Today, New York City-based musician/producer Yuno is sharing the official video for “Massive,” a new single from Blest, his forthcoming full-length debut album, out Friday, May 16th, 2025, worldwide from Sub Pop.

For the new album, Yuno welcomed collaborators like Patrick Wimberly of Chairlift, who lends his sparkle to the fuzz-rock saunter of “Massive.” Yuno says of the visual, in which he stars and directs, “Someone told me this video looks like 2 a.m. childhood nightmare fuel about existential dread. I couldn’t agree more.”

Yuno has also announced headline shows in support of Blest beginning Wednesday, June 18th in Cambridge, MA at Middle East Upstairs,  a hometown album release show on Thursday, June 19th at Brooklyn, NY’s Baby’s All Right, and Friday, June 20th in Washington, DC at DC9. These shows are on sale now.
 

 
All songs on Blest were written and performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, and guitar throughout the record. The album also features additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta.
 
Blest is available to preorder on CD/LP/All DSPs from Sub Pop. LP preorders from megamart.subpop.com (North America), MM2 (in UK/EU), your local record store and at Yuno’s live shows will receive the limited Loser edition on White vinyl (Limited LP colors whilst stock lasts!).

Yuno
Blest
 
Tracklisting:
1. Blest
2. We Belong
3. Massive
4. Unfair
5. Perfect Pear
6. Fall Apart
7. Worst of Times
8. True
9. Gimme Ocean
10. Blitz!

New York City-based musician/producer Yuno is sharing details for Blest, his forthcoming debut album, out Friday, May 16th, 2025 worldwide from Sub Pop.
 
You can now watch the official video for “Blest,” the album’s ebullient title track, directed by and starring Yuno. He says of the visual, “I turned my entire home recording studio into a giant blue screen to make this video. I hope people in my building don’t get concerned about my storage unit filled with 1800 square feet of blue fabric and a 5-foot tall rose.”
 
All songs on Blest were written and performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, and guitar throughout the record. The album also features additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta.
 
Blest is available to preorder on CD/LP/All DSPs from Sub Pop. LP preorders from megamart.subpop.com (North America), MM2 (in UK/EU), your local record store and at Yuno’s future live shows will receive the limited Loser edition on White vinyl (Limited LP colors whilst stock lasts!).
 
Late last month, Yuno released another Blest highlight  “True,” a sweet track that marries trap and dream pop. It marked the first new material since the release of “Somebody,” his standalone single from 2021, and the 2018 EP, Moodie, which features his breakout single ”No Going Back.”
 
Yuno will also appear at the 2025 NonCommvention in Philadelphia on Tuesday, May 6th, 2025.

Yuno’s full-length debut, Blest, finds the enigmatic indie-pop visionary transforming the emo-tinged suburban malaise of his 2018 Moodie EP into more expansive, widescreen pop drama — suited for big moves and bigger stages. The kaleidoscopic sound he devised as a millennial hermit in his childhood bedroom in Florida has since broadened his horizons, taking him on tour with Unknown Mortal Orchestra and Superorganism, and soundtracking various series for Netflix and HBO. Imbued with elements of dream-pop, rock, trap, and psychedelia, his eclectic songs serve as bids for love and connection, which especially in the fractured era of social media, have resonated with many listeners who find solace in his vulnerability.
 
Yuno Moodie was born in New York to Jamaican parents from the U.K., and grew up in the coastal Southern city of Jacksonville, Florida. Raised on a sonic diet of reggae and hip-hop records — his father’s copy of 50 Cent’s Get Rich or Die Tryin’ was on regular rotation in the family car throughout the 2000s — Yuno’s musical tastes began to diverge after his grandfather gifted him a skateboard that he found in a garbage can. Eventually, and unexpectedly, Yuno’s new hobby would dovetail with a future career in music.
 
“The first time I ever got on a skateboard, I broke my foot,” he recalls. It was while he was on the mend that he fully immersed himself in video games like Dave Mirra Freestyle BMX and Tony Hawk’s Pro Skater,  famous gateways for many young punks of the millennial generation. As he studied skate videos to build on his athletic technique, he also cultivated a sixth sense as a composer and overall curator of vibes. “I’m always visualizing things when I’m making music and that helps me complete the full picture,” says Yuno. “To this day I’m like, ‘What does it need to make it fit in a skate video?’”
 
