplash — but in the world of DEBBY FRIDAY, that’s all possible, and the club is bumping… The Nigeria-born-Toronto-based DJ-turned-recording-artist just released her first album with Sub Pop, GOOD LUCK, and it’s an expansive display of her influences, from heavy rock to alt-R&B. Fans of Azealia Banks, JPEGMAFIA, SZA, Yves Tumor, and even Nine Inch Nails could all find themselves at home in her world. And soon enough, with her innovation and confidence, it seems like the rest of the world will, too.” “The Rising Artists You Need To Know Right Now” - Alternative Press
“Friday strikes a remarkable balance on her forthcoming debut LP, GOOD LUCK: between the boisterous and the tranquil, the erudite and the crass, a packed dancefloor and quiet isolation. Featuring unequivocal bangers like “I Got It,” “Pluto Baby,” and “Heartbreakerrr,” Debby Friday is destined for bigger stages in 2023.” “15 Artists to Watch in 2023” - SPIN
“…An album that testifies to the liberating potential of making a racket.” [GOOD LUCK] - SLANT
“On Friday’s previous EPs, 2018’s Bitchpunk and 2019’s Death Drive, she reveled in messy synth-punk exuberance. That energy is amped-up on GOOD LUCK…Packed into a succinct, live-wire 33-minutes, GOOD LUCK is testament to how effectively Friday can capture life in all its dense, unpredictable emotions.” - Chicago Reader
“An explosive, pounding, relentlessly calisthenic dance-floor banger with attitude to spare. A pulsating beat flickers like a strobe light as Friday and Chris Vargas of the duo Pelada, appearing here as Uñas, trade braggadocious bilingual verses. ‘Let mama give you what you need,’ Friday shrieks before calmly assuring, ‘I got it.’” [“I GOT IT”] “The Playlist” - New York Times
“In contrast to the pulse-quickening tempos and noisy synths of her past music, her production is deft and graceful, with a skipping beat and cascading backing vocals. ‘Lady Friday/All you do is rеbel,’ Friday chastises herself—tough talk against a fragile, gorgeous sound.” [“SO HARD TO TELL”] “Best New Track” - Pitchfork
“One of the young year’s most audacious bangers” [“SO HARD TO TELL”] - Billboard
“Hyperpop can sometimes come off as abrasive but in the hands of Canadian singer DEBBY FRIDAY it’s soulful, even elegant.” [“SO HARD TO TELL”] - NYLON
“A graceful entrance into yet another territory: lush R&B”[“SO HARD TO TELL”] “Now Playing” - NPR Music
“If you’ve ever deep-dived into Debby Friday’s discography, you’ll know she slammed this single into left field, but man is it a hit! This edgy extraordinaire has taken a dip into the darkside via falsetto pop.” ” [“SO HARD TO TELL”] - MTV
Today, DEBBY FRIDAY is sharing the incredible official video for “WHAT A MAN,” a standout from GOOD LUCK, her full-length debut, available now worldwide on Sub Pop.
In a statement for the video, DEBBY FRIDAY offers this: “The ‘WHAT A MAN’ music video is loosely based on the famous essay, Ways of Seeing, by English art critic John Berger as well as paintings by the Italian Baroque painter, Artemisia Gentileschi (in particular, her iconic work “Judith Slaying Holofernes”).
In 1972, Berger released “Ways of Seeing” as both a television series via the BBC and a book. Both the series and the text function as image-based explorations of the depiction of women in Western art and culture. This work has been massively influential in cultural theory, as it introduced the concept of “the male gaze.”
Gentileschi is distinctive for being one of the only female professional artists of her era. Her paintings draw from myths and Biblical stories and almost always feature women as protagonists and equals to men. Arguably her most famous work, Judith Slaying Holofernes, is thought to be a self-portrait that depicts her as Judith slaying a Holofernes who resembles Agostino Tassi, a man who raped her when she was 17.
Both the essay and the paintings served as frameworks for the video. The same way that Gentileschi painted herself into images of other women is the same way I feel that every woman can see ourselves in much of Gentileschi’s story and her work. To be a woman and an artist in this world is to be, in a way, a shapeshifter. You take on the shape of whatever and whoever is looking at you - whether that be a camera, a phone, a lover, a thief, a killer. Always and all at once, you are a spectacle, a flower, a treasure, a ditch, a bitch, a miracle.
“When I look at Artemisia’s paintings, I feel myself transported and transformed into the emotional field of Judith, of Jael, of Susanna. Her hand is my hand, her sword is my sword, her pain is my pain. I have always identified with women who were wild and brazen - survivors, people who exist and persist despite. I have always looked up to women who were willing to be ‘bad’ in the name of living thoroughly.”