Having taught himself the bass and guitar at home, his early material began as impressions of harder bands like HIM, Rancid, and AFI; later, he would embrace anti-folk heroes like the Moldy Peaches and Daniel Johnston. With the advent of the social media predecessor Myspace, Yuno began discovering more eclectic local Jacksonville acts, like indie-pop darlings Black Kids — who offered a more diverse look and eclectic sound for the Bold City, which had then been defined by white radio rockers like Limp Bizkit, Yellowcard, and Red Jumpsuit Apparatus. “Seeing Black Kids’ success showed me more of what I could do,” says Yuno.
 
In time, Yuno taught himself to produce on his laptop, and filled his childhood bedroom with instruments to cultivate a more full-bodied sound, in which he married crunching pop-punk riffs with glimmers of synth strings  Yuno uploaded his ballads of teenage longing to Soundcloud, where they began to catch fire within the indie blogosphere — and by 2014, caught the attention of Shabazz Palaces emcee and Sub Pop A&R representative Ishmael Butler. At that time, Yuno had never performed a live show, and could count the number of concerts he’d been to on one hand.
 
“He DMed me for new music, but I didn’t have anything to bring him,” recalls Yuno. “A year or so later, he came back and asked, ”Do you mind if I share your music with Sub Pop?’ Apparently, they liked it, and I flew out to Seattle to meet everybody.”

That visit resulted in a record deal with Sub Pop and eventually, his 2018 debut EP, Moodie. The record’s evocative, yearning hooks and cinematic ambience made a suitable soundtrack for film and TV. His surfy pop track “Sunlight,” a summer sketch he revitalized from 2012, was featured in an episode of the Netflix series Atypical; and the gossamer melancholy of “Fall in Love” made for a haunting needle drop in comedian Ramy Youssef’s HBO special, Feelings.

By this time, Yuno had moved back to his birthplace of New York City and settled in Bushwick — just before the Covid-19 pandemic had threatened to stall his music career, along with the world. Sequestered at home once more, like the monastic days of his youth, Yuno began piecing together his foundation for Blest. “For the first time in my life, I was social, going to shows, and meeting new people,” says Yuno. “Then I had to kind of go back and revert to just being in my bedroom all day. It was strange, but I was used to it!”

As the pandemic eased, Yuno welcomed collaborators like Nick Sanborn of Sylvan Esso and Patrick Wimberly of Chairlift, the latter who lends his sparkle to the fuzz-rock saunter of Blest track, “Massive” — “The bane of staying young is gettin’ older,” sings Yuno, speaking to the all-too precious resource that is time. Co-producer Frank Corr, the NYC artist who performs as Morning Silk, introduced an array of vintage synthesizers to the musician.

Yuno’s superpower lies in the way he mines a multitude of genres for their pop potential and surfaces with a tapestry that feels novel and fresh. Take, for instance, “Blest,” the immediate, blissful, and bright title track, which is inspired by Rich Harrison-breakbeats and Neptunes-esque jangle. Or the breezy single, “True,” which he began writing at producer Sanborn’s Betty’s in Durham, NC, Yuno moderates a lover’s quarrel with slick, trap percussions. Amid the breakbeated dream-rock of “Gimme Ocean,” he introduces his guitar solo with a searing emo scream, run through an EarthQuaker Devices pedal. Don’t let his sanguine aura or his sherbet pink wardrobe fool you; he can shred as hard as he wants to when he wants to.

Yuno
Blest
 
Tracklisting:
1. Blest
2. We Belong
3. Massive
4. Unfair
5. Perfect Pear
6. Fall Apart
7. Worst of Times
8. True
9. Gimme Ocean
10. Blitz!

Surprise! Today, Yuno has returned and stars in the official video for “Somebody,” his irresistible emo-pop single, directed by Jordanna Koffsky. The song is his first new recorded output since the release of 2018’s Moodie and is available now worldwide from Sub Pop.

Yuno says of the single, “Spending so much time at home during the pandemic brought back a lot of feelings from my adolescence. I grew up as somewhat of a loner–spending most of my time isolated in my bedroom, and I wanted to capture the parallels between my life now and the life of my younger self. I drew a lot from the pop-punk, post-hardcore, reggae, and southern hip hop that I’ve loved throughout my life. I feel like my 14-year-old self would be very proud.”