Watch the “WHAT A MAN” official video, directed by Kevan Funk and DEBBY FRIDAY, here.
DEBBY FRIDAY has extended her international headlining tour dates and festival appearances supporting GOOD LUCK. Touring resumes Wednesday, April 12th in Portland, OR at Mississippi Studios and now runs through Sunday, September 3rd in Seattle at Bumbershoot.
New dates for this announcement include shows in the UK (Manchester and Leeds), France (Paris), Portugal (Lisbon), Australia (Sydney, Melbourne), Belgium (Brussels), and Canada (Quebec City, QC).
Of her recent appearances at SXSW, Rolling Stone raved: “Welcome to Planet Debby: If you wandered into the back room at Empire Garage and Control Room at the right moment on Thursday afternoon, you found yourself in the middle of an interstellar rave in full swing. Toronto experimental artist Debby Friday was onstage, performing a thudding electro-rap song with hints of Azealia Banks and Donna Summer… Leaping off the stage into the small crowd, she demanded that they come closer — “I need your energy!” — and kept on chanting, in a long vamp that bent space and time. It was the kind of serendipitous moment that makes SXSW one of the best places in the world to discover a new favorite.”
Wed. Apr. 12 - Portland, OR - Mississippi Studios Thu. Apr. 13 - Seattle, WA - Barboza Fri. Apr. 14 - Los Angeles, CA - Zebulon Sat. Apr. 15 - Vancouver, BC - Cobalt Wed. Apr. 19 - Brooklyn, NY - Baby’s All Right Thu. Apr. 20 - Chicago, IL - Empty Bottle Tue. May 02 - Bristol, UK - Crofters Rights Wed. May 03 - London, UK - Corsica Studios w/ Grove Fri. May 05 - Krems, AT - Donau Festival Sat. May 06 Brussels, BE - Botanique (La Rotonde) Tue. May 09 - Paris, FR - La Hasard Ludique Wed. May 10 - Lisbon, PT - ZDB Thu. May 11 - Leeds, UK - Headrow House Fri. May 12 - Manchester, UK - The White Hotel Thu. Jun. 08 - Melbourne, AU - Rising (Max Watts) w/ Desire Marea Mon. Jun. 12 - Sydney, AU - Vivid Wavyland Metro Theatre Sat. Jul. 08 - Québec City, QC Festival d’été de Québec (FEQ) Sun. Sep. 03 - Seattle, WA - Bumbershoot
Her upcoming short film GOOD LUCK is a pseudo-autobiographical tale, largely drawn from FRIDAY’s own life and experiences growing up as a zillenial anti-heroine. A surrealist reflection on the tumultuous whirlwind that is the end of adolescence and the emotionality of youth, GOOD LUCK is co-directed by FRIDAY and Nathan De Paz Habib (Chino Amobi’s Eroica, and The Bicycle).
GOOD LUCK is available now from Sub Pop. LP purchases from megamart.subpop.com, select independent stores in North America, the U.K., and E.U., and DEBBY FRIDAY’s live shows will receive the limited Loser edition on metallic silver vinyl (while supplies last).
GOOD LUCK features “SO HARD TO TELL,” “I GOT IT,” “WHAT A MAN,” and “HOT LOVE,” was co-produced by DEBBY FRIDAY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto, and mastered by Heba Kadry in New York.
GOOD LUCK and its singles have earned DEBBY FRIDAY praise from the likes of New York Times, Pitchfork, Stereogum, NPR Music, The FADER, Billboard, CRACK, Loud & Quiet, Slant, Nylon, FLOOD, Cool Hunting, Brooklyn Vegan, Treble, Dork, DIY, CLASH, Our Culture and more.