“Somebody,” was written by Yuno Moodie, produced by Moodie and Christoph Andersson, mixed by Andersson and mastered by JJ Golden.

Artists from the labels’ rosters are covering their favorite Sub Pop/Hardly Art songs.

Sub Pop and Hardly Art are, together, very excited to announce Got You Covered (a cover song series)! Got You Covered will feature Hardly Art and Sub Pop artists covering their favorite songs from the labels’ catalogs. Beginning today, Monday, July 6th at 6 pm PT (and every weekday evening this week), artists like Yuno, Chad VanGaalen, Lala Lala, Whitmer Thomas, and Jenn Champion will offer their takes on songs by Beach House, The Vaselines, Chastity Belt, and Nirvana.

The first installment of Got You Covered, Yuno’s excellent and sweetly affecting rendition of the Beach House song “Zebra,” is available to see/hear right now here.

Second in the series, here now is Jenn Champion’s take on Nirvana’s “Dive.”

Number three from the Big Baby himself: comedian / musician / world-famous actor Whitmer Thomas covers his friends Chastity Belt’s anthemic hit “Different Now” over here.

Please join us here in our appreciation of multi-talented weirdo Chad VanGaalen covering The Vaselines “Jesus Wants Me for a Sunbeam.”

Polish singer and producer Perfect Son covers Chad VanGaalen’s “Molten Light” from beloved (and recently repressed to vinyl!) album ’Soft Airplane’ here.

Here’s Lala Lala’s lovely rendition of Beach House’s “Space Song.”

Prepare to be mesmerized here by Morgan Delt covering another mellifluous Beach House classic, “PPP.”

Rounding out this week’s collection of ‘Got You Covered’ tunes, here’s Alicia aka Bully absolutely shredding a cover of Sub Pop alum Orville Peck’s hit song ‘Turn to Hate.”

Yuno’s Moodie, his debut EP, is now available worldwide on Sub Pop.

Yuno has directed an official video for his reworked single “Sunlight,” which is now available in its new form through all DSPs today via Sub Pop.
 
The “Sunlight” single is an ode to joy, and it’s collage-like visual follows Yuno spending time with friends and creating music. He says of the video, “This song is about longing to be with someone you care about. I just started touring last year, and I got to meet a lot of people in person that I’ve been friends with for years. I was also far away from people I care about. I wrote this song a long time ago, but I wanted to update it and capture the feeling of how relevant it is in my life right now.” The “Sunlight” rework was co-produced by Yuno and producer Lars Stalfors (Lil Peep, HEALTH, Bob Moses, Matt and Kim).

Yuno’s “Sunlight” along with his breakout single, “No Going Back,” are currently featured in the hit Netflix film, The Perfect Date (see Refinery 29 April 24th).
     
Yuno’s Moodie, his first-ever collection of songs, is available now worldwide through Sub Pop. Moodie was written, performed, and produced by Yuno.

 
What people are saying about Yuno:
“An early entry into the race for song of the summer.” [“No Going Back”] - NPR Music
 
“‘No Going Back” insists what we’re all thinking for the new pop wunderkind: Only forward.” [“No Going Back”, Best New Track] -Pitchfork
 
“A masterfully written song, but instead of being polished to a bore, it feels handmade, with a fuzzy guitar solo, meaty bass, and a euphoric bounce.”  [“No Going Back”] - Pigeons & Planes
 
“Yuno’s lithe voice floats amidst the cheerful soundscape, bouncing off the plucky piano keys… the brand of sunny pop displayed on ‘No Going Back’ should earn him his own cult fanbase.” - Impose
 
“It’s light and breezy indie-pop, with warm and bouncy synth-lines softly coloured overck with warm piano melodies and guitar solos. His vocals – fitting beautifully into the current psychedelic renaissance spearheaded by the likes of Tame Impala and Washed Out – pour out an infectious melody that’s simultaneously great fun and inflected with melancholy.”  [“No Going Back”] - Indie Shuffle
 
“Bouncy and bright…” [“No Going Back”] - Gorilla Vs. Bear.
 
“Charming us all with its buoyant pop flair and instrumentals that sound as if they were seemingly dipped in sunshine, “No Going Back” signals Yuno’s return in a way that’s almost impossible to shake. “No Going Back” is as promising as it is optimistic.”  [“No Going Back”] - The Grey Estates

“Drifting digital pop casting a bittersweet spell.”  [“No Going Back”] -CLASH