What people are saying about DEBBY FRIDAY: “Her first full-length is sweaty and determined, eager to deliver on its teeth-chattering beats with a feverish intensity. The influences are obvious, but the ways that Debby Friday crashes those sounds together are not (Album of the Week).” - STEREOGUM
“GOOD LUCK is an assured and frequently surprising debut that feels like a trip into the lascivious, eclectic wormhole of Friday’s world – and with so much to take in, and so much fun to be had, you won’t want to leave (8/10).” - CRACK
“There’s an extraordinary elasticity across GOOD LUCK’s masterful production that makes repeated listens not just enjoyable but irresistible (8/10, Album of the Week).” - LOUD & QUIET
“[Her] most fully realized set of songs to date. The abrasion and urgency of her early EPs remains, but the 10 songs here lean more heavily toward the pulse of the club—and often a vampiric underground den at that…Friday more openly embraces pop on her debut album, but rarely does so outside the presence of the shadow and mystique her music so often casts (Album of the Week).” - Treble
“DEBBY defies easy categorization, mixing rap, electro, post-punk, industrial, techno and more into a glitchy, bruising and bitcrushed blend that is fiery, magnetic and all her own.” [GOOD LUCK] - Brooklyn Vegan
“…An album that testifies to the liberating potential of making a racket.” [GOOD LUCK] - SLANT
“An explosive, pounding, relentlessly calisthenic dance-floor banger with attitude to spare. A pulsating beat flickers like a strobe light as Friday and Chris Vargas of the duo Pelada, appearing here as Uñas, trade braggadocious bilingual verses. ‘Let mama give you what you need,’ Friday shrieks before calmly assuring, ‘I got it.’” [“I GOT IT”] -New York Times
“In contrast to the pulse-quickening tempos and noisy synths of her past music, her production is deft and graceful, with a skipping beat and cascading backing vocals. ‘Lady Friday/All you do is rеbel,’ Friday chastises herself—tough talk against a fragile, gorgeous sound.” [“SO HARD TO TELL”/ “Best New Track”] - Pitchfork
“One of the young year’s most audacious bangers” [“SO HARD TO TELL”] - Billboard
“Intoxicating…” [“SO HARD TO TELL”] - Stereogum
“Hyperpop can sometimes come off as abrasive but in the hands of Canadian singer DEBBY FRIDAY it’s soulful, even elegant.” [“SO HARD TO TELL”] - NYLON
“A graceful entrance into yet another territory: lush R&B”[“SO HARD TO TELL”] - NPR Music
“If you’ve ever deep-dived into Debby Friday’s discography, you’ll know she slammed this single into left field, but man is it a hit! This edgy extraordinaire has taken a dip into the darkside via falsetto pop.” ” [“SO HARD TO TELL”] - MTV
“Friday strikes a remarkable balance on her forthcoming debut LP, GOOD LUCK: between the boisterous and the tranquil, the erudite and the crass, a packed dancefloor and quiet isolation. Featuring unequivocal bangers like “I Got It,” “Pluto Baby,” and “Heartbreakerrr,” Debby Friday is destined for bigger stages in 2023 (“15 Artists to Watch in 2023”).” - SPIN
DEBBY FRIDAY GOOD LUCK
Tracklisting: 1. GOOD LUCK 2. SO HARD TO TELL 3. I GOT IT (feat. Uñas) 4. HOT LOVE 5. HEARTBREAKERRR 6. WHAT A MAN 7. SAFE 8. LET U DOWN 9. PLUTO BABY 10. WAKE UP
Today, marks the worldwide release of DEBBY FRIDAY’s GOOD LUCK, her supernovic, Sub Pop debut. The album features “SO HARD TO TELL,” “I GOT IT,” “WHAT A MAN,” and “HOT LOVE,” and was co-produced by DEBBY FRIDAY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto, and mastered by Heba Kadry in New York.
GOOD LUCK and its singles have earned DEBBY FRIDAY praise from the likes of New York Times, Pitchfork, STEREOGUM (“Album of the Week”), NPR Music, The FADER, Billboard, CRACK, Loud & Quiet, Slant, Nylon, FLOOD, Cool Hunting, Brooklyn Vegan, Treble, Dork, DIY, CLASH, Our Culture and more.
DEBBY FRIDAY has also extended her international headlining tour dates, and festival appearances supporting GOOD LUCK. Touring resumes tonight, Friday, March 24th, in Montreal at Phi Center and now runs through Sunday, September 3rd in Seattle at Bumbershoot.
New dates for this announcement include shows in the UK (Manchester and Leeds), France (Paris), Portugal (Lisbon), Australia (Sydney, Melbourne), Belgium (Brussels), and Canada (Quebec City, QC).
Of her recent appearances at SXSW, Rolling Stone raved: “Welcome to Planet Debby: If you wandered into the back room at Empire Garage and Control Room at the right moment on Thursday afternoon, you found yourself in the middle of an interstellar rave in full swing. Toronto experimental artist Debby Friday was onstage, performing a thudding electro-rap song with hints of Azealia Banks and Donna Summer… Leaping off the stage into the small crowd, she demanded that they come closer — “I need your energy!” — and kept on chanting, in a long vamp that bent space and time. It was the kind of serendipitous moment that makes SXSW one of the best places in the world to discover a new favorite.”
Fri, Mar. 24 - Montreal, QC - Phi Centre
Sat. Mar. 25 - Toronto, ON - The Garrison
Wed. Apr. 12 - Portland, OR - Mississippi Studios
Thu. Apr. 13 - Seattle, WA - Barboza
Fri. Apr. 14 - Los Angeles, CA - Zebulon
Sat. Apr. 15 - Vancouver, BC - Cobalt
Wed. Apr. 19 - Brooklyn, NY - Baby’s All Right
Thu. Apr. 20 - Chicago, IL - Empty Bottle
Tue. May 02 - Bristol, UK - Crofters Rights
Wed. May 03 - London, UK - Corsica Studios w/ Grove
Fri. May 05 - Krems, AT - Donau Festival
Sat. May 06 Brussels, BE - Botanique (La Rotonde)
Tue. May 09 - Paris, FR - La Hasard Ludique
Wed. May 10 - Lisbon, PT - ZDB
Thu. May 11 - Leeds, UK - Headrow House
Fri. May 12 - Manchester, UK - The White Hotel
Thu. Jun. 08 - Melbourne, AU - Rising (Max Watts) w/ Desire Marea
Mon. Jun. 12 - Sydney, AU - Vivid Wavyland Metro Theatre
Sat. Jul. 08 - Québec City, QC Festival d’été de Québec (FEQ)
Sun. Sep. 03 - Seattle, WA - Bumbershoot
Her upcoming short film GOOD LUCK is a pseudo-autobiographical tale, largely drawn from FRIDAY’s own life and experiences growing up as a zillenial anti-heroine. A surrealist reflection on the tumultuous whirlwind that is the end of adolescence and the emotionality of youth, GOOD LUCK is co-directed by FRIDAY and Nathan De Paz Habib (Chino Amobi’s Eroica, and The Bicycle).
GOOD LUCK is available now from Sub Pop. LP purchases from megamart.subpop.com, select independent stores in North America, the U.K., and E.U., and DEBBY FRIDAY’s live shows will receive the limited Loser edition on metallic silver vinyl (while supplies last).
What people are saying about DEBBY FRIDAY:
“Her first full-length is sweaty and determined, eager to deliver on its teeth-chattering beats with a feverish intensity. The influences are obvious, but the ways that Debby Friday crashes those sounds together are not.” [Album of the Week] - STEREOGUM
“GOOD LUCK is an assured and frequently surprising debut that feels like a trip into the lascivious, eclectic wormhole of Friday’s world – and with so much to take in, and so much fun to be had, you won’t want to leave (8/10).” - CRACK
“There’s an extraordinary elasticity across GOOD LUCK’s masterful production that makes repeated listens not just enjoyable but irresistible (8/10).” - LOUD & QUIET
“…An album that testifies to the liberating potential of making a racket.” [GOOD LUCK] - SLANT
“An explosive, pounding, relentlessly calisthenic dance-floor banger with attitude to spare. A pulsating beat flickers like a strobe light as Friday and Chris Vargas of the duo Pelada, appearing here as Uñas, trade braggadocious bilingual verses. ‘Let mama give you what you need,’ Friday shrieks before calmly assuring, ‘I got it.’” [“I GOT IT”] - New York Times
“In contrast to the pulse-quickening tempos and noisy synths of her past music, her production is deft and graceful, with a skipping beat and cascading backing vocals. ‘Lady Friday/All you do is rеbel,’ Friday chastises herself—tough talk against a fragile, gorgeous sound.” [“SO HARD TO TELL”/ “Best New Track”] - Pitchfork
“One of the young year’s most audacious bangers” [“SO HARD TO TELL”] - Billboard
“Intoxicating…” [“SO HARD TO TELL”] - Stereogum
“Hyperpop can sometimes come off as abrasive but in the hands of Canadian singer DEBBY FRIDAY it’s soulful, even elegant.” [“SO HARD TO TELL”] - NYLON
“A graceful entrance into yet another territory: lush R&B”[“SO HARD TO TELL”] - NPR Music
“If you’ve ever deep-dived into Debby Friday’s discography, you’ll know she slammed this single into left field, but man is it a hit! This edgy extraordinaire has taken a dip into the darkside via falsetto pop.” ” [“SO HARD TO TELL”] - MTV
“Friday strikes a remarkable balance on her forthcoming debut LP, GOOD LUCK: between the boisterous and the tranquil, the erudite and the crass, a packed dancefloor and quiet isolation. Featuring unequivocal bangers like “I Got It,” “Pluto Baby,” and “Heartbreakerrr,” Debby Friday is destined for bigger stages in 2023 (“15 Artists to Watch in 2023”).” - SPIN
